I terroristi conquistano il vertice del G20 con la presidente degli Stati Uniti Taylor Sutton, portando la sua esperienza governativa e militare per difendere la sua famiglia, la sua azienda... Leggi tuttoI terroristi conquistano il vertice del G20 con la presidente degli Stati Uniti Taylor Sutton, portando la sua esperienza governativa e militare per difendere la sua famiglia, la sua azienda e il mondo.I terroristi conquistano il vertice del G20 con la presidente degli Stati Uniti Taylor Sutton, portando la sua esperienza governativa e militare per difendere la sua famiglia, la sua azienda e il mondo.
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It was sort of okay until about halfway through. It's annoying having a teenager save the day.
But the worst part was when the president, for the third time, decides she can't leave someone behind. She has to save them.
When the obvious thing is she can do more for them if she can actually get out of the situation.
Then she gets into a (second) fight with a terrorist, this time because she didn't just shoot him in the back of the head when she had the chance. These guys were killing people left and right, and she tells him to "drop the weapon" then lets him close while he's dropping it, and then I'm sure somehow she gets out of it, but at that point, I gave up.
But the worst part was when the president, for the third time, decides she can't leave someone behind. She has to save them.
When the obvious thing is she can do more for them if she can actually get out of the situation.
Then she gets into a (second) fight with a terrorist, this time because she didn't just shoot him in the back of the head when she had the chance. These guys were killing people left and right, and she tells him to "drop the weapon" then lets him close while he's dropping it, and then I'm sure somehow she gets out of it, but at that point, I gave up.
G20 has some of the right elements to do its concept justice but it's undermined by its standard issue made for streaming construction and the near constant overly serious nature which prevents it from having any fun with the concept. Like most streaming originals, it borrows from far superior films and ends up being so generic that everything it's taken from them makes it feel derivative. The casting of its hero and villain saves this from being really bad.
Viola Davis is massively over qualified for this incredibly bland material which at least means she is more than capable of elevating this with her commanding screen presence and undeniable action star credentials. Anthony Starr does a good job as the main villain, relishing in his villainy and delivering several cringe worthy speeches advertising Bitcoin without completely losing the will to live in a seriously impressive feat.
Patricia Riggen's direction is pretty lifeless. The action sequences are basic and when they do add some visual flair to proceedings it feels so random, plus there's not enough of them considering the nearly 2 hour run time. It generally looks flat thanks to a colour palette that's slightly desaturated throughout which becomes kinda distracting. Some of the CGI is laughably bad but thankfully those moments are contained to small doses.
Viola Davis is massively over qualified for this incredibly bland material which at least means she is more than capable of elevating this with her commanding screen presence and undeniable action star credentials. Anthony Starr does a good job as the main villain, relishing in his villainy and delivering several cringe worthy speeches advertising Bitcoin without completely losing the will to live in a seriously impressive feat.
Patricia Riggen's direction is pretty lifeless. The action sequences are basic and when they do add some visual flair to proceedings it feels so random, plus there's not enough of them considering the nearly 2 hour run time. It generally looks flat thanks to a colour palette that's slightly desaturated throughout which becomes kinda distracting. Some of the CGI is laughably bad but thankfully those moments are contained to small doses.
No, seriously. This movie would have been a perfect place for Frank Drebin to make an appearance. Just imagine him driving a police tank into the G20 meeting, crushing everything in his way! "G20" could have been a perfect parody, a spoof of amovie. But the tragedy... you see, the tragedy is that "G20" is not a parody. Is not a spoof. It is "action thriller film", that was made without a hint of smile. R. I. P. Mr. Leslie Nielsen, in another reality you could had a perfect cameo in this flick. R. I. P. "G20", a weird expirement born out of god-knows what. One day, hopefully, this will be remade as a comedy.
Serena is the rebel hacker teen daughter of US President Danielle Sutton (Viola Davis). Derek Sutton (Anthony Anderson) is the first gentleman. G20 is holding a meeting in South Africa. The organizers have hired private security led by Edward Rutledge (Antony Starr). Danielle is personally protected by Secret Service Agent Manny Ruiz (Ramón Rodríguez).
