The Thieves

There are many aspects of this film that distinctly separates it from others. For one, the characterization - it's superb. Over time, through development and flashback, the characters become significantly fleshed out, and though the audience may initially appreciate a character at the beginning of the narrative, by the end, it might be an entirely different story, our loyalties continuously shifting, as do those of the individuals on screen.

Secondly, the stunts: the fact the feature isn't filled with continuous action sequences allows us to appreciate them so much more. They are brilliantly executed, highly exhilarating, and occasionally, even with suspension of disbelief applied, beyond fathomable. Thirdly, the script - characters are witty, sassy and subtly cutthroat. Never is the script reduced to slapstick or cliché one-liners, the well executed humor at the hands of the talented actors being as fresh and fluid as one could ever hope to witness.

Fourthly, the suspense. Alongside some of the hectic stunts, the film offers nail-biting entertainment as loyalties are tested and plans abseil out of control, to the extent, the question isn't so much 'who will walk away with the prize?' as it is, 'whose going to come out of this alive?' Fifthly, the music - it's rarely too serious or too laid back, immersing the viewer into the experience. Sixth, the visuals - their gorgeous. Macau and Hong Kong vibrantly come to life in a mixture of dazzling bright colors, supported by brilliant framing and directing that is truly captivating. In this sense, the feature isn't just an entertaining thrill ride - it's a gorgeous vacation - with guns, and thieves, and gold.

Yenicall (Gianna Jun, who is especially outstanding in this film) is a superbly athletic thief, working alongside a crew consisting of Chewingum (Kim Hae-Sook) and Zampano (Kim Soo-Hyun), the leader of their outfit, Popie (Lee Jung-Jae), finding them a job working with an old partner of his, Macao Park (Kim Yun-Seok), who he detests for reasons that are explained over the course of the feature.

Trust is a luxury that is unaffordable, and even less so when the South Korean team travel to Hong Kong to meet an equally talented group of Chinese thieves they will be working with over the duration of the job: to steal the Tear of the Sun, a prized diamond that can be sold for 20 million. Leading the Chinese team is Chen (Simon Yam), alongside Andrew (Oh Dal-Su), Johnny (Kwok Cheung Tsang) and Julie (Angelica Lee). The character who is most shocked of all however is Macao, to discover that Popie has brought with him an undisclosed thief, recently released from prison: Pepsee (Kim Hye-Soo), whose loathing of Macao's character, alongside her love for him, is explored throughout the film.

Though there are more men participating in the film than women, the story fantastically allows the women to continuously be at the forefront of the plot, each of them with sizable, engaging roles that occasionally overshadow their male counterparts. With each of the thieves having agendas of their own, and with nothing been too sacred, or too illegal to try, the ever continuous suspense constantly submerges the audience as they try to figure out who will experience, as Yenicall calls it, a 'happy ending.'

There's little else I can write to convince you, dear reader, to watch this particular film, except - you will be doing yourself a serious disservice by not doing so.

The Asian cinema that has most impressed me is usually of the horror genre, but this one actually stood out as a regular action flick. You will see a distinct similarity to the Ocean's serial, but it competently makes its own mark with multiple subplots that work as well as an almost dizzying amount of twist and turns. The humor translates better than almost any other Asian film I've seen, which is probable because my copy was subtitles only, there was no English dubbing available. Even with the extended run-time, the pace is quick and crisp, with no plodding moments or stalls. It keeps moving all the way to the credits, a great popcorn movie.

The purported selling point here is so lazy and easy it's slutty: the most anticipated star-studded action blockbuster 2012! Unless The Thieves intends to pay homage to The Avengers, this year's only rightful owner to that headline, we can't verify the credibility of that audacious claim. Granted, the movie's A-list ensemble of the most bankable stars from around the region places it in a perfect position to sell itself to the usual fandom, but I'm usually sceptical of such an approach to filmmaking. The good news? The Thieves is everything it pledges to be in marketing and message – epic, smart, funny and well- shot. The bad news? It's not quite everything it needs to be.

