VALUTAZIONE IMDb
6,3/10
1956
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaCaroline has retired and realizes that this new freedom is synonymous with boredom. Especially when she receives a membership to her neighborhood's senior club - Reluctant at first, she neve... Leggi tuttoCaroline has retired and realizes that this new freedom is synonymous with boredom. Especially when she receives a membership to her neighborhood's senior club - Reluctant at first, she nevertheless decides to take the plunge.Caroline has retired and realizes that this new freedom is synonymous with boredom. Especially when she receives a membership to her neighborhood's senior club - Reluctant at first, she nevertheless decides to take the plunge.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Laurent Lafitte
- Julien
- (as Laurent Lafitte de la Comédie Française)
Olivia Côte
- Lydia
- (as Olivia Cote)
Émilie Caen
- L'hôtesse
- (as Emilie Caen)
Marceline Loridan Ivens
- L'octogénaire
- (as Marceline Loridan-Ivens)
Recensioni in evidenza
(37%) A typically French drama looking at an adulterous relationship between a recently retired dentist and her quite a lot younger computer teacher boyfriend. There's plenty of French realism here that's sort of like what a TV soap opera would be like if they were not so poorly made. While the plot is hugely simplistic to the point in which this could have been a 30 minute short and still had the exact same sort of impact. But the performances are decent enough, and there's not a huge amount of romantic movies out there about people in and out of love at the later stages of life. Maybe worth a look for French cinema fans, but I'm certainly never going to watch it again.
I am a fan of Ardent and certainly of French cinema.
But this film is unforgivably bland and flat.
Now, OK, the French simply cannot make a film without adultery. I get it. It is apparently some French law. And usually a one with good results. But it is one of several utterly forced aspects and plot lines thrown into this slightly droll "Lifetime channel" "made-for-TV" quality film that make the entire experience seem artificial. It doesn't shock, excite, enlightening, add drama, sadness or happiness. It is just a has to be there because it is the only thing the writers could think of.
The rest of the film is predictable and cliché. No usual French subtleties, simply nothing at all of interest
But this film is unforgivably bland and flat.
Now, OK, the French simply cannot make a film without adultery. I get it. It is apparently some French law. And usually a one with good results. But it is one of several utterly forced aspects and plot lines thrown into this slightly droll "Lifetime channel" "made-for-TV" quality film that make the entire experience seem artificial. It doesn't shock, excite, enlightening, add drama, sadness or happiness. It is just a has to be there because it is the only thing the writers could think of.
The rest of the film is predictable and cliché. No usual French subtleties, simply nothing at all of interest
I'm a longtime fan of Ardant from way back when I first saw her in a French TV "feuilleton" (Les Dames de la Cote). I wish she'd had a better script here. There were too many clichés and stereotypes. For me the story felt as flat as her hair color. Perhaps the bad blonde was meant to age her. She's much better and sexier as a brunette. In my opinion the best performance was by Patrick Chesnais as her husband. He was pitch perfect. There was a lot of potential for a more interesting film and it failed. But then again I haven't read the source material (book) so perhaps there just wasn't enough there to begin with. I'm glad that I saw it, but was disappointed despite the fact that it's always good to see Fanny.
BRIGHT DAYS AHEAD ( LES BEAUX JOURS ) 2013
Fanny Ardant is the star in this lightweight comedy of infidelity and reawakened passion of sensuality: It is a love story from the French cinema that graces our non-Gallic screens in a refreshment of elegance by the French actress.
'Les Beaux Jours' is an activity club for the 'seniors', and Fanny Ardant -who plays 'Caroline' -attends free classes with gift vouchers given to her as a present from her two daughters after Caroline takes early retirement as a dentist.
Caroline's initial attendance at the club is not successful as she is apprehensive and feels estranged from enjoying the fun of the class-room activities: Her best friend died five months earlier -and her early retirement was an unsavoury issue due to a bad working relationship with a former colleague.
It is only later at home when her husband complains of computer problems that Caroline will return the next day to attend a computer class for guidance to resolve the home issue of an internet connection: And here, with the attraction of a hypersexual tutor -that a romance will inflame into passion.
