Cutie and the Boxer

Age is a funny thing. Most days I really feel my age, but from outward appearances, most people guess well below my actual years.

As we age, we tend to think of dying and disease. One of the partners in a marriage is usually suffering more than the other. You have to sometimes forget your troubles to tend to the other.

This film is about a married couple who have reached that point in their lives. We see how they see themselves and their partner. Noriko willingly made sacrifices for Ushio, but now she wants to develop her own interests.

The dance between these two artists is fascinating, tender, and sometimes loud, but never boring.

My full review: ericsgoodstuff.blogspot.com/2013/01/film-sundance-2013-cutie-and- boxer.html.

I have come to a stage in life where I sometimes forget how old I am. I find that when I think about my age I have to stop a second and recheck my calculations. I'm pretty good at head math and remembering numbers but I find this one doesn't quite stick.

I had an opportunity to attend the 2013 Sundance Film Festival and see Cutie and the Boxer, a documentary film by Zachary Heinzerling about Ushio and Noriko Shinohara, an aging Japanese married couple - both artists - living in New York City. As I've reflected on the film one of the most prominent thoughts that surfaces is age.

Age is perhaps our most defining physical characteristic. Maybe even more than race. And just like race and ethnicity, the physical cues that point to age can be misleading. It's easy to judge someone based on how old we think they are. We look at someone and we can make a guess. As we get older some people define themselves less by their age and focus more on the way they feel. Maybe that's why I can't remember my age that well. That or I'm just getting older. In Cutie and the Boxer we see first an older couple, and then throughout the film we see more of who they really are and how they see themselves.

Zachary Heinzerling's documentary Cutie and the Boxer is not a film primarily about age, although it invokes thoughts about aging. It's a film about the relationship between a husband and a wife and the sacrifices it takes to dedicate your life to someone else. Back when they first met, Ushio was already a prominent avant garde artist, having made an impact in Japan and rubbing shoulders with people like Andy Warhol in New York. He was most famous for his boxing paintings. To create these pieces of art Ushio dresses himself up very much like a boxer, including strapping on boxing gloves with sponges dipped in paint. He then energetically punches a large canvas as he moves from right to left. The experience of creating these paintings, which takes only a couple of minutes, epitomizes who Ushio is and how he sees himself as an artist. He appreciates characteristics like power, energy, spontaneity, and movement. Also famous for his motorcycle and dinosaur sculptures, he likes to name his exhibits with words like "Vroom!!" and "Roaarrr!"

According to her own story, Noriko was a young and eager artist fresh off the boat. She met Ushio, over 20 years her senior, and quickly entwined her life with his, giving up her own aspirations as an artist in the process. Jump forward after a child and 39 years of marriage and we them first as any other couple, with their quirks and recurring arguments. We quickly realize that Noriko set a precedence very early on in their relationship by making significant sacrifices in her lifestyle to accommodate Ushio and his needs. Now, after four decades together, she's undergoing a retrospective of her life and breaking out as the artist she always meant to be. Ushio's career seems to be gaining new momentum as well.

The film follows from there, laying out small but defining interactions between Ushio and Noriko over a two-year period. Beautifully filmed and beautifully portrayed, it splices in principal photography, archive footage covering multiple periods of their life, and the fantastical world of each of their art - especially the animation of Cutie's world. The animation is based on Noriko's comic about Cutie and the Bullie, her caricatured interpretation of herself and Ushio.

During the Q&A the director was asked why he decided to call the film Cutie and the Boxer when Noriko's comic named them Cutie and the Bullie. He answered that it just sounded better to him. I think the better answer - which he probably could've answered - is that it reflects the identity each of the characters would give themselves, even though neither is completely accurate. It's how they see their idealized selves. Noriko envisions herself as Cutie, the independent female artist able to overcome and tame her love-needy but headstrong husband. Ushio sees himself as the prize fighter and artistic genius of the family, his boxing paintings as a symbol of his power and art and therefore his dominance in their relationship. The reality of how each of these identities has manifested over the years is the result we see on the screen.

