Teri Meri Kahaani

Teri Meri Kahani , based on Taiwanese hit Three Times, was a rom-com love story that could have been crafted better but unfortunately was mowed down by weak direction and poor script.

Teri Meri Kahani explores the story of three generation with one common link in all the narratives– LOVE. The film starts of with the train sequence in 1960 Bombay between a struggling musician Govind and film star Rukhsar meeting on a 1st class coach. The film straight away progresses to the current generation of Facebook and Twitter where Krish meets Radha on a busy street. As the film breaks for the interval , we are swung back to the pre-partition period , where the lover boy Javed juggles between local woman eventually falling in love with conservative yet rebellious Aradhna.

Now , I have been a big fan of HUM TUM (also directed by Kunal Kohli) and was expecting the same heart-warming , emotional touching love story this time. To my surprise, I was disappointing with this film. Even though Kunal Kohli had wonderful story to tell, but the lethargic pace and superficial drama could not salvage the film from falling into the pit. Whenever Shahid Kapoor and Priyanka Chopra meets, it always seems so over the top as if they were meant to meet each other and not through natural means. I like the first story in early 1960 in Bombay more because of the fantastic art direction and good CGI recreating the early Bombay so beautifully. The second story was superficial combined with over-the- top acting by Priyanka Chopra. But it is the pre-partition story which made me sit back and enjoy the story. Never the less , the film is full of loopholes and boring drama which sometimes makes you scratch your hair. As mentioned before script is poor along with weak music. Cinematography is eye-catching with fantastic efforts made in sets to re-create the 1960s of Bombay culture. Background score is hopeless and so is Priyanka's acting . She is the same actress who got national award … can you believe it . The only silver lining in this dull film is superb acting by Shahid Kapoor. I think it is high time we stand and notice this actor's talent. He was the best among three characters as Javed Qadri. His sher-shayari was just amazing along with his dialogue delivery.

So , overall , a golden opportunity gone wasted . Rather than concentrating on technical aspects of the film , Kunal Kohli should have made sincere efforts in the direction and screenplay area. But if you are big fan of Shahid Kapoor , you might give it a chance. Below average : 1.5 / 5

The movie was good in parts. The ending was very linear without any ups n downs which makes the climax not as good as the rest.

The 1960 era Mumbai was beautifully recreated with VFX. 1910 era was also fun. 2012 era was OK. Top notch cinematography by Sunil Patel. Some nice dialogs and shayaris by Kunal Kohli. Shahid was awesome as Javeed and Govind. Priyanka was good as Aradhana and Rukhsar. The movie didn't do justice to both their talents. Cool music by Sajid-Wajid. Nice costumes. Overall it was a hard work effort, presentation wise by Kunal Kohli, but unlike Hum Tum and Fanaa, it doesn't connect.

In the end, the movie confuses you whether it gives any message regarding love or its just 3 love stories! Its a feel good one time watch rom-com.

After viewing Teri Meri Kahani I've come to 2 conclusions - Kunal Kohli is one overrated director and his ONLY film worth praising, Hum Tum, was a giant fluke.

His Mujhse Dosti Karogi was a cheesy romance that can even make Karan Johar and Suraj Bharjatiya cringe. His Fanaa was a novel idea gone haywire in the second half. His Thoda Pyar Thoda Magic was well, a joke. After 4 years, Kohli brings us another romance and he once again, doesn't fail to disappoint.

The whole concept of T.M.K. is interesting and nobody can deny that. In fact, had the writing been in place - it would have been genius. However, T.M.K. is sadly nothing more than 3 predictable love stories in one 2 and a half hour flick.

In 1960, a growing India with a growing film industry has a musician named Govind who has a dream to make it big in Bombay. There he meets film-star Ruksaar and then starts their .

In 2012, Krissh has just had a break up with his girlfriend on his birthday. That same night, he meets Radha, a up to date girl. Then starts their .

Now back to 1910, British ruled India. Javed is a charming womanizer who meets a girl who just doesn't get wooed by his antics. A sardarni by the name of Aradhna. Javed falls in love and there starts their .

Now all 3 stories start out with a bang but fiddle down very easily. Also, the misunderstandings in the movie are so dumb. Especially for the story in 1960 and 2012. To me, the best story is in 1910 but even that story isn't extraordinary.

The climax is rushed and there is no doubt. It's as if the writers don't know where to go now and just give up on the script.

The writing is sore. Kunal Kohli's shayari is very good, however. That is about it!! Shahid Kapoor and Priyanka Chopra save the film from being complete trash. Shahid is excellent in all avtaars. Of Course it's most fun to watch him as Javed. Priyanka looks amazing and acts well too. It isn't the best act from the 2, but good indeed.

Now to director Kunal Kohli. I don't hate or love the guy. I do feel that one major thing that has hurt most of his films (except Hum Tum) is the predictability level. His films don't have the X Factor. Even here, where there is a great idea in place - the boring writing messes things up. His direction is good but he fails in choosing the right screenplay.

Overall, a very bland and tasteless romance with very few moments that amaze the viewer. Dasappointing.