Hardened robber Macao Park wants to steal a $20 million diamond from a casino in Macau. In order to pull off the perfect heist, he enlists the services of Korean and Chinese thieves. What looks to be a smooth heist suddenly shatters into a botched job as each thief begins to reveal their true motives and lots of betrayals and grudges surface before any thief can get to the diamond. The real winner here is Macao Park, who has deliberately assembled this double-crossing team of thieves so that he can escape with the diamond. Unfortunately, trouble catches up to him before he can safely pocket the prize. Each thief must now fight to survive and find the diamond before time runs out.

Let's face it: this is the sort of heist movie that can only look good with a greedy scale, even if it's with one that's only initially superficial. Director Choi Dong-hoon doesn't scrimp here, getting stars from Korea, Hong Kong and Malaysia and wrangling with a multilingual dialogue that speaks Korean, Mandarin, Japanese and English. It makes for an amusing preamble that sees our group of thieves engage in almost endless banter, effectively using the barriers of language to allow one party to criticize the other without the other actually realising it. The thieves eventually manage to pull their thinking caps together, navigating through the complex security at the casino with an equally cartoonish verve. So far, so good, right?

That question is important because the movie totally loses control once it hits the second half. I'll admit upfront that the movie is very smart – or at least its multitude of subplots is. But the fundamental problem with The Thieves is that it has well over a dozen major characters competing for screen time. I can't stress enough how a burgeoning character count is to the detriment of a movie's quality. With so many personal agendas / betrayals / grudges on offer, The Thieves struggles to tie all its subplots into a concise, clear and easily comprehensible script, instead allowing them to dart uncontrollably in all directions. It's incredibly labourious to keep track of who's doing what or even which diamond is real. Above all else, The Thieves would have worked better as a TV serial; condensed into movie length, it wears out any form of sanity too quickly.

That's not to say The Thieves isn't without any more charms. The movie is a stacked deck of balletically choreographed action scenes that become increasingly daring, and we dare say reckless, as it progresses. Characters are allowed to fight in places that don't traditionally grace the screen for action scenes, including an elevator shaft and the surface of a building. There's an action scene which, in the perfect storm of horrible coincidence, is virtually the same as Tom Cruise's vertiginous adventure on the surface of Dubai's Burj Khalifa tower in last year's Mission Impossible: Ghost Protocol. The only thing that's better than this action segment is the relentless pace at which the movie pumps out gunfire.

Watching The Thieves is like flirting with James Bond. You get a curious mix of charisma and danger, and you don't know whether you should stay or leave: the charisma is appealing, but the danger is off-putting. The Thieves is far from perfection, but if you're willing to overlook the messy second half and indulge in the amusement and exhilaration of the package, then this so-called most anticipated star-studded action blockbuster 2012 is worth a visit to the cinema.

The Thieves is a South Korean movie that will demand your full attention.

The good. An ensnaring story line that will push you to see it to the end with a ever greater astonishments. The scenario is incredibly well built with plots within plots, revenge, love, distrust, and new twists at every turn. No character is safe from death. A Ton of action. Good editing and camera work. Nice sets.

The bad. A few cliché. Shallow motivations.

The ugly. The afro-hair Chinese thief who's not a very good actor.

The result. Great entertainment, but don't expect any depth.

It looks not bad, but too long. From the director of 'Woochi' and 'Assassination', though it came between them and I'm seeing it now since I liked them both. An international cast film, I mean some well known Korean and Hong Kong actors in this multi-starrer. The story of two thief gangs joins hands to steal a diamond necklace in a casino in Macau. It's a team work, everyone is assigned to do their part, but due to some old incidents, they lose trust on one another. Followed by betrayal, how the heist takes place and what happens to them comes in the final quarter.

The actors were good, but their roles were so usual. At least the story looked better, but too much drag in the first half. Once their work begins to take off, the narration with those stunt sequences gets interesting. Even though I felt it should have been better, the screenplay should have kept tight. With so many characters, too many twists. So feels like it all jammed, though none of them were stunning enough, particularly a theme like this needed one that. I have seen a better heist film, I bet did as well, so this film won't surprise, but okay for watching once.

6/10