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7,0/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen three rebellious students leave their hometown to pursue their lifelong dreams in the big city, their relationships start to face the pressures of real life as the 1980s Taiwanese socio... Leggi tuttoWhen three rebellious students leave their hometown to pursue their lifelong dreams in the big city, their relationships start to face the pressures of real life as the 1980s Taiwanese socio-political reformation movement unfolds in the background.When three rebellious students leave their hometown to pursue their lifelong dreams in the big city, their relationships start to face the pressures of real life as the 1980s Taiwanese socio-political reformation movement unfolds in the background.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 25 candidature totali
Hsiao-chuan Chang
- Liam
- (as Joseph Chang)
Nai-Hua Lin
- Liam's Mother
- (as Nai-Hua Chiu)
J.C. Lei
- Younger Twin Sister - 2012
- (as Hsiao-Lan Chang)
Recensioni in evidenza
8tpsn
I don't speak Mandarin but thoroughly enjoys this film. High recommended for anyone who is interested in foreign film!
Taiwanese films are becoming sexy again, and this probably is due in part of its crop of up and coming directors who are now holding their own against the art-house veterans, with their box office success being indication of their connecting with the audience at large, both local and overseas. Writer-director Yang Ya-Che's second feature film gf*bf shows the kind of appeal that's attractive to the general audience with its themes of romance starring a good looking cast, but in essence has a powerful story as gravitas to back it up.
Told over three decades from the martial law of the 80s, to the free spirited 90s and of today, the story revolves around three students, rebellious in their own right during their school days, but forming firm relations and friendship during their formative years. The brilliance in the scripting is in how Yang managed to craft really complex relationships between these three primary characters alone that worked on multiple levels, and showed a very fine and keen observation of the human condition, in the way we allow ourselves to be influenced by society at large, whether to conform or rebel against it, and how such decisions affect and change our behaviours, attitudes, and perhaps personality as well.
It's about how people change over time due to events and ever growing experience, whether jaded ones or otherwise, and how these changes affect the people around us, especially those whom we care about most. For Mabel (Gwei Lun-Mei), Liam (Chang Hsiao-Chuan) and Aaron (Rhydian Vaughan), life in school meant plenty of opportunities to work against the uniformed establishment, to try and break free from restrictive, and sometimes inexplicable rules. The impetuousness of youth continues into the 90s where the student movement got larger and more proactively vocal, before life in the present requires a lot more responsibility and level- headedness, with a surprise in the twist of narrative thrown in for good measure.
The trio's love triangle is what made this film come alive, and that's all that should be mentioned about it. While the title may be that little giveaway, suffice to say the romance in the film, amongst the characters, prove to be the best thing about the movie. All three actors gave convincing performances, that you'll feel every heart break, every heart wrench, and share in their little moments of happiness and warmth when things go their way, albeit not most of the time. Yang Ya-Che shows off some incredible sensitivity in making all of them multi-faceted, and multi-dimensional, and each of the actors did brilliantly to flesh their characters, making all of them pretty much endearing as we chart their ups and downs in life, especially their luck in love, or lack thereof.
Gwei Lun-Mei anchors the film, being the female amongst the two male leads, probably put in the best performance to date in a role that has plenty of spunk, yet filled with girly vulnerability when she gets her heart open and prone to heartbreak. There's a little sub plot involving her getai performing mom, and that provided a little bit of a distraction from the main narrative. While Rhydian Vaughan will likely set hearts aflutter with his good looks, playing the brash and sweet talking Aaron, Chang Hsiao-Chuan puts in a performance that's completely opposite as if to starkly contrast in broad terms, two different categories of men, and excelled in playing the strong, silent type who had too much bottled within him. For a reason of course.
gf*bf hardly put in a wrong foot in its story telling, and makes the audience work for their reward. There are films which make it easy to understand from the onset no thanks to having everything told in verbatim fashion, but this one allows some piecing together of facts and information, with a little bit of cultural and historical significance put on the side, that makes it unique, moving, and a masterful piece of filmmaking.
Told over three decades from the martial law of the 80s, to the free spirited 90s and of today, the story revolves around three students, rebellious in their own right during their school days, but forming firm relations and friendship during their formative years. The brilliance in the scripting is in how Yang managed to craft really complex relationships between these three primary characters alone that worked on multiple levels, and showed a very fine and keen observation of the human condition, in the way we allow ourselves to be influenced by society at large, whether to conform or rebel against it, and how such decisions affect and change our behaviours, attitudes, and perhaps personality as well.
