Cheap Thrills

Cheap Thrills has the type of concept which could easily live up to its title. Two rich sickos torturing a couple of poor strangers by daring them to do progressively twisted tasks could result in an exploitative B-movie designed to shock the audience for the sake of it. Thankfully, Cheap Thrills manages to offer much more than a few cheap thrills. It's actually an intelligent, engaging and darkly humorous little film with a few hints of postmodernism not too dissimilar to Funny Games.

Pat Healy and Sara Paxton made a terrifically witty duo in Ti West's limp, The Innkeepers and deserved to appear in a much better film. Cheap Thrills is that better film, and whilst Sara doesn't have particularly much to do, Pat puts on a similarly likable performance as the down on his luck protagonist, who we can all relate to. In fact, all of the characters manage to be engaging and interesting. I love how realistically the film progressed from a friendly encounter on a night out to a sick set of dares.

For a film largely set in one location with just four characters, it's never boring. Quite the opposite, in fact I was left wanting more and I think it could've pushed the boundaries more, but that's probably just my twisted horror nut coming out! Where the film actually succeeds is that it doesn't make the dares the focus of the entire film. Instead it's much more concerned with the characters and how they develop, thus making for a much better quality and more involving piece of filmmaking.

The comment it makes on society is quite heavy-handed but nevertheless an intelligent and relevant one. It's best to view the two rich psychos as symbols, rather than characters. They're obviously representative of the bourgeoisie and how they exploit the poor minority. However, the film also makes a subtle comment on the psychotic nature of audiences too. I thought that the ending kind of made out like the psychos were doing it all for us, the viewing public, thus adding another intelligent and postmodern layer to the film.

Overall the film is a striking debut and this E.L Katz bloke looks like he has a promising future in the horror movie industry. His directing was consistently intense and he managed to build some massive amounts of tension. Cheap Thrills may falter on repeated viewings (due to the lack of a surprise factor) but for a first time viewing there's very little to complain about. Perhaps it could've been a little more twisted, but really I was surprised by how intelligent the screenplay actually was. Cheap Thrills offers a lot more than its title suggests. It's probably one of the best horror-comedies we've had in a while.

Cheap Thrills is a film that doesn't come with a lot of hype, which it greatly benefits from , because it will surprise you!

Its a morality tale. What would you do with the lure of big money? Will you turn on your friend and family in order to earn a quick buck? What can pressure do to us? All of these questions are asked and they are answered in a very blackly comical way! The main character's chemistry with his best friend, who both embark on this dark game, is what carries the film the most. Comedy aside, it feels real. It feels like these guys have known each other for a life time, so when the games get darker, you sense that money has overridden all sense of loyalty and rational thinking. Its a scary reminder of what money can do to a person.

As well as being scary and comical, there are a few scenes of shocking violence that will please the more extreme fan. Thankfully the director doesn't overdo it, which gives the violent scenes all the more impact.

Acting, Cinematography, Script, and a sense of connection, makes Cheap Thrills another movie that proves that lower budget films are capable of matching it with the mega budget movies as far as enjoyment is concerned.

Saw this at SXSW and I must admit it was very well done. This won the Audience Award for the Midnighters at the festival and it is wholeheartedly deserved. The film is a hybrid genre film with a constantly shifting tone of hilarity, drama, thrills, and extremely dark themes.

The story follows everyman Craig (Pat Healy, who should finally get some deserved recognition for his extremely demanding role in this) who is down on his luck after having a really bad day. He hits the local bar on the way home from work and sees an old high school buddy (Ethan Embry, in an against-type role that completely works) and the two meet up with a strange couple that wants to have a drink with them (David Koechner and Sara Paxton, who are both deliciously hilarious and mysterious). The four then have what can only be described as a truly horrific night and that is all I really want to say about it because the less you know the better. The concept of the film is laid out easily and quickly, which is developed fully throughout the film as the stakes are raised higher and higher with every passing minute.

I must say that I was very happy to see the movie take so many risks. The content of the film is definitely not for the faint at heart, but if you like envelope-pushing pieces than this is the film for you. Im sure this will divide audiences, but the theater I was in had a great energy and made the film really fun to watch. The director EL Katz introduced the film and told the audience that "it is okay to laugh." After seeing the film, I understand why he said that. There are so many uncomfortable, cringe-inducing moments in the film that the only thing to do is either to curl up in the fetal position or laugh your head off. I had no clue where it was going and the final image in the film will go down as a classic final shot. It is perfection.

People will be definitely talking about this one. It is highly entertaining, the performances are excellent, the writing is tight, and the content of the film is entirely original and unpredictable. I actually saw it twice during SXSW and it was even better a second time. Tons of twists and turns, so please DO NOT spoil it for yourself. Go into it with little knowledge and enjoy the twisted mayhem.

