A Viking Saga: The Darkest Day

This title should be better that's it's under 5 rating. I think it's well done. Very well done. It deals with a narrow subject, in a narrow time, a savage time really. A small cast, and little no set production and only minimal costume design, this things are made up for with excellent photography, camera work, sound, acting and script, the hallmarks of talent and skill combined to make a low budget epic that will build it's own reputation and appreciated in time. It is worth seeing and is not terribly long. It's length is correct and could have been expanding upon with longer beginning and longer ending frankly. I think it was shortened for cinema.

I also have to express dismay at the low rating this film has on IMDb. It seemed a well done, decently acted movie with a story that is neither ridiculous nor simplistic. I honestly believe it is deserving of an above average rating. Probably what annoyed a lot of people is the poster, which has nothing to do with the movie at all. It is not a film about glorious deaths in violent battles.

The Viking raid on Lindisfarne monastery is a real event that is considered by historians to be the beginning of the so called Viking Age. As with the TV show Vikings, the event is used to inspire the storyline in The Darkest Day, without much concern for historical accuracy, but this film has it a bit closer to reality.

The plot is seen through the eyes of a young monk, one of two escaping from the Lindisfarne's raid and carrying the Lindisfarne's Gospels, a beautifully crafted book that holds "the word of God" and without which the monks believe the Angles country is lost. The book is a real artifact that you can read about. The monks run away from a bunch of Vikings that want the book, believing it holds "the power of the white Christ" and can be used to rule the land. Their escape shows you glimpses of the wild and poor way of living in those times (around 800 AD) in the British Isles. Helped by an old warrior, they meet Christian sectarians and a Pict woman they rescue from bondage and try to fend off the raiders.

I've watched a few Viking related movies lately, something spurned by the TV show Vikings, and this is by far one of the best. It is a low budget English and Welsh film with almost completely unknown actors in a small cast, but they each play their roles well and the bleak and violent trek through ancient England feels realistic and raw. The name of the young monk, Hereward, is an ironic hint of the end of the movie. Again: a clearly above average film, especially if you are in a Viking mood.

I understand all about film budgets and how the costs of locations play a large part in getting a film off the ground. That said, I've also spent a great deal of time on Lindisfarne (Holy Island, as it is now called) and I know its history as I've placed a story, a screenplay, and a magazine article there. The Lindisfarne raid by Vikings in 793 was a smash and grab affair sacking whatever riches were in place on the altar of the church. The Vikings' knowing anything about the illuminated book called the Lindisfarne Gospels is far-fetched to say the least and attaching the Vikings' concept of magical significance to that work of art is idiotic.

The opening sequence on the beach at Lindisfarne looks nothing at all like Lindisfarne. In fact, no filmed setting---especially those used by the History Channel for re-enactments or for their Vikings television program---has ever looked like the real Linsdisfarne.

In this film, for the two monks to have escaped the Viking raid on foot to the mainland of Northumberland from the island of Lindisfarne, they would have had to cross a treacherous stretch of mud flats and quicksand at low tide. The same would be true of Vikings following them. It couldn't have and wouldn't have taken place. What's more, the landscape of Northumberland is hardly grey as portrayed in this film but exceedingly green. Even if two monks were seeking refuge for their holy book, they would hardly try to cross the width of Britain to get to Iona but instead head down the coast to Bamburgh, scant miles from Lindisfarne and both a fortress and seat of power during and long before 793. The film's discussion of signal fires having been lit in order to seek the protection of guides for a journey across Britain never would have happened since there was no time for such nonsense because the raid most likely took place at dawn awakening the sleeping monastery.

The whole premise simply doesn't hold in this long-winded draggy mess in which even the local saint being discussed as associated with Northumberland is all wrong. Lindisfarne is strongly associated with Saints Aidan and Cuthbert. It would have been either or both of those who would have been talked about by the film's characters. The writer-director apparently did no homework at all for this project other than to cull the same old historical passages used at the beginning of this film and used ad nauseam (and without understanding) whenever Lindisfarne is mentioned in movies and television programs. The writer-director would have been much better off fictionalizing the places and the whole story, making it all much more visually interesting, and speeding up the storytelling. None of that would have impacted his budget in the least. And what's with that awful horned-helmet artwork on the poster?

It may have been a low budget film but it would have cost nothing to get a few people around a table with the script before filming. Come on, how many film clichés do you have to put into one film. I nearly stopped watching at one point because it was getting so bad. After each scene (and there weren't that many) I found myself asking 'would this have actually happened?'. I answered each time, 'highly unlikely'. The ending was just too funny for words. The acting was OK but I would have preferred some attempt at a Norse/Danish accent from the Vikings. I was just grateful in the end that there weren't any Americans involved (nothing personal, but American actors should never be allowed near historical productions). Finally, Vikings wearing chain mail at that time period? I doubt it.

Based on a noted event, the Anglo-Saxon Abbey on Lindisfarne Is. off the coast of Northumbria, England is attacked and ransacked by Scandinavian marauders. It reflects the Norse transition from the Vendel era to the Viking era. The case cover depicts a horned helmeted, leather strapped, bulked up warrior -- none of that is actually true.

The cinematography is really quite good, the period dress and appearances quite accurate, and the absence of any real bling for modern viewers is understandable in a film where realism is intended. Real Vikings, after long ocean voyages, were quite filthy with mostly poor diets and just not always the clean blondes people have been raised to expect.

A point that another mentioned is doubt the Vikings wore chain-mail as depicted but actually they did, even before the Viking era, and it's always been a point of contention between historians as to how that came to be. Possibilities including contact with remote people like the Romans or Sarmatians who were already wearing it.

The film is more of a human interest story as we follow the few actors almost like a documentary. I don't recall hardly any special effects and the military action people might expect from the cover is limited.

Before you view or purchase perhaps have a look at some of the trailers on YouTube. As a history nut I really enjoyed it