Profile of a Killer

This movie is a mess right from the jump. Whoever wrote it doesn't understand how to storyboard a movie so it makes some chronological sense to the viewers. The acting is so horrific that it's comical unintentionally. The teenage killer is pathetic and totally unbelievable. The old detective must have a background of doing denture and adult diaper commercials. Not sure if there's a director involved, but they should remove themselves from the credits. Pure garbage from start till what I could tolerate as my finish point which was 38 agonizing minutes into this puddle of doggie dung.

This is a somewhat interesting crime drama about a teenaged serial killer and an FBI profiler.

Joey Pollari was excellent as the killer, but Gabriele Angieri was poor as the FBI profiler and they should have chosen a different actor for the role. The rest of the cast members performed competently.

The movie is never dull, so I never felt an urge to fast forward. The discussions between the killer and profiler are mostly interesting, although less so towards the end.

The cinematography showing the countryside of Minnesota in the winter is very good, it adds a sense of realism to the story.

Not a bad crime thriller, not a great film but I've seen far worse.

My entire family loved the movie, including my 13-year old actress daughter! Very gripping, very intense. It quickly captures your attention immediately and never lets your attention wander for a second. Everyone involved did an excellent job! It was clearly on par with any top Hollywood film. I expect it to do very well! I rarely bother to comment on a film, but this one is truly worth your time. We originally went because it was a local film and we knew some of the actors. We never expected it to be so amazing! Every actor did fantastic. The young boy, who was one of the leads, had so many layers and depth to his performance. He alternated from exhibiting one set of personality traits, to quickly flipping to being completely the opposite in a very believable way. The other lead also had much depth and many layers. All of the actors were very believable, and the script, the scenes, the props, the lighting - everything - was very professionally done. There was no "small, local movie" feel to any of it.

Profile of a Killer is the ambitious directorial debut by British born screenwriter Caspian Tredwell-Owen, he also penned the script. The film is a serious look at the mind of a teenage serial killer, his captured profiler and the people tracking him. While it still has some of the welcomed clichés of the serial killer and police procedural drama genres, it also does its best to dispense of them and try something different. The main one being that we, the audience, discover the identity of the killer fairly early on and from that moment the film jumps between FBI agent Rachel Cade (Emily Fradenburgh) trying to track him down and the killer, David (Joey Pollari) instigating a battle of wits with his kidnapped profiler (Gabriele Angieri).

It was apparently intended as a studio project but when financing fell through Tredwell-Owen relocated to Minnesota, got a fantastic, local cast together and a fairly extensive crew, for an indie production, and they all took the project on themselves. The gamble appears to have paid off as a solid script, some excellent performances, beautifully real cinematography and strong production values has propelled this taught drama onto the big screen across America and onto DVD using a word of mouth, grass roots campaign that continues today with humble blogs like mine receiving screeners and doing reviews.

I am happy to report that this film was well worth the watch. I was impressed by its visual flair. The snowy farm land and freeways of Minnesota, while, of course, conjuring up some favourable comparisons to the Coen Brother's Fargo, also remained feeling very fresh, different and unique to this film. The set dressing and art direction of the farm house, where the majority of the action takes place, is pleasingly run down and filled with texture. It's also lit and shot in an evocative and vibrant way, creating depth and shadow, as well as a sense of unease. You can feel the bone chilling cold and the rough harsh surfaces of this unforgiving building.

The performances prove, once and for all, that you don't need a big name star to present compelling characters on screen. For one half, the film is a riveting two hander between Joey Pollari's David and Gabriele Angieri's Saul. Both actors enthrall with their range and ability and even when, in the long second act, the dialogue gets quite complex and wordy, throwing the pacing off somewhat, their acting never wavers for a second and is always impressive to watch. The other half of the film is focused on the FBI and local police's attempts to track them both down, lead by Emily Fradenburgh's dedicated and dead pan agent Cade. She is the determined centre of this story and it can be a thankless task because while Fradenburgh's performance is pleasingly assured, serious and earnest, she can, sometimes, lack an emotional core. There are a couple of scenes in the film, a throwaway plot strand about her father and the death of someone close, that maybe could've used some beefing up, so that she could show the wearing affect of her steadfast dedication to the job but those are small complaints overall. The cast of characters she is surrounded by or interviews are also resoundingly great and you're never thrown from the film because of some unfortunate dialogue delivery that can, sadly, derail even the most well intentioned low budget film.

The writing is strong and the dialogue authentic. The procedural elements of the police work felt real and without the usual over-the-top flashes that TV so often employs. The same can be said for the back and forth dialogue in the farm house. The questions, the actions and the reactions were different from what you'd expect as, usually, they would be ramped up and accompanied by an overly dramatic score but here they play out naturally. This makes these scenes disconcerting as you can't second guess what will happen next, which adds to the tension. The script is definitely clever and never overly stylised.

The film makes excellent use of the budget and it feels like every penny is on screen in the right place. There are authentic police cars, a helicopter, a delivery van and a variety of locations. There are also some nice, gruesome effects and while it's not exactly excessively gory or exploitative, the deaths are uniquely twisted and macabre.

I have to admit that the overly serious tone, pacing and length of the film are not usually my cup of tea. I also found some of the dialogue and drama during the mid section of the film to be a little confusing as I'm not sure I bought strongly into the mental cat and mouse as much as I would've liked. The ending was good though and the ultimate irony well thought out and haunting. This is definitely a film to track down on-demand or for rent as it really has a lot to offer and projects like this need to be supported.

A retired FBI profiler gets called in to help find a serial killer, only to get kidnapped by the killer and learn about him firsthand while under captivity. The highlights in the movie are the interaction between the killer and the profiler. What doesn't work in this movie is the female FBI agent, played by Emily Fradenburgh. Her acting is one dimensional and annoying. They should have cast someone else in this role. And there is a terrible flaw in the final confrontation scene that takes away from the movie's credibility.