The first thing that sprung to mind when I heard about the premise was that this could be like Hou Hsiao Hsien's Three Times, with three love stories presented in short story style, set in three different eras, and starring the same actor and actress as would be lovebirds. It's the quintessential love story in each of the short films presented, with little narrative links between the tales. And quite unlike a typical Bollywood film, I was surprised when everything came to close in just under 2 hours, succinct and to the point, exploiting the boy-meets-girl- loses-girl formula with success, three times over.

Written and directed by Kunal Kohli who helmed films like Fanaa and Hum Tum, the stories presented were uncomplicated in style and presentation, and is absolutely charming, being an automatic and excellent choice as a date movie. Each story is based on serendipity between the couples, with each chance and debut encounter being nothing short of memorable, developing into something a lot more, before a roadblock gets in the way which curiously almost always being the fault of the guy. And with each cliffhanger comes the hope that everything gets resolved with a fulfilling positive ending, not just because the writing and characterization make us root for the lovers to be together, but that Shahid Kapoor and Priyanka Chopra share this remarkable chemistry opposite each other, that doesn't betray the point tat this is only their second pairing after 2009's Kaminey.

And Teri Meri Kamaani starts off with arguably its best segment set in the 1960s, where impressive CG gets combined with old school styled movie sets to bring out not only a believable blast from the past setting, but to add a unique flavour to the way films in those days get made in studios as well. Rightly apt for this tale is Chopra playing Rukhsar, a movie star who meets Kapoor's Govind onboard a train, sharing a trip to Bombay and then sowing the seeds of what could possibly be a start to an unlikely romantic relationship between someone famous, and an in-between jobs musician. Complicating matters is Govind's neighbour Maahi (Prachi Desai) who got utilized to try and shake off a persistent tabloid journalist, with a cruel twist set into the narrative.

Then we move into London 2012 at Stratford Upon Avon, with Kapoor's Krish having broken up with his girlfriend Meera (Neha Sharma) on his birthday, and began on the wrong footing with the stranger he bumped into, Chopra's Radha, but after a day and night of partying, and a semester of modern day instant messaging flirting and maintaining a long distance relationship of sorts, trouble comes when Meera decides to embarrass Krish online by posting less than flattering private photos of Krish, and for his tit-for-tat action really throwing a spanner into the budding relationship formed with Radha.

1910 Lahore forms the final part of the trio of stories, with Shahid Kapoor playing the Casanova Javed, who uses his charms on unsuspecting women around his village and gains a notorious reputation. Here he chances upon Chopra's Aradhana while escaping from soldiers in colonial India, and amongst the lot, this story dwells a little bit on the political climate of the time, and a more conservative courtship between the lovers. Gone are the fancy song and dance, or modern day conveniences, and in comes poetry which the characters recite in playful repartee, which I'm quite certain the nuances in remarks exchanged were sorely lost in translation.

Tackling multiple roles in a film isn't something new for Priyanka Chopra, having played 12 different characters in What's Your Rashee, and adopting 7 different personas in 7 Khoon Maaf. Once again she showcases her versatility and justifies why she's at the top of the game, and being one of the best Indian actresses amongst her generation, combining glamour and striking poise when they're called for. Aradhana allowed her to showcase a lot of restraint in a more conservative time period, while a more bubbly nature shone through as Radha. Shahid Kapoor does what he does best, and comes to life as Javed, the only character here who had to undergo tremendous transformation, although the other less flashy role of Govind probably served as the more interesting of the three he had to tackle. And together, the Kapoor-Chopra pairing proves to be once again something that probably movie goers will not get enough of.

Kunal Kohli has a winner in his hands, opting for something straight-forward and direct, and having a wonderful cast bringing life to his stories. Perhaps I would have enjoyed it a bit more if the stories are linked more than just thematically, although this may be sticking to the same old formula already done to death by cinemas from around the world. Still, Bollywood has its usual song and dance sequences which work extremely well here, and has technology to thank for in recreating sets of 1960s Bombay that's impressive, with its slight rawness and less than pristine rendering adding to some charm of that era. Highly recommended!

The only truly decent thing to say about Teri Meri Kahaani is that the lead actors performed their roles well. The film actually encapsulates three stories in one, and therein lies the problem. There are three main issues with the film that make it unsatisfying in every way.

The main problem with the film, and where the whole premise falls apart is that there is no true thread to tie these stories together. Without some common theme (aside from a very loose boy meets girl connection), the only thing that differentiates these stories is the time period (Set in the 60's, present day, and 1910). The second major problem is that despite trying to flesh out three stories entirely in two hours, Kunal Kohli does not give enough flesh to any of the stories in order to make you really enjoy them. The only story with any meat in it as well as having characters who are not completely reprehensible (the one set in the 1910's) is given as much or less screen time as the boring tale set in the present day. Finally, the movie fails in a big way as, with the little character development that we are given, we are urged to loathe or at the very least not care about most of the characters involved. Either Priyanka or Shahid's characters or both are cast in an unfavorable and somewhat confusing light in each of their various avatars, and, despite being so horrible and with so many issues, their stories just abruptly end in a way that is extremely unsatisfying to the viewer. The two rays of light for this picture are the beautiful Urdu poetry segments and songs and the refreshingly able Prachi Desai who shows in only a few minutes worth of screen time that she has true acting talent. That, however, is not enough. I would strongly recommend passing on this one as it will likely leave you completely unsatisfied.