Orda

it is a seed. like Tsar who presents a thin slice of history , in an admirable manner but who do not desire to present only a story but a long chain of questions. a beautiful movie - the acting ( Roza Hayrullina and Maxim Sukhanov are the best arguments), precise science of recreated atmosphere and great talent to give impressive images. a film about power and faith, fall and twilight. like an Oriental fairy tale, it presents the clash between worlds and the power of weakness. with a splendid result. it contains violence and cruelty, clichés and , at first sigh, unrealistic moments. but the key is simple - it is a Russian story, seed and not fruit of a way to discover the past as root of present. a real good film. despite reserves .

a religious film. that is the point who, I suppose, explains it in a wise manner. not as manifesto against Mongols, not as a story about Russia. only as story of sacrifice and faith. sure, it is only a point of view. sure, it is a too subjective film and that is not a real surprise. because the cruelty, the week leaders, the powerful women, the story of Alexey and the moral victory are pieces of a portrait who defines way for assume the past. looking historical accuracy it is bizarre work. because the atmosphere, the tale, the mission of an hierarch are only important things. and, sure, the victory of Orthodox Church against an ambiguous evil. a film who could be useful for understand Russia out of definitions.

If you are an American,as I am, you know then, that our knowledge of Russian history is lacking, unless you went for an advanced degree at some college. Therefore, I found the film to be totally engrossing. The cinematography, costumes, including the jewelry, the sets,and the translations from Russian and from what I gather, the Mongolian language, were all very excellent. I am not familiar with this director who is merely trying to convey a moment, or a slice of historical commentary,in a stylized way. I don't think meant for the Western Hemisphere either. As visually stunning as "The Russian Ark" and easier to follow the dialogue.

I have finished this movie, but I have to be honest - I almost didn't. This was not due to bad acting, the acting was good and believable, the atmosphere was even there because of the music and well created props and outfits. But the way this story is told is not really contagious, the dramaturgy hangs itself already quite in the beginning with an unclear plot. Than in the middle part it seems to get it going but it's tedious in many moments due to scenes that were too long and irrelevant. The plotbreak around the end doesn't add anything neccessary to this movie, it seems to start a new story and some minutes later the credits are already rolling. Sadly not a recommendation.

I give one snot to the reviewer here who claims to be a history buff. You really need to spend more time reading. I indeed found this to be a true depiction of the declining life of the Tatars (a.k.a. Golden Horde). They had already climaxed as a civilization and were just a short time from total defeat by the Russians. Thank goodness for that! What a perfect time to tell the story of a priest and his journey of faith. I found the writing of this screenplay to be amazing in its depth and the film itself visually striking. One of the best films I have ever seen out of Russia. A big hit at the Moscow film festival, you just cannot stop watching.