The Summit K2

I'd like to add to the chorus of voices complaining about The Summit, a collection of poignant interviews, skillfully staged re-creations of actual events, and documentary photographs and film footage, all jumbled together into an almost incomprehensible mess. It's not as if this documentary about the tragic events on K2 in the summer of 2008 is poorly edited, it's more like it wasn't edited at all. Imagine watching a story that has been chopped into pieces, thrown into a blender, and then reassembled by someone suffering from the same hypoxic delirium that contributed to the deaths of some of the climbers. One is left with the feeling of having watched an interesting and compelling story that should have been told in a far more concise and straightforward manner. Unfortunate, too, because it's a heck of a story.

The story and the history is very interesting. The plot is chaotic. The interviews are random and there is no real reconstruction at the end. I made a better movie when I was 16 years old. Wasted potential.

From what I understood, this documentary set out to answer a difficult moral dilemma: should a climber endanger his own life in order to save others'? I think it did a beautiful job at giving a rather complete picture of people's different perspectives, attitudes, projected against the outcome. It is probably one of the best documentaries that I have seen, in the sense that it manages to capture the gist of this issue.

On a more personal note, I really liked the comment that the widow of one of the perished climbers makes towards the end of the movie. It raises an interesting question "of judgment" for the people that are outside the climbing world.

This is a story about tragedy caused by complete and utter confusion. From simple mistakes at the beginning of the attempt everything turned into chaos that cost many lives.

So, given that confusion in the subject matter, it would be difficult to remove confusion from the documentary. Sadly, the creators seem to have actually gone out of their way to introduce more confusion. Out of sequence histories, introducing another (related) story, and not attempting to tie everything together.

I'm glad that I watched this movie, I just would have liked it to be better put together.

"He discovers things about his own body and mind that he had almost forgotten in the day-to-day, year-to-year routine of living." James Ramsey Ullman, High Conquest.

I don't know about you, but if I were approaching the "death zone" while mountain climbing, I'd turn back. However, you can bet the heroes of the documentary, The Summit, hiking the world's second biggest and most difficult mountain (it defeats 1 out of every 4 climbers), K2, had no such thoughts. The Summit won the Sundance World Cinema documentary award this year.

More interesting than the physical exploits is the rationale for doing such a dangerous sport in the first place. Yet, such psychoanalyzing is not a matter for The Summit, a thrilling doc long on the difficult climb and more difficult decisions while fates are decided in sometimes inscrutable and random ways. It's short on the motivation, which pretty much is accepted these days as, "because it's there."

Eleven climbers of 25 lost their lives that day in 2008 without an adequate explanation for any of the deaths. However this thesis is proved once more: Most lives in climbing are lost on the descent. The film has a fragmented, multiple-points-of-view (think of a climbing Rashomon) approach that cuts among the several players and history while featuring a couple of the more charismatic climbers, especially Ger McDonnell, whose death is the most difficult to understand even as he's touted for his alleged attempt to save 3 Korean climbers.

This discursive storytelling can be confusing while it saps the thrust of the inherently intriguing story. The many re-enactments drain the film of its immediate "what-the" doc impact. The film retains some of the awe we all feel when in the presence of such a manifestation of Nature's power:

"You do not laugh when you look at the mountains, or when you look at the sea." Lafcadio Hearn