Il sergente Steve Arnott viene trasferito all'unità anti-corruzione della polizia dopo la morte di un uomo in una sparatoria sbagliata durante un'operazione antiterrorismo.Il sergente Steve Arnott viene trasferito all'unità anti-corruzione della polizia dopo la morte di un uomo in una sparatoria sbagliata durante un'operazione antiterrorismo.Il sergente Steve Arnott viene trasferito all'unità anti-corruzione della polizia dopo la morte di un uomo in una sparatoria sbagliata durante un'operazione antiterrorismo.
- Nominato ai 13 BAFTA Award
- 21 vittorie e 61 candidature totali
Sfoglia gli episodi
Riepilogo
Reviewers say 'Line of Duty' is acclaimed for its gripping plot, stellar acting, and intricate storytelling. The show's complex characters and unexpected twists are frequently highlighted. However, some critics note issues with the final episodes, feeling they inadequately resolve plot points. A few reviewers also mention repetitive elements and insufficient character development in certain seasons. Despite these drawbacks, the series is widely considered a top-tier crime drama with powerful performances.
Recensioni in evidenza
A very difficult show to review, overall I'd give Series 1 an 8/10, a very good show, strong characters, intrigue etc, however something happens in the second series and has continued through to the present day, since that very first episode of Series 2 (or in fairness Part 6 of the opening Series) Line of Duty has become the best thing on the box. The cast work together in a way that you don't often see in many shows, the degree of realism each of them injects makes the show feel very real. Dunbar, Compston, McClure, Parkinson etc are all utterly phenomenal, I think though, it was the performance of Keeley Hawes as Lindsay Denton that increased my interest in the show, she was utterly amazing.
The transformation in the character of Steve Arnott has been intriguing, plaudits for Martin Compston, incredible actor, so diverse.
I suppose you could argue it's made in the style of the Scandinavian noir, but it goes deeper then that somehow, offering even more for the viewers. The series treats the viewer as if they have a degree of intelligence, it's deep and intricate without being too clever for its own good.
It comes as no surprise that the show's viewing figures have almost trebled, if you've not seen it, you have no idea what you're missing out on. 10/10
Bring on Series 5
The transformation in the character of Steve Arnott has been intriguing, plaudits for Martin Compston, incredible actor, so diverse.
I suppose you could argue it's made in the style of the Scandinavian noir, but it goes deeper then that somehow, offering even more for the viewers. The series treats the viewer as if they have a degree of intelligence, it's deep and intricate without being too clever for its own good.
It comes as no surprise that the show's viewing figures have almost trebled, if you've not seen it, you have no idea what you're missing out on. 10/10
Bring on Series 5
In recent years, I have generally "moved on" from Poirot-Wallander type of series (usually 1 episode - 1 solved case) to more sophisticated and intertwined series where events take place in parallel and with flashbacks, and for full comprehension, one should watch all the episodes in sequence. It take more time and dedication, but there are more versatile characters and more complex situations where one can ponder on and over more intensely.
Line of Duty is a really fine example of the above. The two series - so far - have been really catchy to follow, there is both mind-work and twisted turns, and they are more or less equal (in my opinion, One has a bit stronger performances thanks primarily to Lennie James as DCI Tony Gates, but Two has a bit meatier script). But anyway, I did really enjoy the course of events, the often thin line between cops and crooks (what about its actuality?), and nice round-up of things that really took place. I would juxtapose Line of Duty with e.g. Engrenages (France) and Ørnen: En krimi-odyssé (Denmark).
I am looking forward to next seasons already.
PS. 3, 4 and 5 are meaty as well, please proceed :) PS. 6 has somewhat less interesting outcome, but interesting twists and turns still visible.
Line of Duty is a really fine example of the above. The two series - so far - have been really catchy to follow, there is both mind-work and twisted turns, and they are more or less equal (in my opinion, One has a bit stronger performances thanks primarily to Lennie James as DCI Tony Gates, but Two has a bit meatier script). But anyway, I did really enjoy the course of events, the often thin line between cops and crooks (what about its actuality?), and nice round-up of things that really took place. I would juxtapose Line of Duty with e.g. Engrenages (France) and Ørnen: En krimi-odyssé (Denmark).
I am looking forward to next seasons already.
PS. 3, 4 and 5 are meaty as well, please proceed :) PS. 6 has somewhat less interesting outcome, but interesting twists and turns still visible.
This is a review of both Season 1 & 2 of this wonderful British series. Although there is a different story line in each of the seasons, there is some continuity in the important characters: the actors Martin Compston, Adrian Dunbar and Vicki McClure, among others, appear in both seasons as the same characters. The story in each season deals with a conflict within a police department between the regular forces and the internal affairs or "anti-corruption" unit. Thematically, it is concerned with the moral ambiguities that arise when policemen investigate their own. I think this is one of the best British police procedurals that I have seen. The acting and the writing are uniformly excellent, and I hope it comes back for a third season.
Once again I stumbled onto this show by accident. Thank goodness. I find British police drama much more intense than the run of the mill American shows. This one is no exception. The acting is very convincing on all accounts. You think in the beginning how can this "kid" be a good main character. He then proves you very wrong and you see that his conviction to the case is what makes him compelling to watch. All the main players are only too human. The stories all have their own twists and turns, keeping you on your toes all the time. Making this show fascinating to watch. I admit there was an awful lot of binge watching as I couldn't leave the plot at the end of each episode.
Please give this a chance and be rewarded for doing so.
Please give this a chance and be rewarded for doing so.
Line of duty is an exceptional police drama. My parents first found it on BBC2 which I find unusual by the fact that it is hidden amongst a less popular channel. Furthermore, the acting is brilliant and you'll be on the edge of your seat at the end of every episode - it is indeed one of the best police series I have watched yet. I suppose it could be down to the fact that it is very unique, in which the producers have found a huge gap within the crime genre of focusing upon AC12 which is an anti-corruption unit. This means that the entire series one and two focus upon entirely different story lines but withholds the same cast in both the first and second series. All I can say is it is a must-see and you will be hooked from the first episode - and I cannot wait till the third season!
Lo sapevi?
- QuizBestselling author Stephen King, a huge fan of the series, was especially fond of the Irish catchphrases used by superintendent Ted Hastings (Adrian Dunbar) such as, "Now we're sucking diesel!" (when you've fallen into good fortune thanks to your own hard work) and "Jesus, Mary and Joseph and the wee donkey!"
- ConnessioniFeatured in The Wright Stuff: Episodio #17.120 (2012)
- Colonne sonoreSpanish Bull
Written by Miguel Moreno
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Tempo di esecuzione
- 1h(60 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti