VALUTAZIONE IMDb
5,8/10
3001
LA TUA VALUTAZIONE
Lila vuole emulare le gesta sessuali della sua migliore amica più esperta. Si fissa su un uomo anziano e tosto che «dorme con chiunque» e cerca di inserirsi nel suo mondo, mettendosi in una ... Leggi tuttoLila vuole emulare le gesta sessuali della sua migliore amica più esperta. Si fissa su un uomo anziano e tosto che «dorme con chiunque» e cerca di inserirsi nel suo mondo, mettendosi in una situazione pericolosamente vulnerabile.Lila vuole emulare le gesta sessuali della sua migliore amica più esperta. Si fissa su un uomo anziano e tosto che «dorme con chiunque» e cerca di inserirsi nel suo mondo, mettendosi in una situazione pericolosamente vulnerabile.
- Premi
- 2 vittorie e 12 candidature totali
Nick Rosen
- Devon
- (as Nicolas Rosen)
Olivia David-Thomas
- Dancer
- (as Olivia David)
Lindajean Milioto
- Woman in Ladies Room
- (as Lynda Milito)
Recensioni in evidenza
It's funny, I only rate the movie 6/10, but it's still these kind of small indie movies that I absolutely adore.
It was a really strong performance by Gina Piersanti as Lila. Her fatalistic sadness just really resonated with me, how it is to grow up with one parent, and trying to be accepted by your peers.
There were some cringe moments for me, but that's part of the beauty of filmmaking. I still wouldn't change anything, this movie is hella art.
It was a really strong performance by Gina Piersanti as Lila. Her fatalistic sadness just really resonated with me, how it is to grow up with one parent, and trying to be accepted by your peers.
There were some cringe moments for me, but that's part of the beauty of filmmaking. I still wouldn't change anything, this movie is hella art.
This film started with a good plot premise and some decent atmosphere but soon deteriorated into a meandering mess of a film . Gina P. shows promise here but her skills in this movie aren't developed. While pretty and rather pathetic in her thoughts and actions, her flatline performance eventually wears thin. A lousy rap soundtrack and some very sloppy camera work drag this down to almost unwatchable status. At first it seemed like the entire movie was going to be about watching her best friend make out with a revolving door of boyfriends. Way too much of that and completely unnecessary to further the plot. She's a tramp-we get it! Continually swapping spit is kind of an overkill the average viewer could do without. There's scenes in here that just begin to develop but then just fizzle out and go nowhere and then we are at the next scene. Jumps around with very little coherence. The ending is absolutely dumb and pointless and resolves nothing at all. A big swing and a miss, but I will look for Gina P. in more roles. The rest of the cast in all frankness stunk up the screen. Not sure if the director has any future in this business but if pressed to hazard a guess she should brush up on her waitressing skills. Nothing of merit offered in this movie.
There's a lot of talent here, Gina Piersanti may be a future star. Great editing, great camera work, solid directing, decent acting all around. Reminds me again of Lukas Moodyson and other European directors, there's some of that dogme style that's fairly unusual in American films. For a first feature this is promising.
But I'm not rating it higher because it's so monotonous and flat. Other films have told similar stories with humour and fun. I'm not sure if it was fully intentional or not, probably it was. one of those films that's better after you've seen it, if you can make it through - one of the longer "good" 1hr20 movies i've seen? Also slightly awkward to watch as a guy. I'm presuming it's somewhat autobiographical? Will be interested to see what the director does next.
But I'm not rating it higher because it's so monotonous and flat. Other films have told similar stories with humour and fun. I'm not sure if it was fully intentional or not, probably it was. one of those films that's better after you've seen it, if you can make it through - one of the longer "good" 1hr20 movies i've seen? Also slightly awkward to watch as a guy. I'm presuming it's somewhat autobiographical? Will be interested to see what the director does next.
Perhaps what you see, Gina Piersanti's performance was good and deserves praise, but there is something lacking in perfection and being within the category of good movies. Going through it during her life.
The scenario depicted this age stage as a passion that is always accompanied by lethargy and laziness. There was no passion, there was no life indicating joy, even if Gina's character in the movie was based on introversion and shyness, but she lacked the vitality that any human being has in this age group. .
The director portrayed the youthful stage as a period of old age and boredom with this new age stage. The film depicted the teenage stage as if it were a soul without a body always, and this needs you to say that it is wrong.
The scenario depicted this age stage as a passion that is always accompanied by lethargy and laziness. There was no passion, there was no life indicating joy, even if Gina's character in the movie was based on introversion and shyness, but she lacked the vitality that any human being has in this age group. .
The director portrayed the youthful stage as a period of old age and boredom with this new age stage. The film depicted the teenage stage as if it were a soul without a body always, and this needs you to say that it is wrong.
"It Felt Like Love" can only be described as the film embodiment of female teenage sexuality. In her debut as both a director and screenwriter Eliza Hit-man has been able to accurately capture the awkward moments in time in which girls become women, and how these events shape us. The film's often unsentimental setting reflects it's overall tone of disenchantment. Lila (Gina Piersanti) naturalistic acting reminds us of our own struggles in painful stage of growth. The film redefines the concept of coming of age in literature and film by dissecting the romantic concepts often found in Bildungsroman type stories. "It Felt Like Love" shows the gritty and devastating consequences of discovering one's sexuality, and in a way that many veteran director, writers, and actors have not been able to before.
Lo sapevi?
- QuizDirector Eliza Hittman was Gina Piersanti's body double for the sexually explicit scenes.
- Colonne sonoreMedicine
Written and Performed by Mic Galper
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Aşk Gibiydi
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 33.817 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8211 USD
- 23 mar 2014
- Lordo in tutto il mondo
- 33.817 USD
- Tempo di esecuzione
- 1h 22min(82 min)
- Colore
- Proporzioni
- 1.85 : 1
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