Thelma Post, 93 anni, cade vittima di una truffa telefonica di qualcuno che si finge suo nipote. Determinata, intraprende un pericoloso viaggio per la città per recuperare ciò che le è stato... Leggi tuttoThelma Post, 93 anni, cade vittima di una truffa telefonica di qualcuno che si finge suo nipote. Determinata, intraprende un pericoloso viaggio per la città per recuperare ciò che le è stato sottratto.Thelma Post, 93 anni, cade vittima di una truffa telefonica di qualcuno che si finge suo nipote. Determinata, intraprende un pericoloso viaggio per la città per recuperare ciò che le è stato sottratto.
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"Thelma" gives June Squibb and the late Richard Roundtree the chance to deliver a couple of fun performances in the rare movie that prominently features elderly characters without patronizing them.
The central relationship in the movie is between a young man and his grandmother, but I saw a lot of my mom in the character of Thelma. She's 81 and in pretty good shape, the usual wear and tear issues of aging aside. She has mobility issues and has said that it would be tempting to sit on the couch all day and watch T. V., but she forces herself to stay active and independent. As a result, she's doing pretty well, and I know that if she had the choice between getting out and about and running the risk of getting injured or overdoing it vs. Wasting slowly away from a sedentary lifestyle, she'd say bring on the risk. I don't blame her, as I think I'll feel the same way.
"Thelma" nails what it's like to be children trying to care for an elderly parent. You want to let them be independent, but you also know that anything that happens to them as a result is going to fall on you to handle, so you do things for them instead and caution them against trying to do too much themselves. But then you're taking away the very thing that is helping them stay sharp and healthy, even though you mean well. It's a crappy position to be in, and it's no wonder that studies show people in their 40s have the least life contentment of any other decade.
On the other hand, I could not relate at all to the helicopter parenting of the characters played by Parker Posey and Clark Gregg in this movie, as that isn't how I parent at all.
Grade: A-
The central relationship in the movie is between a young man and his grandmother, but I saw a lot of my mom in the character of Thelma. She's 81 and in pretty good shape, the usual wear and tear issues of aging aside. She has mobility issues and has said that it would be tempting to sit on the couch all day and watch T. V., but she forces herself to stay active and independent. As a result, she's doing pretty well, and I know that if she had the choice between getting out and about and running the risk of getting injured or overdoing it vs. Wasting slowly away from a sedentary lifestyle, she'd say bring on the risk. I don't blame her, as I think I'll feel the same way.
"Thelma" nails what it's like to be children trying to care for an elderly parent. You want to let them be independent, but you also know that anything that happens to them as a result is going to fall on you to handle, so you do things for them instead and caution them against trying to do too much themselves. But then you're taking away the very thing that is helping them stay sharp and healthy, even though you mean well. It's a crappy position to be in, and it's no wonder that studies show people in their 40s have the least life contentment of any other decade.
On the other hand, I could not relate at all to the helicopter parenting of the characters played by Parker Posey and Clark Gregg in this movie, as that isn't how I parent at all.
Grade: A-
"Taking from an elderly person is as bad as stealing from a child." The Beekeeper
I liked Jason Statham's exclamation and reason for violence (above) as he seeks revenge on scammers of a kindly old friend. Thelma (June Squibb at 93 years old) in the current titular action/comedy tries to help her grandson Danny (Fred Hechinger) in need of being bailed out of trouble, so the scammers say. Sending them cash was not just a bad move; it also revealed the electronic vulnerability of the elderly.
Josh Margolin, in his debut as a director and the writer who recollects his aging grandmother, has a firm hand on the whimsical adventure as Thelma tracks down the crooks while keeping her dignity and avoiding the cliches of the old-folks drama. We know she's already had a brain tumor, sepsis, edema, hip replacement, double mastectomy, and valve replacement, but we also know she's a survivor, leaving her family less able to handle her aging's infirmity than she.
