VALUTAZIONE IMDb
4,9/10
18.605
LA TUA VALUTAZIONE
Una coppia di truffatori che fingono di avere esperienze paranormali a pagamento scopre di essere impreparata ad affrontare un lavoro in una villa realmente infestata da spiriti maligni.Una coppia di truffatori che fingono di avere esperienze paranormali a pagamento scopre di essere impreparata ad affrontare un lavoro in una villa realmente infestata da spiriti maligni.Una coppia di truffatori che fingono di avere esperienze paranormali a pagamento scopre di essere impreparata ad affrontare un lavoro in una villa realmente infestata da spiriti maligni.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Ian Lorimer Milne
- Craig
- (as Ian Milne)
Recensioni in evidenza
There were moments during this horror flick where I was fully engaged but then found myself struggling to keep interested. The pace is uneven and the dialog stiff and unnatural. A big part of the problem is actor Ben Lloyd-Hughes. Perhaps it's the fault of the filmmakers for making this Brit actor an American caritcature, cartoonish in his immorality, bullying with denim shirt sleeves rolled up like a 50's Kerouac character, but most of the fault likes with the actor himself. Lloyd-Hughes prefers bludgeoning the viewer instead of giving us muted shades. On the other hand, Florence Pugh is a revelation. Whereas Lloyd-Hughes's portrayal lacks subtlety, Pugh is all nuance. Silent through much of the movie, the director lets Pugh's face tell the story. She has a way of barely moving her facial muscles to convey a great deal. At one point early on, a friend asks a newly-haunted Angela if "she's on something." Her reaction perfectly captures that look narcotic drugs can bring to a person; it leaves the viewer with no doubt to her changing state of mind. A wonderful moment. As for the film itself, it avoids many of the genre's repetitious gimmicks, relying on our imagination to fill in the blanks. For that alone, and Pugh's remarkable performance, I enjoyed "Malevolent," despite the lagging moments, weak dialog and Ben Lloyd-Hughes.
Just a short review:
The first (jump) scares are good but after that the movie slows down. Acting is okay at worst but the lead actress is cute. The movie starts fine yet slows down when the actual plot starts. The movie has good ideas that failed to execute properly, but still is fine. Don't expect to be scared after the first 30 minutes.
Veredict: Has potential but although not executed properly it's at worst decent to watch. Not much scares. If you like Get Out/ It Follows type of movies, give this a watch.
The first (jump) scares are good but after that the movie slows down. Acting is okay at worst but the lead actress is cute. The movie starts fine yet slows down when the actual plot starts. The movie has good ideas that failed to execute properly, but still is fine. Don't expect to be scared after the first 30 minutes.
Veredict: Has potential but although not executed properly it's at worst decent to watch. Not much scares. If you like Get Out/ It Follows type of movies, give this a watch.
While far from being a great example of the genre, this haunted house / survival horror film is saved from banality by two things. Firstly, its sound design, which makes good use of the period setting to build atmosphere through the scratches, clicks and distorted audio of walkie-talkies used by the team of paranormal investigators. But secondly, and most importantly, by strong performances from Florence Pugh and Celia Imrie (who is able to bring depth and feeling to a character that could have been a paper cutout in the hands of a less skilled actor). The plot also teases at some parallels between the personalities and motivations of these two characters, both in their relationships with their mothers and their desperation to hold onto what remains of their families.
Starts out good enough.
Your average horror film. Decent actors, Ok plot.
a little bit of Occulus mixed with Grave encounters and other films.
And then, the ending. Wtf. I can't find any words for it. It is truly horrible. How did they not come up with anything better?
Minor spoilers ahead:
1. They show way (waay) to much. Not a scary ending. 2. Elliot can apparently survive anything.
And then, the ending. Wtf. I can't find any words for it. It is truly horrible. How did they not come up with anything better?
Minor spoilers ahead:
1. They show way (waay) to much. Not a scary ending. 2. Elliot can apparently survive anything.
It wasn't terrible. I think the best way to sum it up is "good idea, poor execution". The film had a good cast and the acting was pretty good and I think the plot twist was a great idea. It was just lacking in shock factor. The ending felt rushed as well, and the beginning of the film dragged on so there wasn't enough time left to really focus on the climax. The pacing was off. I remember as soon as the film was done I said "wait, so that's it?". Overall, it's not a bad movie, and I don't regret watching it. Would I recommend it? No, I probably wouldn't. Keep in mind this is simply my opinion. I know some really liked this movie.
Lo sapevi?
- QuizBased on the book "Hush" by Eva Konstantopoulos.
- BlooperAside from certain technologies seen, such as 1980's headphones, there is very little from the actual 1980's in this movie. Most of the fashions, makeup and hairstyles seem very much from the 21st Century, especially during the nightclub scene.
- Citazioni
[first lines]
Title Card: None of the dead come back. But some stay. -Saint John the Divine
- Colonne sonoreI.O.U
Performed by Freeez
Written by Arthur Baker and John Robie
Produced by Arthur Baker
Publishers: Downtown DMP Songs (BMI)/Shakin Baker Music Inc (BMI)/Indulgent Music (BMI)
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media
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Dettagli
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was Malevolent - Le voci del male (2018) officially released in India in Hindi?
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