Shootout at Wadala

Shootout At Lokhandwala (SAL) was so genuine in both the plot & its character portrayal that it has a cult following. I could say the same for Shootout At Wadala (SAW) had it been short, non-monotonous & authentic.

First of all, the makers made a mistake in adapting an already published work. Unlike Hollywood, it hardly works in Bollywood. Secondly, too many characters played spoilsport with the marvelously carved screenplay. Character depth is very shallow, running time is too long, plus the story is clichéd. And to fill the gaps, they include not 1, not 2 but 3 item numbers to the audience's horror. With a faux pas in non-linear narration, SAW ends without making mark its predecessor was successful in.

Abraham is great, Kangana is straight outta her "Gangster" role (plus her accent spoils everything), Manoj Bajpai is terrific, Sonu Sood was sleeping all over the movie while Anil Kapoor is only a man of his words, with certain supporting cast fooling around. Jackie Shroff was wasted. Tusshar is better than he was in SAL.

Music is good but repetitive, editing is very well done, cinematography is good & the total feel is in parallel to the genre it is based on. But, since the foundation is rickety with same old story (nice guys-bad guys), SAW doesn't live up to the expectations. The negations are high, especially the lack of clever censorship & punchy dialogues.

BOTTOM LINE: SAW is a strict crime movie probably worth a watch which depends on personal interests. Some may like it, some may not.

MESSAGE: The illusion that gangsters are born mischievous is wrong.

Can be watched with a typical Indian family? NO

Profanity: Critical | Sex: Strong | Nudity: Mild | Violence: Infinity | Gore: Very Critical | Alcohol: Strong | Smoking: Mild | Drugs: No | Vulgarity: Strong

In the early 80's , Mumbai was the hub for underworld gangsters. Each gangsters were vying for blood of other gang members to rule Mumbai underworld. Manya Surve was one of the dreaded gangster who ruled the Mumbai underworld but ultimately was shot down by what is recorded as first encounter killing by Mumbai Police.

Based on true story of infamous gangster , Manya Surve (played by John Abraham), Shootout At Wadala is a sequel to Shootout At Lokhandwala and brings you the actual event which took place on 1st November , 1982 where Mumbai Police took the first step to do first encounter killing of Manye Surve in Wadala, Mumbai which shook the entire country.

From the director of Kaante and Musafir, Sanjay Gupta brings you the stylish hardcore-action film which is interesting to watch but is saddened by loose screenplay and left you wanting for more. The movie begins with bang depicting the events which changes Manye's life from a bright college student to atrocious urban dacoit. It is the 2nd half which goes haywire and you feel the impact is missing. Direction is good but screenplay is average. Action scenes are superb and stylish and will be a treat for action-movie fan. Cinematography is eye-catching. Special mention for gorgeous set creation representing the 80's era of Mumbai. Dialogues are punching. John Abraham gives his best and comes up with riveting performance. This might be a turning point in his career. Anil Kapoor is as usual dependable. He gives full support to the starcast along with Manoj Bajpai and Sonu Sood. Kangana Raunat looks good but is wasted in a small role.

Shootout out Wadala is entertaining , exhilarating and stylish. Watch it if you want to know about Mumbai underworld during 80's period. Good 3/5

