Il grande quaderno

In one of the most remarkable scenes of 'The Notebook', twin 12 year old brothers methodically, coldly trade punches. Each swings at the other, and then stands still, face expressionless, as he receives a slew of punches back. Gradually the punches are harder, and eventually they start using belts to ratchet up then pain threshold. They are children but this is no game: they are toughening up, physically and psychologically, to survive the war. They have realized that cuddling together and wishing the war away will not save them, and they better be prepared for hunger, pain, betrayal and daily humiliations. And survive they do, although they decide that in order to do so they must blackmail priests, steal from corpses, bully their grandmother and plant explosives in someone's kitchen.

The director competently handles deep staging and the use of long lens, very apt for the emotional distance the story takes with regards to the acts it depicts. The film works in large part because of the performance of László Gyémánt and András Gyémánt, real life twins, who give a stupendously restrained, controlled performances, often consisting solely of intense stares and vengeful glances. Color is mostly bleached out, music is sparse and some of the best moments consist of static, unnervingly long shots.

The film is set in a small village straddling the Austro-Hungarian border during world war two. But it is not particularly interested in providing context of the war, or of Hungary's terrible plight in it, or in Nazism or in any other details of the historical setting. So don't expect to learn much about world war 2 in this film as it is merely the backdrop to a story that is really about survival and what happens to children's moral compass during war.

Hungarian films are their own sub-genre. Perhaps no other country has produced such consistently bleak films, soaked in pessimism and mostly focused on moral corruption and confusion. This small gem of a film is yet another example of this cinematic tradition. This is not quite at the level of masterpieces such as 'Come and See'or 'Time of the Drunken Horses', my two favorite films about childhood during wartime, but absolutely deserves to be seen, or, to be more precise, endured.

It's 1944. Twin boys live comfortable city lives. Their parents are worried about the impending Nazi defeat and upheaval. Their mother brings them to live with their bitter grandmother. They don't even know her who has been living alone in the Hungarian rural home estranged from her daughter. She's angry and beats on the boys. Local girl Harelip steals from them but she turns the table on the boys and they're the ones getting beaten. Nazis have a camp nearby. After constant beatings, the boys decide to toughen up and learn from the evil surrounding them.

It's a disturbing violent world being portrayed. The twins are not necessarily good actors. They don't get much sympathy. The grandmother is fascinating in her ugliness. It's a cold-hearted fable without anybody to root for.

The horror of war through the eyes of two boys. War has it's effect on every age group of people.War stories have been told several times, though this is quite different it's own way. It leaves you thinking, how devastating the war can be, and it leaves a mark on everyone through the ages to come. About this movie, the direction is superb, the acting especially the two boys are wonderful. Even the music is worth mentioning, is superb. It was screened in the Contemporary World Cinema section at the 2013 Toronto International Film Festival. The film has been selected as the Hungarian entry for the Best Foreign Language Film at the 86th Academy Awards.

jkbonner1 has written an excellent and in-depth review of the movie, all I would like to add is that this is the first and only movie that I have ever seen that I think succeeds in realistically portraying the devastating human aspects of WWII on a personal level without resorting to sentimentalism or nostalgia. Although gruesome with plenty of disturbing scenes, it is not grotesque. For me the only movie that comes close would be Apocalypse Now - which is, of course, a very different movie but I think similar in that both give a glimpse of the inhumanity and insanity of war. I also really admired about the movie that every key character undergoes a complete transformation - it presents us with an initial situation where it seems obvious who is in the right and who is "evil", and succeeds in turning everything upside down by the end of the movie, including our own definitions of right and wrong and good and evil. The movie does of course have some inconsistencies, some scenes appear highly unlikely and the boys seem to meet with every misfortune imaginable. But I think such criticism is beside the point. Through the eyes of the boys we are shown events that did happen over and over again to thousands of people. And in the end it is up to us to consider what is "good", whether we have a right to judge any of the characters in the movie, and given such circumstances how much of our own humanity and values could any of use have maintained? BTW I signed up to IMDb just to be able to share these thoughts with you about this movie :-) and I "look forward to" one day reading the book the movie is based upon (Agota Kristof: Le grand cahier).

This is one of those movies where you expect to have some central message, and at the end you get none

It is just pointless evil where good is bad, bad is good, and at the end you just dont care anymore

All, wrapped up with the most terrible editing I've ever seen, when one scene leads to another too fast, too messy, too crappy