Lo Hobbit - La battaglia delle cinque armate

So I went to The Hobbit marathon. Yes, my fangirling has reached the level where I'm willing to sit in a theater for nine hours straight.

First of all, seeing the first two movies on the big screen again (and for the last time) was a wonderful experience. Seeing all three on the big screen in one night? Very cool. And getting to watch the character transformations and story lines in a row, fantastic. The effects, casting, acting, setting, action... everything was good.

Martin Freeman should win some major awards for his acting... actually everyone should. They're all incredible. I must say, I cried for most of the last fifteen or so minutes. If you've read the book etc., you know why. If not, please go so you can cry too.

The action and battle scenes are captivating, intense, and extremely fun to watch. We get more info about Sauron, which makes me very happy. We also get more Legolas and Tauriel, and let's be honest, who doesn't want more Elvish epicness?

There were a few moments I could have done without, and a few moments where the CGI seemed off, but other than that, I honestly couldn't ask for a better movie. I feel like braiding my hair and learning to wield a sword now.

People complain about these movies so much, but honestly, this is as good as it gets when it comes to book adaptations.

9/10

Once again, thank you Peter Jackson. Agorel vae. Galu.

"The Battle of the Five Armies" presumably marks the final instalment in Peter Jackson's adaptation of Tolkien's work. (Unless, of course, he is thinking of having a crack at "The Silmarillion"). The battle was dealt with in a single chapter of "The Hobbit"; its expansion into an epic feature film lasting well over two hours is symptomatic of the way in which this relatively short novel has been inflated into something far more grandiose in Jackson's hands.

The seemingly invincible dragon Smaug is killed early on by the courageous archer Bard while attacking the city of Laketown. This leaves the Dwarfs and their leader Thorin Oakenshield in possession of the dragon's treasure which they claim is theirs by right. Unfortunately, other parties also have claims to the treasure, and two Dwarf armies, one led by Thorin, the other by his Glaswegian cousin Dain, prepare to do battle with armies of Men, Elves and Orcs. (I know Glasgow is not actually in Middle Earth, but Billy Connolly plays Dain as though he were a denizen of the Gorbals).

Another strand in the plot deals with the development of Thorin's character. When we first see him in this film, he is suffering from what Gandalf calls "dragon sickness", that is to say that he has been corrupted by the dragon's wealth. He is so selfish, greedy and arrogant that he is prepared to fight the Elves and Men, who should be his natural allies, for possession of it; only later does he come back to his senses and make common cause with them against the Orcs.

In terms of spectacle and excitement, the battle scenes can compare with anything in Jackson's earlier "Lord of the Rings" trilogy. Unfortunately, the film contains little else except battle scenes. The plot has many twists and turns, but these mostly involve the arrival of yet another army on the battlefield, the shifting alliances between the various factions or a reversal of fortune suffered by one side or another on the battlefield. Some of the actors are good, notably Martin Freeman as the resourceful Bilbo, Richard Armitage as the tormented Thorin Ian McKellen as Gandalf, but they tend to be overshadowed by the grand spectacle being played out behind them. "The Battle of the Five Armies" did nothing to overturn my view that it was a mistake to try and film "The Hobbit" in the same style as "The Lord of the Rings". 7/10

Now I personally enjoyed the first two hobbit instalments as much as each movie of the Lord of the Rings trilogy, though without a shadow of a doubt the original trilogy is far superior (probably due to the fact the book it is based on, is far stronger) I still find each of them incredible films and after the agonising and excruciating cliff- hanger of the Desolation Of Smaug, I was highly anticipating the third concluding chapter: The Battle of the Five Armies.

The Battle of the Five Armies forsakes the tradition of prologues that would often go back in time from the main narrative and instead thrusts us into the action, sending us with a flurry of excitement into Smaug's attack on Laketown, it is truly a spectacle to watch, building up the suspense and then being the perfect pulse racing build up and is one of the standout set pieces of the year as we finally see Smaug the terrible lay wake to the town, and as the title card appears over the ruined Erebor, the film continues to be the ultimate goodbye to Middle Earth, high on energy, whizzing through scenes at a breakneck pace until the credits roll.

