I terroristi conquistano il vertice del G20 con la presidente degli Stati Uniti Taylor Sutton, portando la sua esperienza governativa e militare per difendere la sua famiglia, la sua azienda... Leggi tuttoI terroristi conquistano il vertice del G20 con la presidente degli Stati Uniti Taylor Sutton, portando la sua esperienza governativa e militare per difendere la sua famiglia, la sua azienda e il mondo.I terroristi conquistano il vertice del G20 con la presidente degli Stati Uniti Taylor Sutton, portando la sua esperienza governativa e militare per difendere la sua famiglia, la sua azienda e il mondo.
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This laughable attempt at an action movie is peak leftist /progressive 'content' and is so detached from reality you'll surely be rooting for the baddies. Just leaves you wondering - who was this made for?! Probably the fabled 'modern audience' but as is proven time and time again, it never actually shows up...
Despite that, this is the latest effort to appease them and surely won't be the last. Will probably be studied in years to come as a prime example of just how deranged things got in the 2020s.
Watch it if you want a good laugh. It certainly doesn't take place in anything that even remotely resembles reality. Laughably bad.
Despite that, this is the latest effort to appease them and surely won't be the last. Will probably be studied in years to come as a prime example of just how deranged things got in the 2020s.
Watch it if you want a good laugh. It certainly doesn't take place in anything that even remotely resembles reality. Laughably bad.
Not convincing!
"G20" sets out to be a high-stakes political thriller but ends up as a chaotic blend of clichés, flat dialogue, and a lead character powered more by plot armor than by actual depth.
The antagonists are cartoonish at best, and while Davis gives it her all, even her talent can't elevate a script that gives her nothing real to work with. Her character is less a leader navigating crisis and more a one-woman army with an overused action trope checklist.
Visually, the film is competent - slick shots, moody lighting, fast cuts - but none of it can hide the hollow core. The geopolitical backdrop feels more like window dressing than substance, with any meaningful commentary buried under explosions and melodrama.
In the end, "G20" feels like a poorly staged summit itself: loud, overhyped, and completely lacking in anything that matters.
"G20" sets out to be a high-stakes political thriller but ends up as a chaotic blend of clichés, flat dialogue, and a lead character powered more by plot armor than by actual depth.
The antagonists are cartoonish at best, and while Davis gives it her all, even her talent can't elevate a script that gives her nothing real to work with. Her character is less a leader navigating crisis and more a one-woman army with an overused action trope checklist.
Visually, the film is competent - slick shots, moody lighting, fast cuts - but none of it can hide the hollow core. The geopolitical backdrop feels more like window dressing than substance, with any meaningful commentary buried under explosions and melodrama.
In the end, "G20" feels like a poorly staged summit itself: loud, overhyped, and completely lacking in anything that matters.
G20 has some of the right elements to do its concept justice but it's undermined by its standard issue made for streaming construction and the near constant overly serious nature which prevents it from having any fun with the concept. Like most streaming originals, it borrows from far superior films and ends up being so generic that everything it's taken from them makes it feel derivative. The casting of its hero and villain saves this from being really bad.
Viola Davis is massively over qualified for this incredibly bland material which at least means she is more than capable of elevating this with her commanding screen presence and undeniable action star credentials. Anthony Starr does a good job as the main villain, relishing in his villainy and delivering several cringe worthy speeches advertising Bitcoin without completely losing the will to live in a seriously impressive feat.
Patricia Riggen's direction is pretty lifeless. The action sequences are basic and when they do add some visual flair to proceedings it feels so random, plus there's not enough of them considering the nearly 2 hour run time. It generally looks flat thanks to a colour palette that's slightly desaturated throughout which becomes kinda distracting. Some of the CGI is laughably bad but thankfully those moments are contained to small doses.
Viola Davis is massively over qualified for this incredibly bland material which at least means she is more than capable of elevating this with her commanding screen presence and undeniable action star credentials. Anthony Starr does a good job as the main villain, relishing in his villainy and delivering several cringe worthy speeches advertising Bitcoin without completely losing the will to live in a seriously impressive feat.
Patricia Riggen's direction is pretty lifeless. The action sequences are basic and when they do add some visual flair to proceedings it feels so random, plus there's not enough of them considering the nearly 2 hour run time. It generally looks flat thanks to a colour palette that's slightly desaturated throughout which becomes kinda distracting. Some of the CGI is laughably bad but thankfully those moments are contained to small doses.
No, seriously. This movie would have been a perfect place for Frank Drebin to make an appearance. Just imagine him driving a police tank into the G20 meeting, crushing everything in his way! "G20" could have been a perfect parody, a spoof of amovie. But the tragedy... you see, the tragedy is that "G20" is not a parody. Is not a spoof. It is "action thriller film", that was made without a hint of smile. R. I. P. Mr. Leslie Nielsen, in another reality you could had a perfect cameo in this flick. R. I. P. "G20", a weird expirement born out of god-knows what. One day, hopefully, this will be remade as a comedy.
It was sort of okay until about halfway through. It's annoying having a teenager save the day.
But the worst part was when the president, for the third time, decides she can't leave someone behind. She has to save them.
When the obvious thing is she can do more for them if she can actually get out of the situation.
Then she gets into a (second) fight with a terrorist, this time because she didn't just shoot him in the back of the head when she had the chance. These guys were killing people left and right, and she tells him to "drop the weapon" then lets him close while he's dropping it, and then I'm sure somehow she gets out of it, but at that point, I gave up.
But the worst part was when the president, for the third time, decides she can't leave someone behind. She has to save them.
When the obvious thing is she can do more for them if she can actually get out of the situation.
Then she gets into a (second) fight with a terrorist, this time because she didn't just shoot him in the back of the head when she had the chance. These guys were killing people left and right, and she tells him to "drop the weapon" then lets him close while he's dropping it, and then I'm sure somehow she gets out of it, but at that point, I gave up.
Viola Davis Through the Years
Viola Davis Through the Years
From The Help and Ma Rainey's Black Bottom to "How to Get Away with Murder" and G20, take a look back at the impressive carrer of Viola Davis.
Lo sapevi?
- QuizAnthony Anderson went to a Cape Town emergency room because of a "fight with a chair" on the set.
- BlooperBad guys need the voice of the presidents to generate deepfakes. But their voices are already publicly available everywhere for years.
- ConnessioniReferenced in 82nd Golden Globe Awards (2025)
- Colonne sonorePata Pata
Written by Miriam Makeba and Jerry Ragovoy
Performed by Miriam Makeba
Courtesy of Strut Records, a division of K7 Music GmbH, and the Miriam Makeba Estate, Miriam Makeba Trust and Miriam Makeba Foundation
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Dettagli
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 2.35 : 1
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