Aggiungi una trama nella tua linguaBounty killers compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed and providing the survivors of the apocalypse with retribution. This is the ... Leggi tuttoBounty killers compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed and providing the survivors of the apocalypse with retribution. This is the age of the BOUNTY KILLER.Bounty killers compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed and providing the survivors of the apocalypse with retribution. This is the age of the BOUNTY KILLER.
- Regia
- Sceneggiatura
- Star
- Stewardess
- (as Alexa Vega)
Recensioni in evidenza
Its post-apocalyptic, Its based on a graphic novel, the main character is called "Drifter," Barak Hardley declares PBR Tastes like boobies. Overall I have to side with San Francisco Chronicle reviewer G. Allen Johnson's assessment that everyone in the film looks to be having a good time.
If you can get over (or enjoy) the general campiness, excessive gore, and the fact that Gary Busey never says "Butthorn," it should be a good time for you too.
Bounty Killer is a calculated attempt at achieving cult status—every element designed to appeal to fans of exploitation and B-movie madness—which is one of the reasons why I found it so irritating: I believe that cult-dom should come naturally to a film. What makes matters even worse than its thoroughly contrived nature is that, despite all of the film-makers' best efforts, it frequently misses the mark: the comic-book style story is weak, the characters are inane, the humour uneven, the action poorly executed (the lame Road Warrior-inspired chase scene drives home just how brilliant George Miller's film is even after 30+ years), and the satire uninspired (corporate types are the villains—how droll).
About the only thing that the film gets right is the graphic violence, which is frequent and very gory (and achieved mostly using practical effects), with splattery bullet hits, heads cleaved in half, guts spilt, and limbs hacked off.
The idea of corporations at war isn't new but the last movie I remember was set during the war. This one is after...and the people want revenge!
The director has a lot of credits as a graphic artist on some great TV shows and it appears he co-wrote the movie with his cousin. This was probably very low budget but it doesn't show as badly as some other movies. Fight scenes were decently choreographed and cut. Gary Busey has a small part and it's nice to see him working. Beverly D'Angelo also makes an appearance.
Sure the film borrows heavily from other films, I could count at least 10. But for pure entertainment it delivers.
For a director to have only have two directorial credits and have them both rated 5.0 or better on IMDb is no small feat.
I look forward to more of this directors work. Hopefully as he progresses we will see a style more his own.
If you like Tarantino and you should like this.
What follows is a frenetic, comic book style, sci fi, action flick with ass kicking women, dressed in next to nothing, some toting guns. Exploding heads, lashings of violence and a load of humor.
Bounty Killer clearly knows what it is and loves it. It has the kind of energy that's missing from most films these days but reminded me of the original Death Race 2000 and even Faster Pussycat Kill, Kill. It's a mans night in film. Sit back, get drunk and enjoy.
I get the feeling it will get it's own cult following.
Lo sapevi?
- QuizThe movie is based on a graphic novel published by Kickstarter Comics in 2013.
- BlooperAs Catherine is talking to Drifter in the office building, there is a fight going on behind them. In one shot, Mary is seen walking passed an open door. In the next shot, the blood-spattered glass door is fully closed.
- Citazioni
Jack LeMans: I'm stealing a stagecoach from a bunch of savages with a wanted criminal, moonlighting as a bounty killer, who has the hots for a murderous, deranged Gypsy.
Drifter: Dreams do come true, kid.
Jack LeMans: I never stopped believing. YA!
- Curiosità sui creditiOuttakes are shown during the end credits.
- ConnessioniReferenced in The Concessionaires Must Die! (2017)
- Colonne sonoreThe Kill
Performed by Sara Bareilles
Written by Sujata Day and Will Collyer
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
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- Sát Thủ Tiền Thưởng
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 2.35 : 1