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Les chevaux de Dieu

  • 2012
  • Not Rated
  • 1h 55min
VALUTAZIONE IMDb
7,3/10
2147
LA TUA VALUTAZIONE
Les chevaux de Dieu (2012)
A fictional account of the lives of the men responsible for the suicide bombings in Casablanca in 2003.
Riproduci trailer2:07
1 video
11 foto
Dramma

Aggiungi una trama nella tua linguaA fictional account of the lives of the men responsible for the suicide bombings in Casablanca in 2003.A fictional account of the lives of the men responsible for the suicide bombings in Casablanca in 2003.A fictional account of the lives of the men responsible for the suicide bombings in Casablanca in 2003.

  • Regia
    • Nabil Ayouch
  • Sceneggiatura
    • Jamal Belmahi
    • Mahi Binebine
    • Nadia Kamali
  • Star
    • Abdelhakim Rachid
    • Abdelilah Rachid
    • Hamza Souidek
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    2147
    LA TUA VALUTAZIONE
    • Regia
      • Nabil Ayouch
    • Sceneggiatura
      • Jamal Belmahi
      • Mahi Binebine
      • Nadia Kamali
    • Star
      • Abdelhakim Rachid
      • Abdelilah Rachid
      • Hamza Souidek
    • 12Recensioni degli utenti
    • 32Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 10 vittorie e 5 candidature totali

    Video1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Foto11

    Visualizza poster
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    + 5
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    Interpreti principali32

    Modifica
    Abdelhakim Rachid
    Abdelhakim Rachid
    • Yachine
    • (as Abdelhakim Rachi)
    • …
    Abdelilah Rachid
    Abdelilah Rachid
    • Hamid
    Hamza Souidek
    • Nabil
    Ahmed El Idrissi Amrani
    • Fouad
    Badr Chakir
    • Khalil
    Achraf Afir
    Achraf Afir
    • Yachine (as a child)
    Said El-Alami
    Said El-Alami
    • Hamid (as a child)
    Zouhair Sabri
    • Nabil (as a child)
    Bouchaib Saakine
    • Fouad (as a child)
    Othman Younouss
    • Khalil (as a child)
    Rabii Benjhail Tadlaoui
    • Zaid
    • (as Rabii Tadlaoui)
    Mohammed Taleb
    • Abdu Zoubeir
    Mohamed Mabrouk
    • Nouceir
    Fatima El-Kraimy
    • Yemma (Yacine's Mother)
    Youness Chara
    • Said
    Imane Benennia
    • Ghislaine
    Nouhaila ben Moumou
    • Ghislaine (as a child)
    Abdallah Ouzzad
    • Ba'Moussa
    • Regia
      • Nabil Ayouch
    • Sceneggiatura
      • Jamal Belmahi
      • Mahi Binebine
      • Nadia Kamali
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti12

    7,32.1K
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    Recensioni in evidenza

    10ouardikram

    A strikingly alternative view of the conditioning of young minds

    The cinematic piece offers a breath of fresh air when it comes to the stigmatized dehumanization of muslim youth, and brings to light the root of the issue instead of the unreconsilable outcome.
    7idonotexist

    Once you press it on the deep themes, it has nothing to push back with

    This movie creates a back story about the people responsible for the terrorist attacks in Casablanca in the 2000s. Those are real events but the movie doesn't really deal with them per say.

    The movie focuses on a rendition (best guess account) of the lives of the terrorists starting at early age and up until that fateful day. It is a movie that tries to explore life and hope and struggle. It aims to give a perspective behind the act. Movies like CITY OF GOD and TSOTSI did the same for criminals, while this one deals with terrorists essentially.

    I loved the early parts of the movie, but as it progressed it became very obvious and predictable, outside of the real events that are well known. The things it used artistic vision for, those were completely see through and predictable, and that is a huge problem for any production. As viewers we have to put it through a litmus test and not give it a free pass because of the subject matter; a movie should stand on its own script regardless what it is about.