In an attempt not to reveal any spoilers about the film, I will not delve into anymore of the plot events, needless to say this movie has countless scenes that Jackson is known for. He masterfully strings together the best elements of his Middle Earth films into one package. Amazing characters with brilliant performances, standout and beautiful settings and design of Middle Earth, a beautiful epic yet emotional soundtrack and of course: incredible action set pieces to make one visual masterpiece. Jackson who has had two films worth of build up really tests the characters to their limits. Thorin has more to do than ever before and Armitage plays the part perfectly, not to forget Martin Freeman, who has a stunning emotional moment which had the audience blubbering with tears. Whilst the previous cast all fulfill their roles masterfully, Evangeline Lilly and Aidan Turner both continue this slightly cliché romantic subplot but one that is given far more weight in this movie and really contributes to the plot this time and does not feel tacked on which did seem to occur with Desolation of Smaug.

The action as well is the best of the whole middle earth saga, the battle of the Five armies feels like Jackson looked at Minas Tirith, saw everything that worked and decided to turn it up a notch. Full of epic moments, awesome fights, giant armies clashing and the final showdown with the long awaited Thorin vs Azog does everything right with brilliant performances all around and the best one on one action scene in the series between Legolas and Bolg is a pure delight to watch.

The film for me embodied what I loved about: The lord of the rings. Whilst the action is marvellous and the best of the series, it's the emotional tone that ends the last ten minutes that makes The Battle of the Five armies such a brilliant goodbye as it is the end to the Hobbit tale, whilst still being a set up for the Lord of the rings and being one last farewell to the series that has touched so many viewers across the globe as Billy Boyd ends the series with a nostalgic note with his song.

My only few complaints is that much like in the Desolation of Smaug, the lonely mountain theme from An Unexpected journey does not appear, instead the 'house of durin theme' seems to be the most prominent, though I have understood it could be a copyright issue which in that case cannot be helped. Also though the film went by in a blur, I wish it could of been longer, most of the dwarfs don't get as much screen time as they should of and the ending feels like such a flash but perhaps that may be because I was desperate not to leave Jackson's middle earth vision for the last time, there was a lot of questions that were left unanswered admittedly and it does feel like they took the climax of the second movie, when the Hobbit was only two films and then extended it for as long as they could without overstaying their welcome, but these are all very minor gripes in what is a magnificent experience to see on the silver screen.

The Hobbit: The Battle of the Five Armies is the ultimate send off for the Middle Earth saga. In a trilogy where the quality of films has got progressively better, the Hobbit which easily could of been a supplement to the Lord of the rings, feels like a significant half of the Middle Earth saga. It's crammed with nolstagia, especially when Shore reuses some classic themes. There's some minor gripes but I frankly don't care, this is Middle Earth at it's finest and it ticked all the boxes of what I wanted to see and what I wanted it to do. It was an emotionally powerful, spectacle filled ending to the greatest fantasy cinematic series of all time.

What a difference an Extended Edition makes. For the first part we got some jolly embellishment. For The Desolation of Smaug we got bags more depth and character. For The Battle of the Five Armies, it may - I hope - be transformative. Because right now this feels like An Unfinished Journey.

It's as if, after all the complaints about splitting a pamphlet of a novel into three parts, Peter Jackson is playing a joke on us: This is what you get when you ask for Middle-earth-lite. Characters we've come to love or loathe arc into nothing; others (e.g. Beorn and Radagast) are given literally seconds of screen time; and for the first time in this prequel trilogy, a whole chapter (The Return Journey) is pretty much elided entirely.

I'd like to be clear on my admiration for what Peter Jackson has done with The Hobbit so far. For all The Lord of the Rings' mythic grandeur and complex world-building, there's a warm geniality and brisk impetus to these lovingly crafted films. And those qualities are married to a thematic depth missing from its bedtime story source. Home and borders are themes that have run through this trilogy, from Bilbo's (Martin Freeman) heartfelt declaration of solidarity at the end of An Unexpected Journey, to Kili's (Aidan Turner) fevered speech to Tauriel (Evangeline Lilly) as she heals his wounds in Desolation, when they realise reconciliation is possible. Heck, I even like the addition of Tauriel - though her unsatisfying conclusion is perhaps typical of a final chapter that too often fails to tie up its loose ends.

The movie kicks off from precisely where the second ended, with the dread dragon Smaug (Benedict Cumberbatch) descending upon Laketown. The citizens flee but nothing can stop the cataclysm - until a certain someone finds an ingenious way to pierce the beast. Then there's nemesis #2: Sauron (also Cumberbatch). We get to see some familiar faces face-off with this faceless monstrosity.