The prequel to the smash hit, Shootout At Lokhandwala, is based on Hussain S. Zaidi's bestselling investigative book – Dongri to Dubai. Adapting a non-fiction book into a film requires special skills because of the need to sieve all the facts presented in the book into the film's narrative and all this while, keeping the film entertaining! This is exactly the reason I was intrigued to watch this film and to see what Sanjay Gupta had done with the subject material. Story: The story is centered around the first Hindu gangster of Mumbai, Manya Surve (John Abraham) and his meteoric rice and his subsequent fall. Tusshar 'the-producer's-brother' Kapoor is Manya's confidante in this journey. Siddhant Kapoor (Shakti Kapoor's son) makes his debut playing a member of Manya's gang and is called Gyanchod! Every gang has an enemy gang. The opponents here are Zubair (Manoj Bajpai) and Dilawar (Sonu Sood). The cops are also a part of the story. Afaque (Anil Kapoor) and his team members do everything they can to tackle crime in the city. And oh, Manya also has a love interest (Kangna Ranaut).Direction and Miscellaneous: Delving into a subject as serious as this and not messing it up must have been the ultimate challenge for Sanjay Gupta. And to a very large extent, he doesn't mess it up. He keeps the proceedings flow freely. The film doesn't sway from its path and is thoroughly enjoyable thanks to the way Gupta deals with the subject. But why 3 item songs, Mr. Gupta? The cinematography by Sameer Arya is one of the high points of the film. Sanjay Gupta has always been known to make stylish film and here again, Shootout at Wadala looks and feels stylish, thanks to Sameer's deft camera-work. What works as a deterrent for the film is its corny dialogues (by Milap Zaveri). The dialogues are stereotypical and there's an astonishingly large smattering of abuses just for the shock value. Being a period film, the production design and costume design is spot on keeping in mind the commercial aspects. Music and Background Score: The item song featuring Babli Badmaash, featuring Priyanka Chopra is a disappointing set-piece with a forgettable tune. Sophie's song doesn't stay with you for too long, either. Laila, starring Sunny Leone is the most fun of all the songs and Sunny looks sizzling in this one. The background score is strictly average. Acting: Yes, as was expected, SAW is John Abraham's best ever performance. And no, it is still not good enough. John gives it his best but the others in this film overshadow him fair and square. Anil Kapoor hams it up like only he can and that's not a bad thing at all! The best act of this film is reserved for Manoj Bajpai who shines as the cunny Zubair. Sonu Sood also makes a huge impression as Dilawar (the role is based on Dawood Ibrahim, of all people). This film could have been made without Tusshar Kapoor and that wouldn't hurt the film at all. Ronit Roy, Mahesh Manjrekar, Siddhant Kapoor do well in their parts. Kangna Ranaut is hardly there in this brawn fest and she does alright. Conclusion and Box Office Potential: If you keep your expectations in check and wish to be entertained, then you will be entertained. If you are put off by abusive dialogues, bad acting and sleazy item songs, then stay far away. This film plays to the masses with cheezy dialogues, quarter dozen item songs and a lot (A LOT!) of action. Barring any major mishappenings, Shootout At Wadala will be a good money churner for Ekta Kapoor. Positives: Stylish treatment and cinematography The entertaining plot The action set-pieces Manoj Bajpai and Sonu Sood The period sets done right Laila Negatives: Cheezy dialogues filled with abuses Poor acting by the main protagonist Babli Badmaash

The screen writing is watertight. Although it takes time to settle down, the solid writing in the second hour keeps you on the edge. In fact, the turn of events in the second half takes the film to its zenith. A large chunk of SHOOTOUT AT WADALA is devoted to high-voltage action sequences. Unlike some recent films, the action here is raw and real, reminiscent of the films of the 1980s. On the whole, SHOOTOUT AT WADALA is a fire-brand, paisa vasool entertainer. Brutal and electrifying, it is one of those theatre-going experiences that has a plot, is packaged well and has content drama, action, dialogue, songs, performances that works big time with the avid moviegoer. Sanjay Gupta delivers a solid punch!

Inspired from journalist S Hussain Zaidi's non-fiction book Dongri to Dubai, 'Shootout at Wadala', Directed by Sanjay Gupta, is An Engaging Action Film, that re-tells Late Gangster Manya Surve's bloodied story. Gupta handles the film well, while the Screenplay & Performances are note-worthy.

'Shootout at Wadala' is based on the first-ever registered encounter by Mumbai police, where Gangster Manya Surve was shot dead, in Mumbai on 11 January 1982.

'Shootout at Wadala' is extremely violent & disturbing. The violence depicted on-screen appears real & horrifying. Of course, the Action-Sequences are rustic & effective, but there is just too much of gore. The Faint-Hearted better stay away!

Gupta's Screenplay is note-worthy & is engaging. The first-hour is power-packed, while the second-hour culminates with a nail-biting finale. Gupta's Direction is stylish. He's in form after a long, long time. Cinematography is rustic. Editing could've been sharper. Music by Multiple Music Directors is fair.

Performance-Wise: John Abraham as Manya Surve, gives an all-out performance. He's believable all through. Anil Kapoor is simply superb as the tough cop. He stands out! Kangna Ranaut is wonderful, while Tusshar has his moments. Manoj Bajpai is flawless in a relatively small role. Bajpai never disappoints! Sonu Sood is another topper. He enacts an important role with terrific ease. Ronit Roy is excellent. Mahesh Manjrekar is perfect. Sidharth Kapoor holds tremendous potential as an actor. Jackie Shroff shines in a cameo. Raju Kher is brilliant. Priyanka Chopra, Sunny Leone & Sophie sparkle in item numbers.

On the whole, 'Shootout at Wadala' re-tells a true story, efficiently.