Eric e la sua collega guerriera Sara, cresciuti come membri dell'esercito di ghiaccio della Regina Freya, cercano di nascondere il loro amore proibito mentre lottano per sopravvivere alle ca... Leggi tuttoEric e la sua collega guerriera Sara, cresciuti come membri dell'esercito di ghiaccio della Regina Freya, cercano di nascondere il loro amore proibito mentre lottano per sopravvivere alle cattive intenzioni di Freya e di sua sorella.Eric e la sua collega guerriera Sara, cresciuti come membri dell'esercito di ghiaccio della Regina Freya, cercano di nascondere il loro amore proibito mentre lottano per sopravvivere alle cattive intenzioni di Freya e di sua sorella.
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This film tells the story of a fierce huntsman who goes on a quest to stop the evil ice queen from getting the magical mirror that will make her invincible.
I am positively surprised by how much I enjoyed watching "The Huntsman: Winter's War". The visuals are stunningly beautiful. I find myself in awe of the marvels of the ice palace. The hairstyles and costumes of the queens, Ravenna and Freya, are super beautiful too. I was amazed by the scene where Charlize Theron has gold on her eyes, the whole image is stunning.
Seeing Emily Blunt as an emotionless icy queen is very interesting as well. After watching her in "Edge of Tomorrow" and "Sicario", I could hardly imagine her as a royally beautiful and majestic queen. Yet, she is perfect as the queen who is deeply hurt and hence deeply cruel.
I enjoyed every minute of "The Huntsman: Winter's War".
I am positively surprised by how much I enjoyed watching "The Huntsman: Winter's War". The visuals are stunningly beautiful. I find myself in awe of the marvels of the ice palace. The hairstyles and costumes of the queens, Ravenna and Freya, are super beautiful too. I was amazed by the scene where Charlize Theron has gold on her eyes, the whole image is stunning.
Seeing Emily Blunt as an emotionless icy queen is very interesting as well. After watching her in "Edge of Tomorrow" and "Sicario", I could hardly imagine her as a royally beautiful and majestic queen. Yet, she is perfect as the queen who is deeply hurt and hence deeply cruel.
I enjoyed every minute of "The Huntsman: Winter's War".
The Huntsman: Winter's War is great fodder for fans of the genre; the slenderly plotted film moves along at a nice pace and the cast do a decent job with what they're given. Although it's undoubtedly a cash-grab sequel (do not believe the "before Snow White" marketing), it manages to argue its case for existing fairly well. Contractual obligations aside, Hemsworth and Theron resume their roles with great gusto, with Hemsworth arguably vastly improving on his performance in the first film. Throw in Emily Blunt and Jessica Chastain and you're confronted with a pretty enviable - if surprising - cast for a film of this level.
The basic driving plot of the film is centred on Eric's (the previously anonymous Huntsman from the first outing) dubiously arranged quest to locate and return the powerful magic mirror, before it falls into the wrong (icy) hands. Accompanied by some foul-mouthed dwarfs, the scenes in the forests and fields are probably some of the better sequences in the film, if only for their tonal consistency rather than their originality. These portions of the film focus on action and comedy, and the camaraderie comes across well enough.
This quest is framed at both the start and end of the film by a strange and rather hastily delivered - yet nonetheless enjoyable - story of two sisters and a sad betrayal. Ravenna (Theron) and Freya (Blunt) are supposedly the closest of siblings who become parted by a very dark event that awakens a great power within Freya. Fleeing her sister's kingdom in a mix of despair, anger and confusion, Freya sets up home in the mysterious "North" and uses her new strength to gather children to train as her army. It is here that the two stories are tied together, with stolen children Eric and Sara (Chastain) growing to become two of her trusted Huntsmen. The scenes in the North are mostly effective and judiciously used; the muted colour palette here isn't allowed to become boring, and this mini saga is undoubtedly uplifted by Blunt's delicate performance.
If you have seen the trailers for this film and are keen to experience the full thing, go in with realistic expectations and you'll have a fun two hours; I am certain that the vast majority of prominent critics will despise this film, but it wasn't made for them. Yes, it's a patchwork production of popular elements from other sources and is generally a rather campy affair, but that's what makes it such an inoffensive and entertaining film. There is plenty to like here, if you give it a chance.
The basic driving plot of the film is centred on Eric's (the previously anonymous Huntsman from the first outing) dubiously arranged quest to locate and return the powerful magic mirror, before it falls into the wrong (icy) hands. Accompanied by some foul-mouthed dwarfs, the scenes in the forests and fields are probably some of the better sequences in the film, if only for their tonal consistency rather than their originality. These portions of the film focus on action and comedy, and the camaraderie comes across well enough.
This quest is framed at both the start and end of the film by a strange and rather hastily delivered - yet nonetheless enjoyable - story of two sisters and a sad betrayal. Ravenna (Theron) and Freya (Blunt) are supposedly the closest of siblings who become parted by a very dark event that awakens a great power within Freya. Fleeing her sister's kingdom in a mix of despair, anger and confusion, Freya sets up home in the mysterious "North" and uses her new strength to gather children to train as her army. It is here that the two stories are tied together, with stolen children Eric and Sara (Chastain) growing to become two of her trusted Huntsmen. The scenes in the North are mostly effective and judiciously used; the muted colour palette here isn't allowed to become boring, and this mini saga is undoubtedly uplifted by Blunt's delicate performance.