This is White House Down adjacent. It has some action fun. It is unrealistic at times. It is ridiculous to take out most of the government protection with one blast. The premise is dumb but whatever. The movie does lose me when Viola Davis turns super-soldier. Aside from being a woman in her late 50's, the character is set up different from super fighting. The movie gets rather too ridiculous at the end. I like this up to a point. Too bad that it goes past that point.
This is White House Down adjacent. It has some action fun. It is unrealistic at times. It is ridiculous to take out most of the government protection with one blast. The premise is dumb but whatever. The movie does lose me when Viola Davis turns super-soldier. Aside from being a woman in her late 50's, the character is set up different from super fighting. The movie gets rather too ridiculous at the end. I like this up to a point. Too bad that it goes past that point.
"G20" is the cinematic equivalent of wrapping the American flag around a missile and calling it diplomacy. This high-octane political action thriller positions the United States as the lone savior of the free world - again - with the kind of invincibility usually reserved for comic book superheroes or fever dreams from the Pentagon.
From the first explosion to the final, slow-motion flag wave, "G20" makes one thing clear: Americans can do anything - survive impossible odds, outwit international superpowers, and defuse geopolitical crises with a single inspirational speech or a well-aimed punch. It's not just unrealistic - it's comically over-the-top.
The plot, thin as it is, involves an elite American operative (of course) thwarting a global threat at the annual G20 summit. The rest of the world's leaders mostly stand around helplessly, reduced to background props while the U. S. single-handedly saves the day. Russian hackers? No match. Rogue drones? Shot out of the sky with sunglasses still on. Nuclear codes? Already hacked by the CIA before breakfast.
While the pacing is relentless and the action sequences are polished, the film constantly asks viewers to suspend all disbelief. It's less a geopolitical thriller and more a muscle-flexing fantasy that leaves no cliché unexplored - complete with American exceptionalism on steroids.
In short: If you're looking for realism, look elsewhere. If you're in the mood for unapologetic flag-waving, gravity-defying heroism, and a plot where the laws of physics (and politics) take a back seat to pure spectacle - "G20" delivers, just don't take it too seriously.
Rating: 2.5 out of 5 stars - for entertainment value, not plausibility.
From the first explosion to the final, slow-motion flag wave, "G20" makes one thing clear: Americans can do anything - survive impossible odds, outwit international superpowers, and defuse geopolitical crises with a single inspirational speech or a well-aimed punch. It's not just unrealistic - it's comically over-the-top.
The plot, thin as it is, involves an elite American operative (of course) thwarting a global threat at the annual G20 summit. The rest of the world's leaders mostly stand around helplessly, reduced to background props while the U. S. single-handedly saves the day. Russian hackers? No match. Rogue drones? Shot out of the sky with sunglasses still on. Nuclear codes? Already hacked by the CIA before breakfast.
While the pacing is relentless and the action sequences are polished, the film constantly asks viewers to suspend all disbelief. It's less a geopolitical thriller and more a muscle-flexing fantasy that leaves no cliché unexplored - complete with American exceptionalism on steroids.
In short: If you're looking for realism, look elsewhere. If you're in the mood for unapologetic flag-waving, gravity-defying heroism, and a plot where the laws of physics (and politics) take a back seat to pure spectacle - "G20" delivers, just don't take it too seriously.
Rating: 2.5 out of 5 stars - for entertainment value, not plausibility.
5 Film Recs From Director Patricia Riggen
5 Film Recs From Director Patricia Riggen
We've seen Do the Right Thing maybe a dozen times. After reading what director Patricia Riggen wrote about the movie, we watched it again. See which other pictures she had in mind while making G20 with Viola Davis.
Lo sapevi?
- QuizAnthony Anderson went to a Cape Town emergency room because of a "fight with a chair" on the set.
- BlooperBad guys need the voice of the presidents to generate deepfakes. But their voices are already publicly available everywhere for years.
- ConnessioniReferenced in 82nd Golden Globe Awards (2025)
- Colonne sonorePata Pata
Written by Miriam Makeba and Jerry Ragovoy
Performed by Miriam Makeba
Courtesy of Strut Records, a division of K7 Music GmbH, and the Miriam Makeba Estate, Miriam Makeba Trust and Miriam Makeba Foundation
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- How long is G20?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 2.35 : 1
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