Run & Jump

Furniture maker Conor Casey had a stroke and struggles with disturbing behaviors. He goes home with his wife Vanetia, two kids and American neuroscientist Ted Fielding (Will Forte) who is documenting Conor for the next two months. Ted doesn't expect any improvements and Vanetia isn't happy with his presence initially. The son Lenny is getting teased at school as gay. Conor's father is angry at his dysfunction.

There are some interesting family struggles. However, only Maxine Peake seems to have the opportunity to do some big acting. The rest are fine but not really allowed to have their moments. Even when the characters have their various blow-ups, it is mostly quietly observed. It doesn't try to overdramatize but I think it needs to have that energy. It doesn't really have enough cinematic tension.

While you're waiting for Netflix to stream the last two seasons of "Silk,"* you may want to take a look at this intriguing indie. Maxine Peake gives a fine, energetic performance as Vanetia Casey, a beleaguered housewife in County Kerry, a long way from the Inns of Court. The setup may seem a little contrived—Vanetia's husband, Conor, is a stroke survivor whose recovery's being monitored by an American brain researcher, Ted (Will Forte), who's camped out in their teenage son's bedroom—but the plot starts ticking over as Ted, played as a standoffish nerd at first, loosens up and starts to bond with mother and son.

Edward MacLiam gives a convincing performance as Conor, a volatile wild child who's entranced by the animals in a petting zoo but taunts his son with homophobic slurs; Conor's parents turn up in a couple of scenes as reminders of the old, unforgiving Ireland that we're familiar with from films like "Philomena." (If the script has a fault, it's that these intergenerational conflicts seem a little cut and dried.) That's a lot to pack into 106 minutes, but Vanetia and Ted's grass-fed (wait for it!), flirtatious friendship is pretty delightful and saves the film from being just another grim indie study of family conflict. Great locations, great music, from the Magnetic Fields to a haunting Irish lament.

* After more than two years, still only available on Blu-ray or as an expensive rental on Amazon… Gobshites! [01/07/17]

Before I saw this movie, I had a small idea as to what the main storyline was about. I wondered how the story would be captured on film. It exceeded all my expectations and managed to deliver far beyond that. It is such a sensitive portrayal of a situation. I liked the way the film was peppered with humour and it showed how people can find humour or use humour to deal with the potential sadness of a situation. It's quintessentially Irish without being twee or 'oirish'! The acting is superb also. I often think that a good sign of a movie is one that leaves an impression and becomes the topic of conversation for days/weeks afterwards. This movie made that great impression and I look forward to seeing it again soon.

An Irish family welcome home Conor, the husband and father who has recently suffered a life changing stroke. In tow is an American psychologist who is studying Conor's progress as he tries to settle back into the family life. It's not long before the American becomes the father figure himself and also begins to veer towards a deeper relationship with Vanetia, the wife.

For a film that clocks in at just over 1 hour 40 minutes this still felt rather long winded in places. Some of the dramatic scenes work well and the performances are perfectly OK, Edward MacLiam as Conor in particular impressing whereas Maxine Peake as his free-spirited wife struggles badly with the Irish accent which doesn't help.

It seems however there is too much thrown into the pot and in the end it becomes unnecessarily convoluted - we have the blossoming relationship between the wife and the psychologist, the struggles of the husband and wife, the son facing up to homosexuality, the suspicious father-in-law, the sister who's taken a shine to the American and so on. All this leaves it rather disjointed and had it just centred on the 3 way adult relationship dynamic it would've made for a much stronger film.

Not all bad but something of a mixed bag.

It's hard to tell what the right choices are in life. It's even harder if someone close to you has an illness, how you should react to that. And if there is also an outside force trying to come in from the outside (whatever the original motives are), that it gets even tougher. So decisions are being made that are not only rational.

But while this drama seems to be concentrating on an illness, it is giving us human beings, who just are reacting to each other and the circumstances they find themselves in. This either will appeal to you right away or you will dislike it. Good thing is, you can tell early on if this drama is something you want to watch or not