If you have seen the trailers for this film and are keen to experience the full thing, go in with realistic expectations and you'll have a fun two hours; I am certain that the vast majority of prominent critics will despise this film, but it wasn't made for them. Yes, it's a patchwork production of popular elements from other sources and is generally a rather campy affair, but that's what makes it such an inoffensive and entertaining film. There is plenty to like here, if you give it a chance.
I want to say at the very beginning that at the base of this prequel/sequel is a false premise, or a logical fallacy. If one does remember the first movie, there's no way this one can be truly connected to the same story and characters. This is simply a story line that was stretched and contorted so another movie could be created with Charlize Theron as the evil queen and Chris Hemsworth as the huntsman, everything else didn't matter, the producers thought they could get some more money from the struggle between these two and the rest simply had to fit in. I knew that before I went to see this one, and I was practically ready to hate it. I didn't. And once again, the main reason is the acting. To be more precise, it's the three actresses pulling this unlikely story from start to end. Charlize Theron, once again menacing and chilling as the evil queen, with less fragility and less humanity. Which is, in my book the worst fault of this movie: if one does decide to further develop the characters of the first movie, the starting point should've been the origins of Ravena's hate for all men, and of human emotions. The creative team didn't go this way, this in fact made Ravena a two dimensional cartoon. Only Charlize Theron brilliance manages to make her somewhat relatable. Then there's Jessica Chastain as Sara with a performance filled with subtleties and nuances, managing to look like a fierce warrior and still make us feel she has a beating heart in her chest. But both Jessica Chastain and Charlize Theron pale in front of the real standout performance of this film, that's the one of Emily Blunt. The truth is, she does have the best written role in the film, and she carries it and in fact the entire movie all the way through. If only they could do the same for Charlize Theron, this could've been a real something to see. But even as is, the movie is surprisingly engaging and entertaining.
The Huntsman: Winter's War may have its flaws, but is an undeniable improvement over the first which appears even more average due to the new life found in the second. Some dodgy and questionable accents aside, the main four and the supporting four all compliment each other and offer strong and more complex performances (especially those returning), if only the underrated Sam Clafflin got more of a look in. Beautiful scenery, landscapes and effects all help in building this fantasy world and the before-and-after structure helps with the flow of the story once you overcome the inceptive confusion. I went into this film expecting to come out disappointed but instead did so feeling pleasantly surprised at the increased quality and final product.
Summary: The Huntsman: Winter's War, whilst with its flaws, is an undeniable improvement over the first instalment, with rich scenery and landscapes bolstered further by solid performances all round.
FULL REVIEW: http://goo.gl/jrMAbH
Summary: The Huntsman: Winter's War, whilst with its flaws, is an undeniable improvement over the first instalment, with rich scenery and landscapes bolstered further by solid performances all round.
FULL REVIEW: http://goo.gl/jrMAbH
The Huntsman: Winters War doesn't work well as a prequel to 'Snow White and the Huntsman' due to a number of anomalies pointed out by others, mainly relating to the lack of Ravenna's brother Finn in her past and the presence of a new sister. However, treat it as a separate film and it's pretty good. Chris Hemsworth plays his part well and Charlize Theron is the fairest of them all, if not the nicest. The special effects are well wrought and the adventure keeps you watching. As in the previous film, the dwarfs provide light entertainment. Enjoyable hokum and great escapism. I enjoyed it.
Jessica Chastain Through the Years
Jessica Chastain Through the Years
Take a look back at Jessica Chastain's movie career in photos.
Lo sapevi?
- QuizIn the weeks following the Sony e-mail hacks, which made public thousands of privately circulated messages relating to the studio and its practices, it was revealed that Charlize Theron was to be paid substantially less to reprise her role in this film than her returning co-star, Chris Hemsworth. Theron, herself a proven box-office draw, refused to sign on to the film unless Universal agreed to pay her the same salary as Hemsworth. The studio accepted her terms, and both Theron and Hemsworth were paid just over $10 million each for the film.
- BlooperIn the previous film, Queen Ravenna had a very close, somewhat mystical bond with her brother Finn, who was her head enforcer. He is also seen during a flashback to when Ravenna received her magic powers. This film, however, makes absolutely no mention of him in either the scenes set prior to the first film or the ones set afterward. In addition, there is no indication in the first film of Ravenna having any other siblings besides her brother.
- Curiosità sui creditiThe world in the Universal logo turns to gold and morphs into a mirror.
- Versioni alternativeIn Singapore, the film was edited for a PG13 rating. The distributor chose to remove the sex scene between Sara and the Huntsman. The uncut version was classified NC16.
- Colonne sonoreCastle (The Huntsman: Winter's War Version)
Written by Halsey (as Ashley Frangipane) and Lido (as Peder Losnegård)
Performed by Halsey
Orchestral Arrangements by James Newton Howard
Courtesy of Astralwerks
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El Cazador y la Reina del Hielo
- Luoghi delle riprese
- Wells Cathedral, Wells, Somerset, Inghilterra, Regno Unito(exterior scenes, interior scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 115.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 48.390.190 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.445.035 USD
- 24 apr 2016
- Lordo in tutto il mondo
- 164.989.338 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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