Margolin gives her no heroic speeches but rather shows by using mostly her point of view a human being of sweet, even temper not ready to give in to the grim reaper. After all, her spirit animal is Mission Impossible.
Pleasantly the film rolls around Thelma's need for independence, which she handles well, as the family considers if it's time to talk assisted living. Because she'll have none of that, she drives a scooter with her friend, Ben (a skilled Richard Roundtree in his final role), to find the malefactor, Harvey (Malcolm McDowell, lending his considerable chops to a film that could well use another seasoned cinema vet). Autonomy rules for Thelma.
Although the film's setup slows its pace, it take its Geritol in the last half with the confrontation and resolution. Thelma shows it's not too late for the aging to use the Internet and to take life by the horns. The virtue of this sometimes-flaccid actioner is its respect for the aging and condemnation of ageism.
No infantilization of the elderly here-just an honest depiction of old bodies, sharp minds, and loving family bonds, the best Geritol ever.
I liked Jason Statham's exclamation and reason for violence (above) as he seeks revenge on scammers of a kindly old friend. Thelma (June Squibb at 93 years old) in the current titular action/comedy tries to help her grandson Danny (Fred Hechinger) in need of being bailed out of trouble, so the scammers say. Sending them cash was not just a bad move; it also revealed the electronic vulnerability of the elderly.
Josh Margolin, in his debut as a director and the writer who recollects his aging grandmother, has a firm hand on the whimsical adventure as Thelma tracks down the crooks while keeping her dignity and avoiding the cliches of the old-folks drama. We know she's already had a brain tumor, sepsis, edema, hip replacement, double mastectomy, and valve replacement, but we also know she's a survivor, leaving her family less able to handle her aging's infirmity than she.
Margolin gives her no heroic speeches but rather shows by using mostly her point of view a human being of sweet, even temper not ready to give in to the grim reaper. After all, her spirit animal is Mission Impossible.
Pleasantly the film rolls around Thelma's need for independence, which she handles well, as the family considers if it's time to talk assisted living. Because she'll have none of that, she drives a scooter with her friend, Ben (a skilled Richard Roundtree in his final role), to find the malefactor, Harvey (Malcolm McDowell, lending his considerable chops to a film that could well use another seasoned cinema vet). Autonomy rules for Thelma.
Although the film's setup slows its pace, it take its Geritol in the last half with the confrontation and resolution. Thelma shows it's not too late for the aging to use the Internet and to take life by the horns. The virtue of this sometimes-flaccid actioner is its respect for the aging and condemnation of ageism.
No infantilization of the elderly here-just an honest depiction of old bodies, sharp minds, and loving family bonds, the best Geritol ever.
This is the kind of movie that was popular in the 90's. A feel-good comedy clocking in at an hour and a half. No big action scenes, no CGI, no superheroes, no T&A, and ABSOLUTELY NO POLITICS. Pretty much the bane of modern audiences, but that's just fine because modern audiences have no taste.
The movie follows Thelma, a 93 year old woman who is conned out of some money. When she won't let it go, her family starts to worry about her living on her own, but her grandson has her back. She sets out to get what's hers, but instead of shooting a bunch of stupid action scenes with old people doing wirework pretending to do kung-fu, it keeps everything within the realities of what a 93 year old can do. The scenes presented as action scenes are done so for comedic effect. June Squibb and Richard Rountree (RIP) were great, Fred Hechinger reminds me sooo much of Joaquin Phoenix (which is a good thing), and Clark Gregg/Parker Posey are always good. I'm struggling to find anything negative to say, really. Maybe a little more Malcolm McDowell?
It's a quick, fun movie with some creativity, and it handles the challenges that the elderly face in a modern world very tastefully.
