Paterno

Cable TV is really hitting it out of the park these days. Paterno is one of the better movies I've seen in awhile including theatrical movies. I probably don't need to recap the entire plot for anyone, since the news covered it widely at the time. This film centers on the horrific Penn State scandal of sexual molestation of young boys by a man who was at one time on the Penn State coaching staff and was a "pillar of the community." What makes this different though than any news coverage you've seen is that it goes inside Joe Paterno 's life to show the downfall of a community and sports icon from the inside.

Of course, one must take into account that filmmakers take some license when it comes portraying Paterno and his family. While I'm sure they did their research, they weren't actually sitting at his dining room table for those intimate encounters with his kids during the aftermath of all of this. I think a question that most people had when they heard about the scandal was, "What was Joe Paterno thinking? Why did this powerful leader not do more? What was going on inside head?" This movie delves into that, giving an interesting and very possible take on what really was going on inside Paterno's head. Other great things about this movie: Riley Keough is fantastic as the reporter who originally breaks the case, and Al Pacino is so amazing as Paterno that you will forget you are even watching Pacino.

As I studied at PSU (The Pennsylvania State University) in 2009, I felt fortunate to have this opportunity to learn, albeit a surreal sadness at some dark happenings underneath the "Happy Valley" life, as it's known colloquially. This movie seemed to capture the essence of my memories - a work ethic and a quality of education comparable to those of the Ivy League, and esprit de corps which few will ever rival... I only met Joe-Pa one time, at a game. I felt so lucky to shake his hand, and knew I was in the presence of greatness, a man larger than life, a man with his name on the library I would spend so many hours sleeping in... haha That said, I only met Graham Spanier one time, by happenstance - I was searching for a seminar related to Asian Diaspora, but walked into the wrong lecture hall. I have never been greeted with more rudeness, or condescension in my life. I felt so small, and he gave me his card, advising me to refer any problems (regarding my attendance, etc.) to a number, which I just discarded.

There were good and evil people who manifested this story. I felt no sadness for President Graham Spanier, as I thought very little of the man. I felt no empathy for the "security": Vice President Gary Schultz and Athletic Director Tim Curley. In my humble opinion, these men were negligent in their most basic of duties, and I don't feel the need to extrapolate. I must come to terms and accept that this will never happen again, but only if people become less like my hero: Joe-Pa, a man only guilty of being naive in a world which doesn't revolve around football. Naivete aside... The acting, on all accounts, and by all involved, is stupendous! I cannot believe the low ratings, but I feel it will never be appreciated by those who never met the men involved, or understand the deep love of sports, success, and all those who facilitate it and further great institutions. I hope people may see beyond the media hype, and see this as a story of victimization, which can no longer be an ignored secret. We can no longer tolerate a society which ignores social problems, such as child abuse. I hope this movie, done in excellence, as far as acting and directing, iserves as a cautionary tale and is not judged simply because it was not as exciting as a Marvel flick. This should go down as one of Pacino's unrecognized, great works, for those of us who revered Joe Paterno. Thank you for reading, and stay ever vigilant in today's society. (9/25/2018)

Very disappointed in this sketchy HBO presentation. which glosses over many key characters and injects bits and pieces of real events and presumed behaviors to a viewing audience which can be easily confused by the scattershot script and direction. It seemed like a series of story boards out of order. The film needed much more character development, as well as more coherent storytelling.

People who hate this film or its implications that Paterno was complicit to the child abuse are wrong. He clearly was part of the narrative. He maybe never witnessed the abuse himself. But he never reported what happened when he heard about such incidents. I understand that plenty of people are sympathetic to Paterno even if they aren't Penn State or football fans. The film to me seems to clearly display Paterno as a figure who probably would have stayed obsessed with winning football games even if 99% of the people who care about him and football, didn't care about football. And he didn't do anything to deserve someone like Sandusky being hired. Paterno with luck could have never had such an incident and be revered today. And plenty of people revered today might have made the same mistakes as Paterno if they had to deal with Paterno's issues. That doesn't mean that Paterno and others had no responsibility to do the right thing and report Sandusky as soon as possible.

It's remarkable how quickly Paterno's fall happens after his 409th win. I forgot that he went from the winningest couch that almost everyone loved, to fired in less than week. I give this a 7 because the story wasn't that interesting, even though there seemed to be good execution.

I think what bothers people is that the real enemy of this film isn't so much Joe Paterno or Jerry Sandusky. Instead the main enemy is America's priority of putting football and other interests over our more basic human responsibility of protecting children and bringing likely sex abuse criminals to justice as quickly as possible.

After Paterno is fired and he addressed his supporters in front of his yard, be almost forgets about the victims in his address. He just throws in a call to support the victims at the very end. The victims should have been brought up initially or not at all. The error in this response really displayed his faulty priorities again.

The reactions of many of many reviewers is similar to the students protesting in the film following Peterno being fired. This story really highlights our power of denying the errors of people we grow to respect. OJ and Mafia defenders have similar blind spots. People say "Sure they made a mistake on this matter, but they weren't bad about everything. Who hasn't made a mistake?" As if the scope of the crime doesn't matter.

It's remarkably easy for some people to shield acknowledging that someone like Joe Paterno, who might be mostly good 99% of the time, can be complicit to a seriously crime the other 1% of the time. And that 1% was a 1% mattered a lot. Another common response is, "Paterno wants to be known as a legendary football coach. Not a football coach who also had to deal with child sex abuse by one of his couches." Well the media rather than the university addressing this issue from the start let Sandusky fester and abuse dozens more of decades.

I can't help but wonder how it ever felt ok for people to know someone was molesting children and not report them. If someone witnesses a murder, A) I don't think the witness would report the incident to their boss or couch. But B) if they did, they'd be sure law enforcement was in the loop too. Especially if the witness notices that the murderer walking around where he committed his crime years later. Child molesters are extremely likely to repeat their crimes. Much more so than almost any other type of criminal. This is something people should know and care about. It seems that a lot of people are unprepared to deal with such an incident and think it'd never happen to them or someone they know. This film gets a 7 largely for bringing this issue more-so into the spotlight.

Based on the perceptions of other reviewers I get the feeling that people don't want other films based on true stories like Paterno, or Spotlight. They don't want to think about the faults of people who seemed mostly fine. My response: Put an end to such incidents happening, and more importantly festering, and there will be no extraordinarily awful true story to make a movie about down the line about our supposed heroes. Instead we can just have real heroes. The fact that, for now, such things still happen, only reinforces the need to make movies like Paterno.

Until we go decades with nothing like this happening, I'll find it relevant to be aware of stories like Paterno. In the last year or two we learned of a similar case of child abuse with the US gymnastics team. Maybe someday we'll learn.

Barry Levinson's Paterno wants the viewer to know that this legendary college football coach, Penn State University and its football team supporters cared more about its football program than the fate of some of the young people sexualy abused by an assistant football coach, Jerry Sandusky.

The film opaquely hints as to how much Paterno might had known as to the abuse taking place and like other people just turned a blind eye.

After a wonderful expansive opening where Paterno as head coach takes the team to a record breaking streak. This HBO film settles down as a Shakespearean tragedy, almost like a stage play.

Al Pacino's Paterno is a man out of his time. Confused, weak and sick. He is an octogenarian who knows all about college football but has no way to handle the mess he finds himself in.

The film contrasts Paterno's fate with that of local newspaper reporter Sara Ganim (Riley Keough) who doggedly pursued the story of the child abuse and who earned the trust of the families.

However the flip flopping between the two story strands feels like a distraction. Levinson's approach comes across as mild, even anodyne lacking the moral outrage of a movie like Spotlight.