Una consegna sbagliata nel notoriamente efficiente sistema di consegna del lunchbox di Mumbai collega una giovane casalinga a un uomo più anziano, mentre costruiscono un mondo fantastico ins... Leggi tuttoUna consegna sbagliata nel notoriamente efficiente sistema di consegna del lunchbox di Mumbai collega una giovane casalinga a un uomo più anziano, mentre costruiscono un mondo fantastico insieme attraverso le note nel cestino del pranzo.Una consegna sbagliata nel notoriamente efficiente sistema di consegna del lunchbox di Mumbai collega una giovane casalinga a un uomo più anziano, mentre costruiscono un mondo fantastico insieme attraverso le note nel cestino del pranzo.
- Nominato ai 1 BAFTA Award
- 30 vittorie e 46 candidature totali
Recensioni in evidenza
I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10
I believe that this time LunchBox will surely make history in Oscars .
After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!
The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!
The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.
Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.
The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.
Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.
The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.
On the advice of her upstairs Auntie, Mrs. Deshpande (Bharati Achreka), Ila tries to have her husband notice her by putting more spice in the food. When it is wrongly delivered to Saajan (Irrfan Khan, Life of Pi), however, a series of unintended consequences unfold. What begins with a short note from Sajaan to Ila that "the food was salty today" develops into a series of exchanges passed back and forth in the lunchbox everyday in which the two open up to each other about their lives, memories, and their hopes and dreams for the future. A subplot involving Aslam Shaikh (Nawazuddin Siddiqui), an aggressively upbeat successor to Sajaan, adds a touch of humor to the proceedings but also serves to draw a contrast between himself and the grumpy Saajan.
Both Aslam and Sajaan become more endearing, however, as the film progresses. While the ending may thwart expectations if you are used to having all the pieces neatly fit together, The Lunchbox mixes food and romance in a very appealing combination, removing any doubt that Ila and Sajaan have moved to a new level. Impeccably acted and beautifully realized, the film provides an honest appreciation of what it is like to live in Mumbai without exploiting its poverty for Western audiences. Though the wrong train may indeed bring you to the right station, ultimately there is no wrong train and no right station. As The Lunchbox demonstrates, there is just the train and the journey, and it's all perfect.
"Simple events of life happy or sad,/ Some sad strings from the train of forgetfulness,/ Not fraught with heavy descriptions,/ Not crowded with events,/ No advice, no philosophy/ Only the feeling that the story is not yet over/ Although there is no more to read..."
'The Lunchbox' is a perfect example of a unique 'short story'. A little love story with some little events and pain... but at the end there is a new beginning.
The story is about a lonely old widower and a young neglected house wife. They connected through a lunch box and some letters, and share some emotional thought and experience of there daily life with each other. They are totally stranger to each other, but love has found out it's own way to enter.
There is a basic question about "Love"... 'Is it possible to fall in love between two strangers'? "The Lunchbox" defines it brilliantly... 'Love has no definition and it never follows any rules. So there is a possibility to fall in love with somebody whom we never meet. People loves to fall in 'Love' again and again, it may be someone we know or don't know or whom we already loved with'.
Irfan Khan, Nimrat Kaur and Nawazuddin Siddiqui are acted very well through out the movie. Direction of Ritesh Batra is just too much perfect. After interval, the movie is a little bit slow, may be it's a situational demand. Overall it's an wonderful experience.
Lastly, the best part of the movie is 'The Ending'. "Only the feeling that the story is not yet over, although there is no more to read". There is something unspoken in this movie. It depends viewers to viewers, where they actually like to go with "Sajan & Ila".
Strongly recommend to all cine goers... please watch it...
Lo sapevi?
- QuizIn order to bring authenticity to the role and for knowing each other well enough to share the love and resentment among the couple as per the story in the film, Nimrat Kaur (Ila) and her onscreen husband Nakul Vaid (Rajeev) stayed at the same house as shown in the movie for weeks and spent days extensively rehearsing their part and adjusting to it prior to the other cast members even getting finalized.
- BlooperAfter his marriage, Shaikh tells Saajan that on their first train ride together he got into the first class compartment without a ticket. However, during their first ride the train seat seen is that of the second class.
- Citazioni
Saajan Fernandes: I think we forget things if there is nobody to tell them.
- ConnessioniFeatured in 59th Idea Filmfare Awards (2014)
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- The Lunchbox
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Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.235.151 USD
- Fine settimana di apertura Stati Uniti e Canada
- 44.542 USD
- 2 mar 2014
- Lordo in tutto il mondo
- 11.621.785 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1