The Thieves

Oh, how I absolutely loved this film! I initially thought it was similar to 'Ocean's Eleven' with reference also to '21' (with Kevin Spacey) but as the film progressed, it became very different, and also very interesting. The group of thieves - supposed to work together - each has their own agenda, as well. A few twists and turns later we're in for a real treat with action, appropriate humor and also a good share of suspense.

The purported selling point here is so lazy and easy it's slutty: the most anticipated star-studded action blockbuster 2012! Unless The Thieves intends to pay homage to The Avengers, this year's only rightful owner to that headline, we can't verify the credibility of that audacious claim. Granted, the movie's A-list ensemble of the most bankable stars from around the region places it in a perfect position to sell itself to the usual fandom, but I'm usually sceptical of such an approach to filmmaking. The good news? The Thieves is everything it pledges to be in marketing and message – epic, smart, funny and well- shot. The bad news? It's not quite everything it needs to be.

Hardened robber Macao Park wants to steal a $20 million diamond from a casino in Macau. In order to pull off the perfect heist, he enlists the services of Korean and Chinese thieves. What looks to be a smooth heist suddenly shatters into a botched job as each thief begins to reveal their true motives and lots of betrayals and grudges surface before any thief can get to the diamond. The real winner here is Macao Park, who has deliberately assembled this double-crossing team of thieves so that he can escape with the diamond. Unfortunately, trouble catches up to him before he can safely pocket the prize. Each thief must now fight to survive and find the diamond before time runs out.

Let's face it: this is the sort of heist movie that can only look good with a greedy scale, even if it's with one that's only initially superficial. Director Choi Dong-hoon doesn't scrimp here, getting stars from Korea, Hong Kong and Malaysia and wrangling with a multilingual dialogue that speaks Korean, Mandarin, Japanese and English. It makes for an amusing preamble that sees our group of thieves engage in almost endless banter, effectively using the barriers of language to allow one party to criticize the other without the other actually realising it. The thieves eventually manage to pull their thinking caps together, navigating through the complex security at the casino with an equally cartoonish verve. So far, so good, right?

That question is important because the movie totally loses control once it hits the second half. I'll admit upfront that the movie is very smart – or at least its multitude of subplots is. But the fundamental problem with The Thieves is that it has well over a dozen major characters competing for screen time. I can't stress enough how a burgeoning character count is to the detriment of a movie's quality. With so many personal agendas / betrayals / grudges on offer, The Thieves struggles to tie all its subplots into a concise, clear and easily comprehensible script, instead allowing them to dart uncontrollably in all directions. It's incredibly labourious to keep track of who's doing what or even which diamond is real. Above all else, The Thieves would have worked better as a TV serial; condensed into movie length, it wears out any form of sanity too quickly.

That's not to say The Thieves isn't without any more charms. The movie is a stacked deck of balletically choreographed action scenes that become increasingly daring, and we dare say reckless, as it progresses. Characters are allowed to fight in places that don't traditionally grace the screen for action scenes, including an elevator shaft and the surface of a building. There's an action scene which, in the perfect storm of horrible coincidence, is virtually the same as Tom Cruise's vertiginous adventure on the surface of Dubai's Burj Khalifa tower in last year's Mission Impossible: Ghost Protocol. The only thing that's better than this action segment is the relentless pace at which the movie pumps out gunfire.

Watching The Thieves is like flirting with James Bond. You get a curious mix of charisma and danger, and you don't know whether you should stay or leave: the charisma is appealing, but the danger is off-putting. The Thieves is far from perfection, but if you're willing to overlook the messy second half and indulge in the amusement and exhilaration of the package, then this so-called most anticipated star-studded action blockbuster 2012 is worth a visit to the cinema.

It looks not bad, but too long. From the director of 'Woochi' and 'Assassination', though it came between them and I'm seeing it now since I liked them both. An international cast film, I mean some well known Korean and Hong Kong actors in this multi-starrer. The story of two thief gangs joins hands to steal a diamond necklace in a casino in Macau. It's a team work, everyone is assigned to do their part, but due to some old incidents, they lose trust on one another. Followed by betrayal, how the heist takes place and what happens to them comes in the final quarter.

The actors were good, but their roles were so usual. At least the story looked better, but too much drag in the first half. Once their work begins to take off, the narration with those stunt sequences gets interesting. Even though I felt it should have been better, the screenplay should have kept tight. With so many characters, too many twists. So feels like it all jammed, though none of them were stunning enough, particularly a theme like this needed one that. I have seen a better heist film, I bet did as well, so this film won't surprise, but okay for watching once.