The story then enters its most intriguing phase: a kind of psychodrama involving Thorin (Richard Armitage) and his sickening relationship with gold and power. It's the one time we really glimpse that signature Jackson oddness, in a wonderful hallucinatory sequence where Thorin imagines he's sinking in a lake of gold.

The narrative follows the book fairly closely. This was, after all, the stage of the story where Professor Tolkien finally foregrounded politics and ethics and the machinations of characters ahead of adventure. The film is at its most successful in the quieter moments, as Thranduil (a subtle Lee Pace) ponders the duty of the elves; as Bard (a brooding Luke Evans) comes to the gate of the mountain to plead for peace; and as Thorin struggles with his "dragon-sickness" (i.e. greed), while Bilbo wrestles with the dilemma of what to do with a certain stolen gemstone.

Thorin was presented at first as this trilogy's Aragorn. But over time we've learned of the dangerous pride that ruined his grandfather. Thorin's hubris and arrogance is in stark contrast to Bilbo's very relatable and achievable traits of decency and humility. The gulf between them is intriguing and wisely plundered for drama. Armitage and Bilbo provide the best performances of the film - mostly internal; mostly in the eyes - and their farewell is one of the more moving moments in a trilogy that has largely prioritised humour over pathos.

The battle itself is undoubtedly impressive - great roaring hordes punctuated with spectacular giants - but in a sense it compounds the problem of the relatively truncated runtime. What was already the shortest Middle-earth film is rendered artificially even shorter by the fact that there's 45 minutes of virtually wordless fighting. By now we should all be braced for Super Legolas and his physics-defying fighting style. That reaches new heights here; as he sprints up a crumbling bridge like he's on the wrong escalator, it's like some sort of visual satire on the weightlessness of CGI.

With its last bastion and swarming armies, the titular battle resembles The Return of the King's Pelennor finale - yet that movie took breath between its showdowns. Galadriel vs. Sauron; Legolas vs. Bolg; Thorin vs. Azog... it's like we're watching someone finish off a video game but we're powerless to stop them skipping the tension- or character-building cutscenes. Moreover, the dubious editing decisions create some strange and jolting juxtapositions and tonal lurches, and negate the sense of time passing or of great distances being crossed.

The result is a film that really earns its status of "theatrical cut", insofar as it resembles many a boisterous blockbuster. This is fairly damning criticism for a Middle-earth movie, usually so luxurious and layered in its sense of a unique world. There's plenty of meat here - but where are the bones that hold it all together? 11 months away, perhaps.

The Battle of the Five Armies title is a great exaggeration of what an army entails. The movie is about more or less a skirmish with some rather imaginative weaponry. The plot goes sideways and after two three hours long previous films we get a two hours and a half mess that is half completely over the top battle scenes and the other half people talking out of their asses. It is pure chaos, where orcs are either mighty unbeatable beasts bred for war or cardboard armor wearing morons easily defeated by fishermen's wives and children, as the action demands. Things start to remind of Pirates of the Caribbean, and not only because it's the same actor doing kind of the same stuff.

There is even a prolonged ending with Bilbo Baggings returning to the Shire, almost as if wanting to undo the good idea in the Lord of the Rings movies in which they removed the boring book ending with Saruman taking refuge in the Shire, and that portrays hobbits as petty bureaucratic creatures, rather than kind and resilient and courageous as declared everywhere else in the films. If I enjoyed the first two movies and wanted to see how it will all end, the third was a ridiculous failure, trying to do too much with too little: making a country brawl look like an epic battle, keeping the lighter more children oriented tone while killing characters and trying to express deeper heroic emotions, trying to somehow raise on the same level three organized military groups and a bunch of fishermen and animals and tying up lose ends that were there only to make this a trilogy rather than a pair of decent movies.

It is now when all the jokes about the eagles made in good fun in the first two movies (and in Lord of the Rings as well) turn smirky, when the only logic to the plot and action seems to be the panic of production companies trying to achieve their financial goals rather than tell a good story. It is here where the disappointment that everyone talks about when referring to The Hobbit movies raises its ugly head and grows on the small mistakes of the previous two movies. So in order to enjoy the trilogy, one must somehow detach themselves from the ending and see it as an imperfect finish to an otherwise fun movie, maybe imagine their own.