Nautanki Saala!
- 2013
- 1h 59min
VALUTAZIONE IMDb
5,8/10
4568
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaRam, a successful theatre artist, saves Mandar from committing suicide. He then ends up developing a special bond with Mandar and even helps solve his problems.Ram, a successful theatre artist, saves Mandar from committing suicide. He then ends up developing a special bond with Mandar and even helps solve his problems.Ram, a successful theatre artist, saves Mandar from committing suicide. He then ends up developing a special bond with Mandar and even helps solve his problems.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Shahnawaz Baqal
- Loli (aka Lokesh Limaye)
- (as Rufy Khan)
Recensioni in evidenza
Score 7/10 Director Mr. Rohan Sippy has done good work. He has taken the script one level ahead by adding very fine nuances through visuals. Story is linear but screenplay gives it new dimensions. Screenplay is full of metaphors. Screenplay has some minus points also, i.e., a person dedicated to theater, why did he force and manipulate to cast a duffer, who could have ruined the show. After all considering the merits such type of minuses should be ignored. Dialogues are very good. Writing credit goes to Rohan Sippy, Nipun Dharmadhikari and Charudutt Acharya. Love and comedy are blended very well so you can feel the both emotions in maximum number of scenes. Climax is light and good. Performance wise Ayushman Khuran as Ram Parmar is impressive. Kunal Roy Kapoor as Mandar Leleis fine. Pooja Salvi as Nandini is good. Gaelyn Mendonca as Chitra is OK. An actor who played the character of producer of drama company is very good. Music by Mikey Mccleary supports the film well.Especially love tracks are soothing.
With lots of newness comes a film that rarely moves out of the box. Derived from his father's epic action movie, Nautanki Saala! is a very poor entertainer by Rohan Sippy.
Ayushmann Khurrana is surprisingly parallel with his role as a lover-boy from Vicky Donor, only that here the situations are different. He works so hard to keep up with his antics, but the film's blueprint just rejects his help. Kunal Roy Kapur is annoying in the first half and towards the end, his ambiguous character touches puberty only to be "so mature & moved-on." Not just him, almost all the characters have equivocal stances related to them with newcomer Pooja Salvi still thinking she is acting in a TV commercial. Evelyn Sharma compensates for the lack of item-number here. But the song "Life Ki Toh Lat Lagi" is kinda cool.
There is no story, but the plot driven out of it is what makes me rate it 3.5/10. Music is cheerful & so is the screenplay with its own share of some nice dialogs (Marathi ones), punch lines & slapstick. That's all.
With the lead female characters used as love-toys, Pooja Salvi works in a flower shop which entertains only 2 customers, Ayushmann's character wanders here and there. The movie reminds us it is 2013 but fails, abruptly to make it look like it is. Very poor attempt & I hear it is a remake. God! Why?
BOTTOM LINE: The second half is the most ennui-ridden, but if you are fan of any of the factors of this movie, I would recommend you to go for it only for the first part. One ambiguous, uninteresting movie this! And I hear Commando (another release this week) is hopeless.
Can be watched with a typical Indian family? MAYBE
Language: Strong | Sex: No, Implied | Nudity: Mediocre | Mouth-Kiss: Strong | Foreplay: Mild | Violence: Mediocre | Gore: No | Traumatizing Factor: No
Ayushmann Khurrana is surprisingly parallel with his role as a lover-boy from Vicky Donor, only that here the situations are different. He works so hard to keep up with his antics, but the film's blueprint just rejects his help. Kunal Roy Kapur is annoying in the first half and towards the end, his ambiguous character touches puberty only to be "so mature & moved-on." Not just him, almost all the characters have equivocal stances related to them with newcomer Pooja Salvi still thinking she is acting in a TV commercial. Evelyn Sharma compensates for the lack of item-number here. But the song "Life Ki Toh Lat Lagi" is kinda cool.
There is no story, but the plot driven out of it is what makes me rate it 3.5/10. Music is cheerful & so is the screenplay with its own share of some nice dialogs (Marathi ones), punch lines & slapstick. That's all.
With the lead female characters used as love-toys, Pooja Salvi works in a flower shop which entertains only 2 customers, Ayushmann's character wanders here and there. The movie reminds us it is 2013 but fails, abruptly to make it look like it is. Very poor attempt & I hear it is a remake. God! Why?
BOTTOM LINE: The second half is the most ennui-ridden, but if you are fan of any of the factors of this movie, I would recommend you to go for it only for the first part. One ambiguous, uninteresting movie this! And I hear Commando (another release this week) is hopeless.
Can be watched with a typical Indian family? MAYBE
Language: Strong | Sex: No, Implied | Nudity: Mediocre | Mouth-Kiss: Strong | Foreplay: Mild | Violence: Mediocre | Gore: No | Traumatizing Factor: No
Good acting, script is beautiful (to those who understand it), good overall mixer of entertainment. When you see the film you don't need to keep your brain off (like other Bollywood movies) rather you should feel the movie.
This was Ayushmann Khurana's second film released way back in 2013.
There are some genuinely hilarious sequences in this film and most of them are from the 1st half which is breezy and fun. However, it's the 2nd half that completely ruins the film thanks to being boring and stretched .
The film available on hotstar has several censors and weird cuts making the experience poor.
Songs are the USP of this film. Back in 2013, i fell in love with the songs of this film especially the ones sung by the lead himself.
Ayushmann khurana had played a stage actor character in Dream Girl too and even in this film. The female leads of this film have absolutely nothing to do other than be the candies for male, especially Pooja Salvi . Kunal Roy Kapoor is the best of the lot he brings in the maximum laughs, along with that south Indian stage actor.
One time watch. Could have been more better executed and edited in the 2nd half.
There are some genuinely hilarious sequences in this film and most of them are from the 1st half which is breezy and fun. However, it's the 2nd half that completely ruins the film thanks to being boring and stretched .
The film available on hotstar has several censors and weird cuts making the experience poor.
Songs are the USP of this film. Back in 2013, i fell in love with the songs of this film especially the ones sung by the lead himself.
Ayushmann khurana had played a stage actor character in Dream Girl too and even in this film. The female leads of this film have absolutely nothing to do other than be the candies for male, especially Pooja Salvi . Kunal Roy Kapoor is the best of the lot he brings in the maximum laughs, along with that south Indian stage actor.
One time watch. Could have been more better executed and edited in the 2nd half.
this movie was really entertaining,and the comedy was quiet good. the characters are very lively and they connect well with the audience. it starts with ram parmar going to a doctor for his worsening mental condition, he tells the doctor that he has had three breakups in three months. the whole story is about his three breakups,which are linked together very beautifully in a story. the comedy in this film is very natural.the actors do not try to forcefully make you laugh but it is the situation which compels you to laugh. i will really recommend this film. it is comical,entertaining and very well written and executed,which is very rare in Bollywood.
Lo sapevi?
- Quiz'Abhsishek Bachchan' appears in a cameo and performs a song at the end.
- BlooperThe chicken Bhiryani is boiling on the gas, it should be hot, but when Chitra throws it out of the window, it falls on Mandar but he doesn't feel the heat
- Curiosità sui creditiThe start credits are stylized to appear as worldly things as RP & Mandar drive to the latter's granny's place.
- ConnessioniReferences Bombay to Goa (1972)
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Dettagli
- Tempo di esecuzione
- 1h 59min(119 min)
- Colore
- Mix di suoni
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