6/10

The Thieves may look like Ocean's Eleven from the onset, with its star studded ensemble cast from South Korea and Hong Kong combining forces for the most parts in what would be a casino and jewel caper. But instead of having one primary heist as the central focus for all the characters, The Thieves present a whole lot more, used to introduce the different team's capabilities, and providing plenty of twists and turns as the story progressed. In short, it was a real treat and a wild ride to have the usual plot developments of the genre, with the betrayals and conflicting motivations all clashing together, and delivered with pin point perfection.

In the South Korean camp, there's Lee Jung-Jae as Popie, de-facto leader, who had assembled his team consisting of slinky cat burglar Yenicall (Jeon Ji-Hyun), veteran and linguist Chewingum (Kim Hae-Suk), and cable operator Zampano (Kim Soo-Hyun), to fleece a rich curator. They get contacted by Macao Park (Kim Yun-Seok), one time ex-partner of Popie, who had dangled an opportunity for a casino and jewel raid, and for the job, Popie brings along Pepsee (Kim Hye-Soo), recently out on parole, much to Macao Park's displeasure. The complex job also requires the team work with the Hong Kong camp, whom Macao contacted for assistance, which means an expanded motley crew comprising of leader Chen (Simon Yam), safe-cracker Julie (Angelica Lee), and regular goons in Andrew (Oh Dai-Su) and Johnny (Kwok Cheung Tsang). But there's enough to go around, since the plan is to rob a jewel in the premises of a casino in Macau, then sell it back to its original owner, the mysterious Wei Hong (Ki Guk-Seo).

The story by Choi Dong-Hun and Lee Gi-Cheol is kept extremely tight despite the myriad of characters involved, with director Choi expertly cutting through characters and their respective story arcs, with flashbacks used to introduce each and every one of them, coupled with surprises that throw up individual character motivations. This adds an extra spice to the proceedings, because like a poker game, we are the only ones who had a sneak peek into their respective roles, and what their intent is from the get go, with an expectation that things aren't always what they seem. We're lulled into complacency that we know it all, until another surprise gets thrown up to knock us off our balance. And doing so without cheating - which involves randomly or forcefully including unbelievable or illogical moments - was something of a feat.

Which is pretty amazing, because the pace of the narrative is never let down, interspersing adrenaline pumping moments with quieter scenes, and the usual heist film montage expectation where the Plan gets played out as the team embarks on their surveillance and preparation work, before the real thing. And that only covers less than half the film, with the second half trading characters for more stunt work and action, and given that it's a Korean film after all, had its focus shifted back to the Korean actors. The way that characters come, go, and the narrative bringing up sub plots, work wonderfully well, especially in setting up what were to follow from surprising moments.

But in a cinematic world where there is no honour amongst thieves, a romance also got thrown in to shake things up a little, especially when emotions play a key role in the building of various alliances and plans that each individual sets in motion in pursuing their self interests. It plays with what you know and have established, feeding you with new facts that would make you change your opinion about someone or some situation, and then decide who you would root for in this bunch of ten skilled professionals. They slag each other when there's opportunity to, backstab and form new partnerships, some even quite moving, especially when you know that Trust amongst the players is really a rare commodity.

No effort got spared in designing the action and heist sequences in the movie, making it a delight to watch since things are kept relatively fresh. Tom Cruise's building climbing escapade is well documented in M:I: Ghost Protocol, and while they aren't scaling the highest building in the world here, the film more than made up for it in the frequency, number of people involved, and at a much faster pace thanks to technology being unavailable other than a strong cable, a threaded indication, and lots of guts.

It's no surprise that this film has so far been South Korea's box office champion, given the slick execution of its action, and an all round good story involving boring cops and sexy/suave robbers. The handling of the languages here - Cantonese and Korean - in the way the characters interact, is a definite draw, as something that was handled close to perfection, because in the real world accents will come to play, and this one had attention to detail.

The Asian cinema that has most impressed me is usually of the horror genre, but this one actually stood out as a regular action flick. You will see a distinct similarity to the Ocean's serial, but it competently makes its own mark with multiple subplots that work as well as an almost dizzying amount of twist and turns. The humor translates better than almost any other Asian film I've seen, which is probable because my copy was subtitles only, there was no English dubbing available. Even with the extended run-time, the pace is quick and crisp, with no plodding moments or stalls. It keeps moving all the way to the credits, a great popcorn movie.