Fanny Ardant will glide through the film with a graceful command of confidence as an actress: The new romance will excite into an oblivion sense of freedom from the constraints of marriage and daytime routines of home life -it is like a teenage love affair of attraction; except that the 60 year old Caroline, played by our French actress -oozes command with experience of aged wisdom in a carefree freshness of living in the present: The film will reflect this idea throughout - and there is a lovely and sustained filming at the seaside beach with her grandchildren flying a colourful kite that is directed and willed only by the charm of the sea wind.
Eventually, the story of the new romance will want to uproot itself with desire to return home to foundation: The outcome is pleasantly rewarding to invigorate a renewal of life interest itself: There is a lovely film score, with a buzz of romantic music to accord to the background melody. It was filmed at the seaside port of Dunkirk, which adds to the film's attraction. I recommend the film for light entertainment in reminiscence of a nagging feeling of youthful past: But I also highly recommend Fanny Ardant who is a charming actress of the French cinema! Also stars, Patrick Chesnais as her husband, and Laurent Lafitte as her lover: A beautiful film!
Fanny Ardant is the star in this lightweight comedy of infidelity and reawakened passion of sensuality: It is a love story from the French cinema that graces our non-Gallic screens in a refreshment of elegance by the French actress.
'Les Beaux Jours' is an activity club for the 'seniors', and Fanny Ardant -who plays 'Caroline' -attends free classes with gift vouchers given to her as a present from her two daughters after Caroline takes early retirement as a dentist.
Caroline's initial attendance at the club is not successful as she is apprehensive and feels estranged from enjoying the fun of the class-room activities: Her best friend died five months earlier -and her early retirement was an unsavoury issue due to a bad working relationship with a former colleague.
It is only later at home when her husband complains of computer problems that Caroline will return the next day to attend a computer class for guidance to resolve the home issue of an internet connection: And here, with the attraction of a hypersexual tutor -that a romance will inflame into passion.
Fanny Ardant will glide through the film with a graceful command of confidence as an actress: The new romance will excite into an oblivion sense of freedom from the constraints of marriage and daytime routines of home life -it is like a teenage love affair of attraction; except that the 60 year old Caroline, played by our French actress -oozes command with experience of aged wisdom in a carefree freshness of living in the present: The film will reflect this idea throughout - and there is a lovely and sustained filming at the seaside beach with her grandchildren flying a colourful kite that is directed and willed only by the charm of the sea wind.
Eventually, the story of the new romance will want to uproot itself with desire to return home to foundation: The outcome is pleasantly rewarding to invigorate a renewal of life interest itself: There is a lovely film score, with a buzz of romantic music to accord to the background melody. It was filmed at the seaside port of Dunkirk, which adds to the film's attraction. I recommend the film for light entertainment in reminiscence of a nagging feeling of youthful past: But I also highly recommend Fanny Ardant who is a charming actress of the French cinema! Also stars, Patrick Chesnais as her husband, and Laurent Lafitte as her lover: A beautiful film!
The french like to depict in most of their films. their favorite lifestyle which is usually middle to upper class. Sitting around a table drinking wine, eating food and pondering about politics and relationships. A bit later we will see some passionate sex and the story start to unfold, if the characters are on their 20's it has political overtones, if the characters are in their mid 30's it is about the coming of age, in this film is about the taboo of having an affair with a much younger partner and the predicament it accompanies such a decision.Nicely photographed, uplifting location near the sea can not to save this clichéd and bland film.It seems to me that a lot of french films suffer from trying to RE-invent love, which is fine but it becomes to be predictable and boring.
Lo sapevi?
- QuizSwiss certificate # 1009.486.
- BlooperAround 00:33:14, Sarah is joining her hands. On the next shot, she's eating pizza. On the next shot, she's joining her hands again.
- ConnessioniReferences Les confidences de Sandra (1973)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Bright Days Ahead
- Luoghi delle riprese
- Dunkerque, Nord, Francia(town n which al the protagonists live)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.342.000 € (previsto)
- Lordo Stati Uniti e Canada
- 21.770 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4919 USD
- 27 apr 2014
- Lordo in tutto il mondo
- 4.949.039 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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