It's about how people change over time due to events and ever growing experience, whether jaded ones or otherwise, and how these changes affect the people around us, especially those whom we care about most. For Mabel (Gwei Lun-Mei), Liam (Chang Hsiao-Chuan) and Aaron (Rhydian Vaughan), life in school meant plenty of opportunities to work against the uniformed establishment, to try and break free from restrictive, and sometimes inexplicable rules. The impetuousness of youth continues into the 90s where the student movement got larger and more proactively vocal, before life in the present requires a lot more responsibility and level- headedness, with a surprise in the twist of narrative thrown in for good measure.
The trio's love triangle is what made this film come alive, and that's all that should be mentioned about it. While the title may be that little giveaway, suffice to say the romance in the film, amongst the characters, prove to be the best thing about the movie. All three actors gave convincing performances, that you'll feel every heart break, every heart wrench, and share in their little moments of happiness and warmth when things go their way, albeit not most of the time. Yang Ya-Che shows off some incredible sensitivity in making all of them multi-faceted, and multi-dimensional, and each of the actors did brilliantly to flesh their characters, making all of them pretty much endearing as we chart their ups and downs in life, especially their luck in love, or lack thereof.
Gwei Lun-Mei anchors the film, being the female amongst the two male leads, probably put in the best performance to date in a role that has plenty of spunk, yet filled with girly vulnerability when she gets her heart open and prone to heartbreak. There's a little sub plot involving her getai performing mom, and that provided a little bit of a distraction from the main narrative. While Rhydian Vaughan will likely set hearts aflutter with his good looks, playing the brash and sweet talking Aaron, Chang Hsiao-Chuan puts in a performance that's completely opposite as if to starkly contrast in broad terms, two different categories of men, and excelled in playing the strong, silent type who had too much bottled within him. For a reason of course.
gf*bf hardly put in a wrong foot in its story telling, and makes the audience work for their reward. There are films which make it easy to understand from the onset no thanks to having everything told in verbatim fashion, but this one allows some piecing together of facts and information, with a little bit of cultural and historical significance put on the side, that makes it unique, moving, and a masterful piece of filmmaking.
Of all topics, who would have thought the concept of Taiwanese nationalism would have been such a difficult one to convey on screen? Last year, the ambitious but bloated Warriors of the Rainbow made a respectable attempt to tell the story of the Taiwanese Indigenous and their battle to keep their land against the invading Japanese. In 2012, director Ya-Che Yang travels down a more contemporary path, as Girlfriend Boyfriend recounts the changing lives and persistent love triangle between three close friends against the backdrop of social upheaval, as Taiwan breaks free of its martial law rule and attempts to forge a new identity.
Admittedly, this film's political agenda plays a secondary role to the interplay between its three main characters (Lun Mei Gwei, Hsiao-Chuan Chang and Fon Yuen Vaughan), for which it should be commended, but that is where the applause ends. Because for all its promise, Girlfriend Boyfriend simply cannot decide what sort of film it wants to be, and the result is a disjointed cluster of unnecessary side plots and generally melodramatic fare.
For a film that classifies itself as a comedy, it facilitates no laughs beyond the opening act, instead gradually descending into a miserable soap opera. That is not to say that its attempt at humour was off the mark; an impossibility due to the total lack of humour in the first place.
The film's attempt to deepen the story by throwing in new themes for the characters to intermittently deal with (including adultery, homosexuality and self-inflicted disconnectedness) actually has the opposite effect, as the plot becomes needlessly convoluted. It closes on an ending intending to justify the struggles each character has endured, but the fact that it completely overlooks the fate of Aaron, arguably the film's most relatable character, leaves the viewer wanting more, but also glad that the ordeal is over.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
Admittedly, this film's political agenda plays a secondary role to the interplay between its three main characters (Lun Mei Gwei, Hsiao-Chuan Chang and Fon Yuen Vaughan), for which it should be commended, but that is where the applause ends. Because for all its promise, Girlfriend Boyfriend simply cannot decide what sort of film it wants to be, and the result is a disjointed cluster of unnecessary side plots and generally melodramatic fare.
For a film that classifies itself as a comedy, it facilitates no laughs beyond the opening act, instead gradually descending into a miserable soap opera. That is not to say that its attempt at humour was off the mark; an impossibility due to the total lack of humour in the first place.
The film's attempt to deepen the story by throwing in new themes for the characters to intermittently deal with (including adultery, homosexuality and self-inflicted disconnectedness) actually has the opposite effect, as the plot becomes needlessly convoluted. It closes on an ending intending to justify the struggles each character has endured, but the fact that it completely overlooks the fate of Aaron, arguably the film's most relatable character, leaves the viewer wanting more, but also glad that the ordeal is over.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
A well-made, coming-of-age drama that explores friendship, romance, sexuality and politics, Yang Ya-Che's GF*BF (alternatively titled as GIRLFRIEND BOYFRIEND) is one of the best Taiwanese movies I've ever come across. No wonder the movie is well-deserved to earn 7 nominations at the 49th Golden Horse Awards (which later won Gwei Lun-Mei a Best Actress award as well as Audience Choice Award).
