The Last Will and Testament of Rosalind Leigh

A slowly developing, atmospheric ghost story. Acting was great. The sets were Awesome. The plot was great. Overall the film felt great. What was missing though was a great soundtrack, but overall I just think this film was just great.

This movie is very subtle, slowly developing and intelligent. What this absolutely is not is a cliché ghost movie.

I have no clue why this film has so poor review on IMDb as of 2013, 5.7. Everyone with a mature mind and refined tastes should absolutely appreciate this film. I was actually scared for once. I guess I have seen about 50+ horror movies in my lifetime and most of the time they fail to frighten me.

Good viewing for mature, quiet audiences. Like somebody else already wrote in their review, keep an eye on this director/writer Rodrigo Gudiño. We got a fresh out of school master film maker making his mark on the world here. Keep doing what you're doing Mr. director and next time get a decent soundtrack for your film.

I don't know what other users expected or wanted to see...But I actually liked this one.

Gudiño's first shot at not shorts. He quite nailed it! Gudiño takes us into the very self of his characters; we get to know them, to feel what they felt.

Guy enters mother's home in hopes of selling, because she has passed away; guy starts to feel, hear, see things...It looks like the very same formula, but, Gudiño takes it one step up, if not a couple more.

Innovation finally arrives in this genre. A great start to build a pretty good future for Gudiño.

Leon has recently inherited his mother's home after her death. Before her death, his mother was a member of a rather odd cult who worship angels. Taking up residence, he explores the old, creepy and rather labyrinthine house that has statues of angels everywhere. However, Leon soon realises that there's more to his mother's house and her life than meets the eye. He also starts to realise that maybe he's not alone in the house. And maybe, his mother put so much faith in angels to protect her. Protect her from something that may now have its eye on Leon himself...

The Last Will & Testament of Rosalind Leigh has so much potential. It has a gorgeous set design and a nicely ominous tone and impending sense of dread, as well as an effective and decidedly haunting voice-over from Vanessa Redgrave. Unfortunately though after the half way mark it just kinda falls flat and comes across as having some very nice ideas that unfortunately either aren't executed well or else just simply discarded. As a result the film feels decidedly dissatisfying and concludes in an unexpectedly abrupt manner that ultimately leaves the viewer feeling slightly cheated.

That having said it has a nice atmosphere, is absorbing enough for the first half and marks the feature debut of Rue Morgue Magazine editor & president Rodrigo Gudino. While it ultimately didn't work for me, I do think that Gudino has a lot of promise and is certainly talented and I'll definitely be keeping an eye out for him in future.

5/10, a film that I personally was disappointed in, but ultimately worth a look as I suspect it's a film that'll polarize fans overall.

let's face it, the majority of horror movies out there just aren't that scary. so, if you're a horror fan - ask yourself this question:

When was the last time I watched a horror movie that ACTUALLY gave me the chills?

if you came up with a movie or two that truly got under your skin at one point or another during the film(s), you know that those involved with those movies are true horror fans. The Last Will and Testament of Rosalind Leigh is also one of those types of horror movies.

for his first go at a full length, Rodrigo Gudiño let everyone know that he's here for one reason only: to strike genuine fear via filmmaking. granted, the premise is something you've seen a million times. without saying too much, the premise is the straight forward 'Alone In the House' approach. which usually is an indicator that the movie you are about to see is something you'll forget about five minutes afterwards because you've seen it a million times.

if you can appreciate the technical side of filmmaking, then you can appreciate the way The Last Testament was made. speaking honestly, i can say that about five minutes in i already judged this movie with a "Yep. Here we go. AGAIN..." attitude. i imagined a bunch of first year film students critiquing every shot and pointing out technical 'mistakes' with such aspects like lighting, camera work, acting, this, that, and whatever else they bore each other with.

but there's something to keep in mind: Gudiño focuses on the story. he puts all his eggs into the first step in filmmaking - writing a good story FIRST, then move along to the other stuff. which doesn't always apply to horror movies (although, sometimes that's not a bad thing.) this story is the most important part. so if the snarky film students point out every little rookie mistake with the filmmaking process of a rookie first film, so be it. in ten years, the jokes on them. in ten years they'll realize Gudiño's first attempt was only his warm up. his foot in the door. while they're sitting around forcing out critiques and secretly wishing they were in Gudiño's director chair.

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Bottom line - deeply atmospheriс, very touching, mystic and dramatic movie with a horror flavor. Close by the aftertaste to Insidious and Sinister, little below on the horror scale, and a bit up on intellectual. Don't expect massive effects, it is definitely not about it.

I loved this slow pace, rich decorations, brave camera angles and the sound work. Finally not only boom-sound effects! Just a subtle squeaking wood under one's feet in an old empty house - that's a kind of scare I was looking for. The art of attention to details is here again.

I can agree that The Last Will and Testament of Rosalind Leigh didn't untap all the potential it has uncovered. Surely not because of lacking substance.

I rather believe that the author wanted to say way more than runtime allowed to - on religion, obsessions, mother-son relationship, on religion and loneliness.. Or may be he left the space for our imagination by intent. Whatever the reason the more interesting it will be to see next works from Rodrigo Gudino I'm definitely subscribing to.