Three of Us

The movie creates an impact on the viewers. Shefali ,Jaideep, Swanand..have done justice to the roles, its a slow paced movie, with perfectly matching emotions, memories, background music, scenes story and poetry. The Story is a pursuit for Childhood memories in the midst of todays world of Dementia.

Its a step, seldom people taken in the world of today.

Why should we go back,We should we remember the past? Why take steps back? Is there any value? Is it worth the time? What do you stand to gain go back? Why waste time? Do we need to go back and undo things? Do we need to say Sorry for mistakes of the past?

Three of Us is simple, straightforward, and realistic storytelling done right. The plot isn't pathbreaking given there are recent examples worth referring to, but it's the film's picturesque Konkan setting, soothing soundscape, and lovely performances that make it memorable.

It helps that the director in Avinash Arun takes precedence over the cinematographer, as he's not only able to treat us to beautiful frames, but also able to tell a moving story about someone looking to reconnect with their past, with the likelihood of forgetting it all again. Shefali Shah makes even the gentlest of smiles and glances mean something more in a performance that warrants every bit of attention it gets. She's already on a fantastic run lately, and I'm sure she'll keep delivering solid work.

Jaideep Ahlawat backs her up in a wonderfully written supporting role (with a spectrum of emotions), and he carries the poetic demeanor with consummate ease. Kudos to the man for having taken on roles that bring out the versatility in him - An Action Hero, this, and Jaane Jaan immediately come to mind. All these characters are demanding in different ways, and they're all safe in Jaideep's hands.

Swanand Kirkire is also endearing and sweetly relatable in the role of Shefali Shah's husband, and during their low-key exchanges, there's an irresistible next-door charm to them. While the use of music/score is commendable in certain portions, what I truly want to appreciate is the use of ambient sound. There's a scene with Shah's character sitting at a park in Mumbai, the city sounds in that particular scene evoke the feel of tidal waves, and it acts as a precursor for when the couple actually visit the Konkan coast.

Some scenes feel slightly rough around the edges, especially one where the husband-wife conversation displays signs of heat (but is defused shortly after) in the pre-final act, along with the one at the hut with an elderly woman. On the other hand, there are some absolutely brilliant stretches of writing and acting. The ferris wheel sequence is symbolic of the circle of life. It's true; the older we get, the yearning for home, and the opportunities to reconnect with childhood friends & memories keeps getting stronger. Also, I like how dementia isn't the film's centerpiece, although its undercurrent is felt throughout.

I have been waiting for this one too release on OTT for the longest time since 2022. And boy, what pure representation of cinema this is. Absolutely a gem. And I wonder how Shefali nails it every freaking single time. No drama, no loud dialogues, only pure acting with her eyes and expressions. Beautiful. Shefali is One of the finest actors we have today.

A perfect cast, very delicately directed and the cinematography is just beautiful, every frame is a masterpiece. Soothing and warm. The small town vibes, the beaches, and the sounds. Makes a way right through the heart and comes out as tears.

A must watch. And real cinema after ages!! Great job.

"To know and feel all this and not have the words to express it makes a human a grave of his own thoughts."

I want to begin the review with the quotes by metaphysical poet John Donne. I had recently quoted his poem for the terrific "Sapta Sagaradaache Ello: Side A (2023)," and "Three of Us" echoes the same yearning and ethereal feeling. It has been hours since I saw the latter, but I am still grappling with the film's emotions, like an outlander lost in a labyrinth. The profound impact is such that I have been daydreaming about alternative closures, vividly imagining the characters assuming different fates, especially Shailaja (Shefali Shah). I really tried to brush off the thought of putting together a movie in my mind. I knew that dwelling on it would only evoke a melancholic feeling, a stillness which sometimes is comforting, isolating, inviting thoughts and to ponder on life in a good way. This hit me so hard with its simplicity that I feel compelled to share something about it.

Coming to the story, those who have seen the trailer will have a general idea of the plot and it very much lingers on the same thread. It is a poignant film touching on the fading memories of a woman diagnosed with dementia as the mundanity of her life looms over her, like a heavy weight on her heart and mind. She had a sense of yearning to visit her childhood home set in the Konkan region of Maharashtra. Compelled by this longing for her childhood home, she embarks on a journey to confront the nostalgia, the echoes of guilt, and the regrets that have haunted her. She is accompanied by her husband Dipankar Desai (Sawanand Kirkire) who supports her quest. As the plot moves, her journey is captured with a nostalgic lens, congregating between worlds with a bittersweet intersection of a childhood crush Pradeep (Jaideep Ahlawat). From here we see so many emotions at play as the arrival of the latter begins to fill and create a void for the people involved and gradually results in fall out. But Shailaja who is now viewing the world through a foggy lens treads among the familiar streets of her childhood with her husband and former flame by her side. I don't want to delve more into the plotline as it is a tapestry of various emotions, inviting contemplation and reflection and an experience to be viewed in its own right.

I'm very hesitant to recommend it to everyone due to its pacing and the screenplay devoid of clichés which is its greatest asset. In the fast-paced smartphone generation sitting through "Three of Us" is a big yawn and it is definitely for the acquired taste. But this is the kind of movie that passionate cinephiles must support and SPREAD THE WORD. Kudos, to director Avinash Arun Dhaware and the team for this gem. Personally, this has to be his best considering his brilliant body of work. I love the choice of his characters and it hits the bull's eye in this film, they seem to complement each other very well. It is so tough to pick one as the best performance, everyone has aced it all around and gelled realistically to their respective character traits.

In closing, it is an experience to witness Shailaja in the forgotten yet flourishing garden of her memories and the question of whether she found solace and redemption must be savored as a bittersweet delight. You can smile but you're also about to feel sad but can't do either.

This film was made with a very heart-touching and gentle observation of human relationships. It takes perspective on experiences of loss, trauma, and healing. The lighting and angles in this film are very natural. Every frame speaks to the character's emotions...

Mesmerizing performances by Shefali Shah, Jaideep Ahlawat and Swanand Kirkire. The expression on Shefali's silent face is so powerful that you can understand what she wants to say. Jaideep Ahlawat, one of the finest actors of Bollywood, his every gesture, his expression, his every line with brilliant editing is extraordinary to read. You may feel that every relationship cannot be described in words...Especially the poetry recited by Jaideep is so impressive that the entire film becomes poetic...

The natural and instinctive understanding portrayed by Sarika , Pradeep's wife (Kadambari Kadam) demonstrates the strength of the finest bond they share as a husband and wife...

"Tomorrow will only come when today is played out"

""No one remembers their daily life...We forget as time passes,we change" Are the most valuable takeways to watchout for...