Told over the span of three decades (1985, 1997 and 2012), the movie begins with a brief prologue set in the present day before it goes back in time in 1985, where we are introduced to three Taiwan high-schoolers Mabel (Gwei Lun-Mei), Liam (Joseph Chang) and Aaron (Rhydian Vaughan). All of them are activists rebelling against the martial law during the turbulent period of 1980s Taiwan. On the personal side, Mabel loves Liam a lot, but Liam doesn't really have a feeling for her. So she ends up falling in love with Aaron instead. Liam, in the meantime, is actually a closeted homosexual who's been longing for Aaron. This is one complicated love triangle which will make your head spin upon watching the movie.
Which is why the trio's love triangle is one of the unique selling points in GF*BF. All three actors delivered top-notch and remarkably convincing performances where you'll feel emotionally involved with them. Gwei Lun-Mei is particularly excellent in what would be her best performance to date as a spunky girl with hidden vulnerability. Joseph Chang is equally captivating as a silent-type individual who loves to bottle up his emotion, and he's especially good when he communicates his character through his expressive eyes. Rhydian Vaughan is perfectly cast as a playful and sweet-talking Aaron.
Yang's direction is well-calculated and more than often, he successfully delivers a roller-coaster ride of varied emotions ranging from happiness to heartbreak with such genuine affection. On the other hand, Yang's keen observation over the multiple themes he's been exploring throughout his movie is passionately told, yet thought-provoking enough at the same time. Even the political aspect depicted earlier in the movie, which is actually served as a mere backdrop, has a certain impact served in his storyline.
The 1985 segment is easily the most memorable moment of all as Yang captures the sheer exuberance of what it's like to be a rebellious youth during that particular era where rules don't apply and freedom of speech is crucial for living a life to the fullest.
If there's a flaw in the movie, I must say that Vaughan's performance can be a bit underwhelming at times. Other than that, Yang's complicated storyline can be a little convoluted.
Production values are ace, while the soundtrack hits all the right notes in term of capturing the essence of the three different eras as well as the overall context of the movie.
Told over the span of three decades (1985, 1997 and 2012), the movie begins with a brief prologue set in the present day before it goes back in time in 1985, where we are introduced to three Taiwan high-schoolers Mabel (Gwei Lun-Mei), Liam (Joseph Chang) and Aaron (Rhydian Vaughan). All of them are activists rebelling against the martial law during the turbulent period of 1980s Taiwan. On the personal side, Mabel loves Liam a lot, but Liam doesn't really have a feeling for her. So she ends up falling in love with Aaron instead. Liam, in the meantime, is actually a closeted homosexual who's been longing for Aaron. This is one complicated love triangle which will make your head spin upon watching the movie.
Which is why the trio's love triangle is one of the unique selling points in GF*BF. All three actors delivered top-notch and remarkably convincing performances where you'll feel emotionally involved with them. Gwei Lun-Mei is particularly excellent in what would be her best performance to date as a spunky girl with hidden vulnerability. Joseph Chang is equally captivating as a silent-type individual who loves to bottle up his emotion, and he's especially good when he communicates his character through his expressive eyes. Rhydian Vaughan is perfectly cast as a playful and sweet-talking Aaron.
Yang's direction is well-calculated and more than often, he successfully delivers a roller-coaster ride of varied emotions ranging from happiness to heartbreak with such genuine affection. On the other hand, Yang's keen observation over the multiple themes he's been exploring throughout his movie is passionately told, yet thought-provoking enough at the same time. Even the political aspect depicted earlier in the movie, which is actually served as a mere backdrop, has a certain impact served in his storyline.
The 1985 segment is easily the most memorable moment of all as Yang captures the sheer exuberance of what it's like to be a rebellious youth during that particular era where rules don't apply and freedom of speech is crucial for living a life to the fullest.
If there's a flaw in the movie, I must say that Vaughan's performance can be a bit underwhelming at times. Other than that, Yang's complicated storyline can be a little convoluted.
Production values are ace, while the soundtrack hits all the right notes in term of capturing the essence of the three different eras as well as the overall context of the movie.
10clinluo
She loves him! he loves him! If the relationship is not established when time is not established, we are not willing to endure hardships for anyone, we are just asking for hardship. No matter how much we fall in love, we can't stand the most primitive cold of the world. Love is bigger than being loved, we are all Meibao, we are all Ah Liang, we believe in love and suffering for love, and later surrendered to become a good medicine. Magnolia floated by, things have changed.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 64.414 USD
- Fine settimana di apertura Stati Uniti e Canada
- 29.016 USD
- 5 ago 2012
- Lordo in tutto il mondo
- 667.626 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Proporzioni
- 2.35 : 1
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