VALUTAZIONE IMDb
4,3/10
1123
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA chance encounter with a mysterious young woman leads a documentary filmmaker down a very different road than he intended as he works on his latest project.A chance encounter with a mysterious young woman leads a documentary filmmaker down a very different road than he intended as he works on his latest project.A chance encounter with a mysterious young woman leads a documentary filmmaker down a very different road than he intended as he works on his latest project.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
John L. Payne
- Carl Pruitt
- (as John Payne)
Jennifer Nuccitelli
- Lexi's Mother
- (as Jennifer Lynn Nuccitelli)
Drew McConnell
- Bodega Clerk
- (non citato nei titoli originali)
Matt Saxon
- Student
- (non citato nei titoli originali)
Recensioni in evidenza
A very interesting movie that starts with a simple plot line then slowly becomes a rather complex story that I found difficult to follow at times. Maybe it is the constant editing between Danny with Lexi then Danny with Detective Martin then Danny with Morris (the survivor of a Nazi internment camp).
I understood Danny's obsession with Lexi but became lost with their relationship and the murder plot. This is actually a well performed story but difficult to get involved with as you just don't care about the characters and the plot skips around between too many people talking and Danny telling the whole story to the detective.
I would recommend this film to anyone seeking a mystery movie but you better pay close attention or have the movie long enough to watch it twice.
I understood Danny's obsession with Lexi but became lost with their relationship and the murder plot. This is actually a well performed story but difficult to get involved with as you just don't care about the characters and the plot skips around between too many people talking and Danny telling the whole story to the detective.
I would recommend this film to anyone seeking a mystery movie but you better pay close attention or have the movie long enough to watch it twice.
This story does pull you in initially, but by the end turns into mush, with its pseudo-philosophical outlook, which another reviewer astutely summarized, as " a combination of arty arrogance and teenage angst". The story of a Nazi concentration camp victim, which the protagonist was making a documentary about, was the most interesting part of the film. The film presents love, as the biological relationship between members of the opposite sex. I believed this in my adolescence ( "teenage angst" ), but have mostly managed to get beyond this, thank God. The monologue near the end is delivered in such a solemn, pontificating manner, it initially sounds profound, until you think about it for a couple of minutes. You then realize, it is totally concerned with an adolescent's viewpoint of love/lust. The movie would have been much better, if this speech, was omitted. I did find it represented women as conniving and irresponsible, through the female lead. It gave the pathetic, popular excuse, that if the woman is sexually attractive enough, this is OK.
The acting was quite good, as well as, the cinematography.
The acting was quite good, as well as, the cinematography.
Long time user of IMDb, but this is my very first review because I felt compelled to write as I read the unbelievably high scores given to this film by people that must have been on the crew or are relatives of the actors or producers. What an atrocious film filled with bad acting, terrible dialogue and poor pace! I was expecting a good film, then I saw the scores drop for this film in real time over a matter of days on Netflix. I should have sent the film back without watching it as the Netflix algorithms know a stinker from a good or even great film. I watched the whole thing because once I start I can't stop. It was almost a physically painful ordeal that I had to endure just to get through the 1 hr and 20 minutes. I will be on my deathbed and probably think about this film and wonder what constructive thing I could have done with that time instead, perhaps watch paint dry or look into a dark closet. Yikes! Please don't waste your time like I did.
I came to this film on Amazon thinking I was going to see the 2016 movie by the same name. I must read the captions more closely. If I had I would have avoided what turned out to be a juvenile essay on the meaning of love and life.
When i was 17 or so. after being in love four or five times, and reading too much Sartre in between, I wrote several short stories about love and life filled with overwrought observations that didn't wear well with time. My Dad, a writer, tried to be kind. Save them because they will tell you who you were then and believe me you'll forget, he said. And while they're not very good they do have the virtue of being sincere.
Precisely what this film lacks; instead its gratuitous world-weariness is simply cynical. My juvenile efforts may have been sincere but they didn't ring true because I lacked experience.The author of this film seems to suffer the same deficiency - he fantasizes instead of seeing , thinking, and observing. Which is strange; you'd think someone who is experienced enough to make a technically proficient two hour movie would have moved beyond juvenile fantasies about these potent subjects. Alas, not so in the 2013 version of The Girl on A Train. Do yourself a favor and wait for the 2016 movie by the same name which by all accounts is pretty good.
When i was 17 or so. after being in love four or five times, and reading too much Sartre in between, I wrote several short stories about love and life filled with overwrought observations that didn't wear well with time. My Dad, a writer, tried to be kind. Save them because they will tell you who you were then and believe me you'll forget, he said. And while they're not very good they do have the virtue of being sincere.
Precisely what this film lacks; instead its gratuitous world-weariness is simply cynical. My juvenile efforts may have been sincere but they didn't ring true because I lacked experience.The author of this film seems to suffer the same deficiency - he fantasizes instead of seeing , thinking, and observing. Which is strange; you'd think someone who is experienced enough to make a technically proficient two hour movie would have moved beyond juvenile fantasies about these potent subjects. Alas, not so in the 2013 version of The Girl on A Train. Do yourself a favor and wait for the 2016 movie by the same name which by all accounts is pretty good.
In New York City, the documentarian Danny Hart (Henry Ian Cusick) is making a documentary about the survivor of a concentration camp Morris Herzman (David Margulies). While filming on the street, Danny becomes obsessed by a woman in the middle of the crowd. He meets her on the train, and she tells him that her name is Lexi (Nicki Aycox). Danny unsuccessfully looks for Lexi at the train station until one day she meets him. They befriend each other and Lexi asks Danny to follow and film her husband. What are her intentions?
"The Girl on the Train" (2014) is a verbose American movie with a very simple story. The good cast, with Stephen Lang, Henry Ian Cusick and Nicki Aycox have good performances, but the messy screenplay does not help them. The dialogs are pointless and tiresome. My vote is five.
Title (Brazil): "Perigosa Atração" ("Dangerous Attraction")
"The Girl on the Train" (2014) is a verbose American movie with a very simple story. The good cast, with Stephen Lang, Henry Ian Cusick and Nicki Aycox have good performances, but the messy screenplay does not help them. The dialogs are pointless and tiresome. My vote is five.
Title (Brazil): "Perigosa Atração" ("Dangerous Attraction")
Lo sapevi?
- QuizThe entire film was shot in 17 days. Which is a very tight schedule. Actually, the original schedule was 14 days but the train that was booked had doors that wouldn't open at a certain point so an extra half-day was given.
- Colonne sonoreScheisse Vorbei
Arranged by Ollie Wrubel
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Dievca vo vlaku
- Luoghi delle riprese
- New York, New York, Stati Uniti(Filmed all over)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3124 USD
- Fine settimana di apertura Stati Uniti e Canada
- 211 USD
- 6 lug 2014
- Lordo in tutto il mondo
- 3124 USD
- Tempo di esecuzione
- 1h 20min(80 min)
- Colore
- Mix di suoni
- Proporzioni
- 16:9 HD
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