Steeltown Murders

But here he gets the role he has been waiting for, and many chances to carry the production on his shoulders when needed. It is not for this reviewer to wonder why this was done as a series instead of a one-of? The fact remains that any shortcomings in the "action" are more than compensated for by the superb writing, acting, and direction. Give it a chance and you will get caught up. Stories about doing the right thing for the right reasons are so rare today, they should be cherished. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

A very confusing beginning. Where music is often used to establish a time frame for a drama, the two songs used at the beginning of this one were from 1970. So I thought it was 1970, but then there was one from 1973. The latter being the correct one chronologically to map on to the events that unfolded.

But hang on, this was a flashback, so what year was the new investigative work taking place. It took a while, but I think it was 2003.

So, the start of the drama was very muddled, especially character wise.

Overall I thought it was one episode too long. The third part particularly dragged and the final couple of episodes could have been condensed into one.

Premise: Twenty-first century technological advances help detectives with a cold murder case from 1973.

Geraldine Hughes and Pauline Floyd both left the Top Rank nightclub in Swansea without ever making it home.

Their bodies were discovered later in Llandarcy. Dubbed the case of the "Saturday Night Strangler", it became the first documented case of a serial killer in Wales.

If it hadn't been for the fact it was based on real events it would have seem cliched; young detective should be seen and not heard and not have anything to offer the operation being run by superiors who are seriously flawed policing wise.

A strong cast, particularly Philip Glenister, made this watchable.

An excellent production. Truly captures the essence of the eras portrayed and most importantly put the eras into contextz a seemingly overlooked aspect recenty. I really enjoyed this and thought that the program was excellently cast. The filming tone is superb. A very good insight into not only the Police but also the early use of DNA. Well done to all involved. The whole series had a good pace to it and shows the stress that these kind of events can have on not only the victims family but everyone associated with the incident and this is graphically shown here, better than any other program I can recall.

Writer Ed Whitmore has a couple of decades experience with crime stories, including penning many of the best episodes of 'Silent Witness'. The compelling Steeltown story seemlessly alternates between the original investigation in 1973 and the new investigations in the present.

It had resonances with 'Life on Mars' and shared a lead in Philip Glenister, who shines here along with the rest of an accomplished local cast. Above all it felt totally authentic.

Production values were excellent, it was beautifully directed and photographed by Marc Evans and Sam Thomas respectively, with some tremendous set piece scenes (The funeral - wow!). It had a very strong sense of period with fantastic attention to detail and a fine score by Sarah Warne.

One of the best UK dramas of 2023, highly recommended and hats off to all involved, it was obviously a labour of love created by a close team.

DC Paul Bethel is part of a team investigating the murder of two young women, he tries to link a third woman, but his superiors block him, years later, with the advent of DNA testing, DCI Paul Bethel is given a lead.

This is a fantastic four part series from The BBC, being from the area myself I can confirm that this case did indeed cast a big shadow over the whole area.

I am a massive fan of writer Ed Whitmore, he has written some great dramas over the years, including the excellent Manhunt series, once again he gets the balance of fact and entertainment spot on.

Of course there are some dramatic changes, new characters etc, but the heart of the story is very much still here.

Production values are spot on, it looks fantastic, the music, sets, clothes and cars are all on point. There is one scene where my old haunt, The Top Rank on The Kingsway is recreated, again they got it spot on.

A super cast, Aneurin Barnard, Keith Allen and many others, Philip Glenister steals the show with a superb performance as Paul Bethel, at times it feels like we've got a real life Gene Hunt, less The Quattro.

9/10.