Pat Healey of The Innkeepers fame plays a family man and blue collar worker who receives an eviction notice and is laid off on the same day. On the way home, he runs into an old friend at a bar, and the two of them run into an eccentric rich couple played by David Koechner and Sara Paxton (again of The Innkeepers) who propose a twisted series of games for money at their private residence.

To compete against each other for large rewards, Craig and Vince engage in more and more disturbing acts of depravity, self-mutilation and moral bankruptcy.

This is a shocker, and a hard-to-watch one at that. What keeps it bearable is that it's a very FUNNY shocker, particularly with Koechner providing most of the black comedy.

Ultimately this is an allegorical haves-and-have-nots tale that looks at the lengths people will go to in the name of financial desperation. The climax is disturbing and had me doing some sharp self-reflection. Not bad for a first-time director and a tiny budget.

I haven't felt this bad at the end of a movie since REQUIEM FOR A DREAM. This film, from E.L. Katz, is the ultimate feel-bad movie of the year. Believe it or not, I mean this all as praise. CHEAP THRILLS is a movie that drives its point home like a nail to the head. It's a dark comedy, emphasis on the dark, that aims to sensationalize the perceived apathy of the upper class to the suffering of the lower class, going so far as to take perverse joy in it. I never recall laughing over the course of the movie, but there were a few chuckles scattered amongst the groans and cringes. It opens on the worst day of Craig Daniels' (Pat Healy) unfortunate life. He wakes to an eviction notice posted to the door of the apartment where he lives with his wife and baby, and he's fired from his menial job at an auto shop later that afternoon. While he's drinking his problems away at a seedy bar later that night, he's reunited with an old friend, Vince (Ethan Embry) who earns a living rough housing gamblers to collect on debts. The night shifts in an interesting direction when they meet Colin (David Koechner) and his wife Violet (Sara Paxton), out on the town to celebrate Violet's birthday with some harmless. Colin and Violet enjoy betting each other on the pettiest of prospects (i.e. how a bar patron chooses to ogle the bartender), and they see an opportunity to have some fun with Craig and Vince. It starts simple…who can drink their shot of tequila the fastest or who's willing to slap a stripper on the butt… but, as the night goes on, the game grows more sinister.

CHEAP THRILLS wears its message on its sleeve. It's a frightening glimpse at the power of money and the lengths some will go to get it, but it's also a statement on what passes for entertainment now. The first point is the most blatant, as it's basically the premise of the movie. Colin and Violet are filthy rich. We don't know how he acquired his money; we just know he's got $250,000 chilling in an unlocked safe in his office for the sole purpose of blowing on his wife's birthday. Money is nothing to these people. But for the common man (in this instance, Craig and Vince), money is everything. Craig has a family to look out for and every cent earned goes toward securing their future. Vince is a thug who'd made some poor choices and sees a chance at a better life. At first it's all a game, but then it all goes south and the greed takes hold. Meanwhile, Colin cheers them on like a man watching the latest UFC fight at the local bar and Violet…well…Violet's chilling. She says very little over the course of the night but it quickly becomes apparent that there's something disturbing under her gorgeous visage. She's calm and collected, often seeming disinterested in the events unfolding around her. Again, it's all a game to these two and Violet shows a chilling disconnect from Craig and Vince's pain.

But, really, the audience isn't much better. The premise of CHEAP THRILLS reminds me a lot of modern culture's obsession with reality television. Average people are paraded about and put into often uncomfortable situations with the promise of potentially walking away with a nice chunk of change. People have no problem going on national television for the amusement of others to chow on bull testicles or knock themselves around in some bizarre obstacle course for the chance at wealth. Well, it's no different than what Craig and Vince endure in CHEAP THRILLS. Colin and Violet aren't any better than the general reality TV audience except, you know, their pretty evil. Things get insane here. This is definitely not a film for the feint of heart. I'm not the queasy sort of dude but there was some stuff here that had me gritting my teeth. This movie is determined to show the ugliness of greed and how it corrupts even the best intentions. This becomes apparent in the final third of the movie when it's obvious there isn't really a "good" guy anymore. We essentially start rooting for Craig. He's the family man who needs the money to give them a life but, by the end, he's just as ruthless as Vince. If anything, Vince is the less sympathetic character but retains the most humanity in the final moments. CHEAP THRILLS is a punch to the gut with a cast of characters that's impossible to associate with and it leaves a sour taste in your mouth when the end credits roll, but it's an entertaining funhouse mirror of a movie that goes off the rails to reflect some of the darkest elements of our culture.