L'equipaggio di una nave coloniale diretto verso un remoto pianeta scopre un paradiso inesplorato con una minaccia oltre ogni immaginazione e deve tentare una fuga straziante.L'equipaggio di una nave coloniale diretto verso un remoto pianeta scopre un paradiso inesplorato con una minaccia oltre ogni immaginazione e deve tentare una fuga straziante.L'equipaggio di una nave coloniale diretto verso un remoto pianeta scopre un paradiso inesplorato con una minaccia oltre ogni immaginazione e deve tentare una fuga straziante.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 18 candidature totali
Demián Bichir
- Lope
- (as Demian Bichir)
Lorelei King
- Mother
- (voce)
Javier Botet
- Xenomorph
- (non citato nei titoli originali)
Recensioni in evidenza
When I went into watching Covenant on opening night, I went in with neither excitement nor hesitation but was just curious. I was one of the people who didn't hate Prometheus because I admired the new mythology Ridley Scott was trying to create. However, I could see that it was poorly executed especially when connecting to Alien. Covenant improves on those ideas with better-written characters but in the end mostly fails as a memorable Alien film.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
The alien movies over the years have mutated manifold from straight up horror to a full on war/action flick then to a mixed backstory starting in alien 3 which was interesting but a massive failure. Prometheus visually stunning as it was was let down by an awful script an dialog in particular.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
This was dumb.
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws.
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
Lo sapevi?
- QuizOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- BlooperDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Curiosità sui creditiThe 20th Century Fox logo is in a shade of dark blue-gray.
- Versioni alternativeChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnessioniEdited into Alien: Covenant - Advent (2017)
- Colonne sonoreTheme from Alien
Composed by Jerry Goldsmith
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Prometheus 2
- Luoghi delle riprese
- Milford Sound, Fiordland National Park, Southland, Nuova Zelanda(spacecraft landing site)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 97.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 74.262.031 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.160.621 USD
- 21 mag 2017
- Lordo in tutto il mondo
- 240.892.187 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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