The movie follows Thelma, a 93 year old woman who is conned out of some money. When she won't let it go, her family starts to worry about her living on her own, but her grandson has her back. She sets out to get what's hers, but instead of shooting a bunch of stupid action scenes with old people doing wirework pretending to do kung-fu, it keeps everything within the realities of what a 93 year old can do. The scenes presented as action scenes are done so for comedic effect. June Squibb and Richard Rountree (RIP) were great, Fred Hechinger reminds me sooo much of Joaquin Phoenix (which is a good thing), and Clark Gregg/Parker Posey are always good. I'm struggling to find anything negative to say, really. Maybe a little more Malcolm McDowell?
It's a quick, fun movie with some creativity, and it handles the challenges that the elderly face in a modern world very tastefully.
When did the late great Richard Roundtree becomes the cat who's the sex machine for all the old White chicks? He played Jane Fonda's love interest in Moving On now he's June Squibb's partner in this "Crime Thriller" This new trend to make movies starring older actresses lost one of their best romantic leads in 2023.
This movie needed an action star to justify it and it got that in Shaft. It also had a decent character villain in Malcom McDowell, which justifies my perception of it. I mean it has the prefect action premise: "They stole her money now she has to get it back!" It's funny how because the cast was old as dirt it made a lot of things, they were doing far more suspenseful: walking upstairs, riding a moped, falling. I do feel like you got to be the right age to feel the danger and be able to laugh at it. If I was 30 to 40 years older I possible think this was a horror flick.
So yeah, it was a delightful film about what grandma means to everyone when they get old enough to need to worry about them more than usually. A bit grim if you are coming to that age when you are a burden to one's family. Also, a touching love letter for a filmmaker who obviously loved his own grandmother.
The emotional thrill ride was intense even though most of the cast can't move that fast but it definitely makes you want to call your grandma after it's over.
This movie needed an action star to justify it and it got that in Shaft. It also had a decent character villain in Malcom McDowell, which justifies my perception of it. I mean it has the prefect action premise: "They stole her money now she has to get it back!" It's funny how because the cast was old as dirt it made a lot of things, they were doing far more suspenseful: walking upstairs, riding a moped, falling. I do feel like you got to be the right age to feel the danger and be able to laugh at it. If I was 30 to 40 years older I possible think this was a horror flick.
So yeah, it was a delightful film about what grandma means to everyone when they get old enough to need to worry about them more than usually. A bit grim if you are coming to that age when you are a burden to one's family. Also, a touching love letter for a filmmaker who obviously loved his own grandmother.
The emotional thrill ride was intense even though most of the cast can't move that fast but it definitely makes you want to call your grandma after it's over.
Watched the film at Sundance Film Festival. It's a really great film, super-funny, super-entertaining, but also with a great heart and a very interesting human exploration of the condition of elderly people. It is also very very tender. The writer/director was inspired by his grandma, and you get this love and tenderness towards the limtis and conditions of the elderly people. The action dimension is funny but realistic, and is played in reference and contrast to the Tom Cruise Mission Impossible franchise. I would say a Mission Impossible with a 93 unstoppable protagonist. Great acting, I liked especially Fred Hechinger, the grandson, and obviusly June Squibb, which ia absolutely great. Not surprised if June Squibb gets a nomination to the Oscars, or the Oscar itself.
Lo sapevi?
- QuizInspired by Josh Margolin's 103-year-old grandma named Thelma, who was almost duped by scammers pretending to be her grandson into giving them thousands of dollars.
- Curiosità sui creditiA clip showing the real Thelma observing the trees and shouting, "What spirit!" similar to her film counterpart is played at the end of the movie.
- Colonne sonoreSome Enchanted Evening
Written by Richard Rodgers and Oscar Hammerstein II
Performed by Ted Post
Courtesy of Thelma Post
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Thelma: Una abuela en acción
- Luoghi delle riprese
- 5700 block of Whitnall Hwy, North Hollywood, Los Angeles, California, Stati Uniti(Thelma falls to the ground at night)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 9.002.073 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.303.222 USD
- 23 giu 2024
- Lordo in tutto il mondo
- 13.034.256 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 2.39 : 1
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