    The story starts great, showing us the early life of the main protagonists i would say from around age 8, keeping in mind one brother is decently older than the other. Those growing up parts, are a great exploratory story, almost a documentary (made up one) on their own. Because the movie spans around 20 years a lot takes place, a lot changes, including the cast. Many movie years later we enter the part where we transition from that childhood story into adulthood story and the radicalization part of the movie. This is where things begin to bog down big time.

    I have to say it feels like two different movies and i did not enjoy the second part. I felt that it was incomplete. I don't know, maybe the writers and producer were trying to thread carefully with the issue but watching this movie, i do not see the radicalization they wanted to show. It does not hit home. There is no energy behind it. If anything, i expected the movie to play out with the kids we saw become crime king pins; no really. That's how they set it up. The shift towards religion is not portrayed well. The scenes that we get are i'm sorry to have to say that, really low energy and acted out subpar. Monotone is a simple catch all summary. Now i understand something about inner peace and calm in the face of eventual suicide, but the motivation of becoming a "horse" is not shown here. They wanted to show the gradual path towards the final act, yet from first adult scene to credits, there is no change. They act the same, do the same. There is no curve. It just becomes it. Over and over the same thing scene after scene. Same scene content, different movie month. But there is nothing behind them to show escalation or real increase of commitment or anything at all really. The viewer eventually walks away with nothing gained on the subject as credits roll.

    For a movie whose purpose was to tell us how bad life, hopelessness, poverty, corruption push people towards what they can find solace in (whether good or evil) it does not achieve this purpose. If anything from what it showed, those boys should have never become radicalized because the content they used was not there for that to occur. Again i understand it could be self censored for variety of reasons but still, how can you deliver half a movie that captivates the viewer with their earlier life and turn it into nothingness in arguably the vital parts?

    To me they really couldn't put into script what they wanted to do here. I keep saying that i cannot tell if that is on purpose or due to faults but ultimately does it really matter? If you make a movie about such a subject, you have to have a very clear vision of how you will proceed at all stages. This is not a moral story or a judgement story either. The movie does not plant thoughts about right or wrong. It just makes an account of what they think happened based on the location and time the movie covers ( 1980s-2000s Marocco slums). They could have done so much more with that. The connection between childhood and adulthood is completely missing, the duality between family and friends is very shallow. There are few scenes that somewhat attempt to show the protagonists manifesting how they have changed on those around them, but they are so generic and completely arbitrary and reasonable for somebody in a muslim country they do not even stand out as events. I watched it twice and i just cannot find the radicalization process they wanted to show. They simply failed to cover that properly. This is why this movie feels so bland at the end.

    As a last thought, one thing it did do, is it did cover how poor and low educated people are exploited by others for their purpose. That is the one thing it did deliver on properly. Which again is extremely generic and it applies to a lot of things in life and not exclusive to the situation in this movie. Every time i try to give the movie credit, i really cannot. The thing i just praised it for, i discounted it at the same time. And that is just the situation here. Once you press on the sensitive aspects, HORSES OF GOD has nothing to push back with.

    7/10 only because of early story and captivating start.
    8zkiko

    Limited choices create extreme leaps. Raw reality strongly portrayed!

    This is an immaculate movie that show many stories in one. Yes it's about how kids became terrorists, but is about much more. About poverty, about the mind's fight for peace in an environment with limited choices and opportunities. Either all out in crime or all out in (the wrong aspects of manipulated) religion or be the chump in the middle being slapped around ..until you are pushed to an extreme side. Where wolves- like in every nation- are ready to recruit these poor, non educated, hopeless young men with a promise of either riches in this world or in the afterworld. When it comes down to it...every army or gang is filled with these kind of men..albeit there can be a big difference of course in how poor or hopeless the young men/women are depending on where they grew up and reside. The need for a sense of direction and purpose. Love and fear in a dog eat dog world. How to stay clean in so much dirt ? I love how this film gives a voice to this reality. This is (also) what art is all about..to voice that what needs voicing or to give a voice to those that are screaming but aren't seen nor heard. Expression is what saves one from imploding or exploding ..carrying so much weight. The director has that privilege of expression, that the people in the movie dont have. But still..it gives a voice..even ifs not directly theirs. And furthermore to hopefully open the eyes of people that dont know about these lives, and complexity of life in general. To those that are open to it. Beautifully filmed. A favourite.
    8Suradit

