I Parker, una famiglia solitaria, trovano minacciata la loro esistenza segreta, costringendo le figlie Iris e Rose ad assumersi responsabilità al di là di quelle di una famiglia tipica.I Parker, una famiglia solitaria, trovano minacciata la loro esistenza segreta, costringendo le figlie Iris e Rose ad assumersi responsabilità al di là di quelle di una famiglia tipica.I Parker, una famiglia solitaria, trovano minacciata la loro esistenza segreta, costringendo le figlie Iris e Rose ad assumersi responsabilità al di là di quelle di una famiglia tipica.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 11 candidature totali
- Emma Parker
- (as Kassie DePaiva)
Recensioni in evidenza
There's been some debate about whether or not WAWWA is really a horror film, and I would vote a definite "yea" even though the whole mood and atmosphere are different (and better in many ways) than most contemporary horror flicks. There are some elements of suspense, but you know the big "secret" before it's halfway through--the cover also gives a decent hint--so it doesn't exactly work as a mystery. Regardless, the brief flashbacks to the family's ancestors in the 1780s add a great deal.
Though none of the individual elements here are anything that hasn't been done plenty of times before, WAWWA's whole combination of qualities make it a different experience. It's obviously low budget but still far from being another super-amateurish cheapie. The makers of this film did an excellent job with what they had to work with. There are some blank spots--e.g., the body in the water--and a little stronger sense of place would have been nice. At the same time, it's probably better that they don't explain every little thing away.
The movie itself is beautifully developed to create both a very plausible realism and very well defined characters. It is these characters that are the goal, and the movie does not resort to needless gore to satisfy cruder appetites. The acting is carried off quite flawlessly, and we do find ourselves at least rooting for the children to some degree. All in all it was well worth the watch.
Would I say it is better than the original? Well, given that they are both very different it would be unfair to pit them against each other directly. I will say I did prefer the original overall as it was first, so it took some of the novelty out of the second, and the original made it more of a sort of very twisted coming of age tale than the second movie did, and I really liked that dimension of it. But if I look at them more as apples and oranges, I would say they both are very well done and each earns its place as a highly recommended piece of work.
Meanwhile Sheriff Meeks (Nick Damici) and Deputy Anders (Wyatt Russell) are investigating cases of missing persons in the skirts of the town. Doc Barrow (Michael Parks), who lost one daughter that has disappeared, is carrying out Emma's autopsy and finds an important discovery that will connect the missing cases with the Parker family. What is the tradition of the Parker family?
"We Are What We Are" is a depressing and creepy remake of a 2010 Spanish movie "Somos lo que hay". The story is developed in slow pace in a depressive atmosphere and the acting is top-notch. Unfortunately the screenplay discloses the mystery too soon but the gore conclusion is gruesome and hard to be seen. My vote is seven.
Title (Brazil): "Somos o Que Somos" ("We Are What We Are")
Lo sapevi?
- QuizBased on the screenplay "Somos Lo Que Hay" by Jorge Michel Grau.
- BlooperThe dungeon door's window bars were removed each time the camera looked through it. Four wide vertical bars were visible in approach and open door shots.
- Citazioni
Marge: I heard somebody down in the shed earlier.
Iris Parker: It must've been Daddy. He's the only one allowed down there. Ever.
Marge: Well, it sounded like a girl crying.
Iris Parker: I don't know what you think you heard, but you must be mistaken.
- ConnessioniFeatured in At the Movies: Cannes Film Festival 2013 (2013)
I più visti
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Somos lo que hay
- Luoghi delle riprese
- Margaretville, New York, Stati Uniti(town and surrounding areas)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 81.381 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.727 USD
- 29 set 2013
- Lordo in tutto il mondo
- 159.047 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1