It's true that at first glance the film can seem to portray Ushio as uncaring, prideful, and jealous. It's an example of one of those relationships where the woman, due to the man's negligence and denial, has to take over the practical functioning of the family. But Heinzerling also hinted at something that the movie subtly tells you as you watch: that Ushio is a good and dedicated man and that he and Noriko have come to an unspoken arrangement. Ushio has a vibrant and open personality and is honest, but his love is need-based. And, although she has struggled with it for their 40+ years together, Noriko is OK with that. She might even be willing to do it all again.

It was the perfect title name. Cutie (Noriko) is an illustrator and her husband Bullie (Ushio) is 20 years older than her who is a craft maker live in New York city. Usually documentaries about successful people would consider as inspiration. But this movie features two Japanese born couples who are masterful in art and crafts and their unsuccessful career. A good opportunity for us, a lesson to learn from their mistakes in life. Simultaneously, their relationship inspires about how to share happiness as well to face the worst situations.

This movie won't only tell about the art and crafts, but also the romantic life. Especially it clearly denotes the difference between east and west regarding relationships. Married life is full of ups and downs, taking part in all the situation together is a true commitment. In this movie, it explains very nicely those subplots alongside main theme. When Bullie was in a trouble Cutie gave a solid support, that is what every man asks for. They too had small-small fights sometime big. In the west, that is enough one to get divorced.

This story is set when Bullie celebrates his 80th birthday. It was amazing to know their 40 year relationship stood unbreakable. But what I bothered was their son Alex who was totally discarded in between these two's life's struggles. Too bad that he became alcoholic like his father that led him failure in life. This movie won't tell much about Alex, he appears only for a few minutes. At those times it is clearly understandable about failed parenting.

Success won't only come from the true dedication, sometimes it depends on others too. It requires identifying their talent and give an opportunity to work and right value for their products. This couple's talent was not recognized due to the people of society who are unfamiliar with this kinda art. I believe if they would have lived those 40 years in Japan it would have been different lifestyle they could experienced. Only the time and place they had was wrong.

8.5/10

My wife and I have sat through countless biopics about famous artists, and after virtually every one we have the same thought: the movie would have been so much more interesting if it had focused on the artist's life partner instead of the artist. Famous artists in general are a boring bunch -- what's interesting about them is the art they produce. But the people who have to make a life with an artist -- they're the ones whose heads I want to get a peek at.

"Cutie and the Boxer" is a documentary about well-known artist Ushio Shinohara and his wife, Noriko. He's 80, she's 60. They live hand-to-mouth in NYC, never sure how they're going to pay their rent from one month to the next. Noriko is incredibly supportive of the self-absorbed Ushio, to the detriment of her own career as an artist. The film is a day-in-the-life story about these two and the dynamic between them. It's a portrait of a marriage that has been wildly successful on the one hand (they're still together and seem to be very much in love) and full of regret on the other (disappointment in themselves for the mess of a son they raised). Noriko teases Ushio constantly about what a jerk he is and how she doesn't know why she puts up with him. Ushio laughs but looks uneasy -- we don't blame him, because Noriko's teasings always seem to built on a foundation of true resentment.

The lives of Ushio and Noriko are about as different from mine as possible, yet the thing that makes "Cutie and the Boxer" so good is its appeal is universal. Anyone who's made a true effort at building a life with a partner should find something to relate to in this film.

Grade: A

I think the purpose of this film is to provide viewers insight on the life of a married couple. The mental and physical strain each partner experiences throughout the marriage. Also I think it was meant to show the life's of struggling artists. I think personally this couple is lacking affection and there actions show it for sure throughout the film. In the beginning of the film I got the feeling that art is what brought them together and toward the end I felt art is what is keeping them together. Watching this film made me appreciate art more.I really enjoyed the significance of the film which felt was the couple it's self.