La mia vita da Zucchina

Icare or as he prefers, Zucchini, lives with his drunken single mother. He accidentally kills his mom and is sent to a children's home. Police officer Raymond befriends him. Simon bullies him but becomes a good friend. New girl Camille arrives and he falls for her.

This is an European stop-motion animated film. It has an unusual intriguing look. The character designs have a beautiful ugliness. My only drawback is its shorter running time. There is something odd about this inbetween length and leaves me missing something. I do like Simon's turn especially. Initially, he is a full-on bully but he turns into one of the most compelling character in the movie. The story has some real heart. This is an Oscar nominated animation.

"My Life as a Courgette" is such a simple story and simplicity really is the film's greatest strength. There is no flamboyant animation, no huge narrative arc, no gargantuan obstacles to somersault over, no chaotic chase sequences, no loud, yappy dialogue...basically nothing like what you might expect if this same story was told by an American studio.

At 66 mins, it's short and to the point, quiet, contemplative and starkly sad, yet filled with uplifting moments of hope and tenderness, which it conveys without ever feeling contrived or overly- sentimental.

The young French voice cast are terrific (I do hope anyone reading this review watches the French version and not the American dub). They do well to convey the vulnerability behind the broken characters. That, and I think some of the lines just sound so much better in French - the way the brattish Simon spits out the word "potet" was particularly amusing to me.

The animation is rather basic and the character's faces are not hugely expressive, but enough emotion is conveyed through body posing, vocal performance and composition that you would need a heart of stone not to feel for the young gang of misfits.

By the time the bitter-sweet end credits song kicked in, I was noticing a little moisture in the corner of my eye. Not sure the kids in the audience enjoyed it as much as I did though....which is an important point really. This film is NOT intended for young children. It deals with adult themes like death, neglect and abuse, in a very delicate way mind, but still, it's not something that's going to entertain the 'fidget spinner' generation.

"Many people, for many reasons, feel rootless - but orphans and abandoned or abused children have particular cause." Christina Baker Kline

Stories about orphans such as Dickens' Oliver Twist have a special place--they remind us of what a gift family is. Having loving parents and siblings provides safe haven from hunger of the stomach and the heart. Claude Barras' moving stop- motion animation, My Life as a Zucchini, explores the plight of seven young orphans with emphasis on Zucchini, a name given to him by his drunken mother.

As he goes off to an orphanage, he discovers more challenges than being with his mom, whose memory he keeps by carrying around one of her discarded beer cans. The usual bully (Simon) is in residence along with some meek kids and with Camille, a saucy ten year old ready to take on Simon's cynicism and Zucchini's love.

As you can tell by the entrance of Camille, all is not lost at this homeless haven, much less the emerging sense of cooperation and compassion. The film gently approaches each major crisis with equanimity, relying not on easy solutions or catastrophes but on the emerging sense of cooperation and sincere love.

It's difficult to determine what makes this animation so human with its characters and their eccentricities; all I know is that I felt deeply about each orphan right down to the wicked aunt. It's not sentimental, mind you, just powerfully humane and deserving its Oscar nomination for best animation.

Could it be the Keane-like big eyes, so expressively alive with emotion? Possibly so. At any rate, this animation will appeal to all ages and answer some age-old questions about the depth of loneliness and the salvation adoption can bring.

"Orphanages are the only places that ever left me feeling empty and full at the same time." John M. Simmons

'My Life as a Courgette' was the last of the five 2016/7 Best Animated Feature Oscar nominees viewed by me, and that it is (to me) the weakest of the nominees and still manages to be a very good film is testament to how great the other four films ('The Red Turtle', 'Kubo', 'Moana' and the winner 'Zootropolis', so very stiff competition) were.

There is not a whole lot wrong with 'My Life as a Courgette'. At just over an hour it is a little too short and it did have a story that was deserving of a longer length, and the depiction of orphanages (usually a dark and unhappy environment that people can't wait to leave) is rather rose-tinted. Otherwise, it is a beautifully done film that has much more to it than the quirky if silly title, the cute-looking characters and bright colourful visuals make out. Not classing these attributes as bad things in any way, but it is so easy hearing and seeing it advertised to get the wrong idea about 'My Life as a Courgette', thinking it will be a quirky film with children as its primary target audience, bright colours and witty humour when actually there is much to the film than that.

It is a beautifully animated film certainly. It is very vibrantly bright and colourful, with parts of truly haunting atmosphere, a vividly immersive world and meticulously detailed backgrounds and overall visuals from the little things to the bigger effects. Just as good are the eye-catching character designs that are modelled smoothly and even with the oddball looks look and behave very authentically, for characters they are very unique and charmingly unusual (what other title character has blue hair and a red nose?).

Furthermore, the music score is appropriately atmospheric and whimsical, while the writing has quirks and poignancy. The story could have benefited from a longer length but still charms, amuses and moves, with a surprisingly sober tone, while not being afraid to take risks and brave more difficult subjects with sensitivity and never heavy-handedness. This is including one of the boldest opening sequences in any animated film (perhaps the boldest since that for Disney's 'The Hunchback of Notre Dame'). Everything is paced beautifully too.

Characters are very easy to warm to and have engaging, distinct personalities. Voice acting in both the American and particularly French versions is very emotive.

On the whole, beautiful film and has much more to it than one would think. 8/10 Bethany Cox

It's easy to dismiss an animated film like this that deals with the themes that this does. The film's quality, however, goes a long way towards making us realize that running time doesn't dictate how good something is. This film is short, but it packs a punch. One of its biggest strengths is that it doesn't try to fill up the running time or try to do many other turns in the storyline. It's very, very simply but as a result its themes are clearer than many other animated films' themes. It's handled with delicacy and subtlety. It's an incredibly strong film that I recommend.