    They Exploit Our Sweat

    A difficult film to review objectively because of the content. It was extremely well done whatever your reaction might be to the story that was told. For those open to the excellent message contained in this film, it would be well worthwhile to watch. To those who see the world solely in black & white, it may, unfortunately, further fuel their prejudices

    The story begins with a group of boys born and raised in the squalor of a Moroccan slum. Their lives are shaped by poverty, exploitation within their own community, harassment by the police and indifference to their plight from the government. They develop into young men who have little hope for the future, who use & deal drugs, who get drunk and into fights, who commit crimes & have no hope of meaningful employment, who are harassed & exploited by the police, and who in some cases are put in prison.

    At this point in the story some of the young men are rescued ( or further exploited, depending on your point of view) by a group of Muslim men. The young men become part of a community that support & care for one another, pray & receive religious instruction, stop their anti-social behavior, cease committing petty crimes and seem on the road to being model citizens.

    But then their education goes beyond the fundamentals of Islam and they learn of the persecution of others of their faith around the world. They are trained in hand to hand combat and indoctrinated with the view that martyrdom for the faith and for the defense of their people is an honorable objective that will ensure their entry into paradise and provide comfort to their families in this life.

    To western minds this would appear to be mindless extremism and sacrifice but to be fair virtually every nation and every ideology fights its battles with armies recruited from poor, under-educated young men who have few prospects for the good life experienced by those who want to use them to defend their comfortable status quo or who want them to sacrifice themselves for some cause from which they, the recruiters, would reap the rewards. Whether the exploiters glorify the prospect of an honorable death for king & country, for democracy, for democratic freedom or for religious survival, it amounts to the same thing … attracting the disenfranchised through propaganda and short-term rewards to fight and die while those who reap the potential benefits stay out of harm's way.

    The message of the film may help some to better understand the circumstances that inspire the recruitment of Islamic fundamentalists who are willing to become martyrs for their faith, but more generally it should open some eyes to the exploitation of marginalized, disaffected people for some "grand cause," whether it is supposedly to preserve a western capitalistic way of life (though certainly not a life enjoyed by most of those recruited) or to restore lost glory (as was twice the case in Germany) or supposedly at the behest of the semi-divine emperor of Japan or to defend the faith as in the crusades or Israeli conflicts … and so on throughout history. Glorifying sacrifice from those who have little to lose, by those who have much to gain, is neither unique to Islamic fundamentalists nor to the 21st century. The conditions that produce the ready supply of recruits used to wage wars and terrorism are nothing new either.

    Definitely a thought-provoking, well produced film.
    9anasbtr

    Makes you think, who is to blame?

    It shows how easy it is for anyone to be brainwashed If he lives in certain circumstances. I think almost everyone could fall into the same trap if they were in their place with that difficult life. so who should be blamed? them? Or society? Or religion? All religions are myths and i think religion keeps destroying humanity. this movie is very good

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Official submission of Morocco to the Oscars 2014 best foreign language film category.
    • Colonne sonore
      Gouli je t'aime
      by Youmni Rabii & City 16

      Lyricst & Composer - Youmni Abdellatif

      Les chevaux de Dieu (Bande originale du film)

      ©Les Films du Nouveau Monde, 2013

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    Dettagli

    Modifica
    • Data di uscita
      • 13 febbraio 2013 (Belgio)
    • Paesi di origine
      • Francia
      • Belgio
      • Tunisia
      • Marocco
    • Lingue
      • Arabo
      • Francese
    • Celebre anche come
      • Horses of God
    • Luoghi delle riprese
      • Casablanca, Marocco
    • Aziende produttrici
      • Ali'n Productions
      • Les Films du Nouveau Monde
      • Stone Angels
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 3.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 14.817 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2251 USD
      • 18 mag 2014
    • Lordo in tutto il mondo
      • 96.277 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 55min(115 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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