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I did not enjoy this movie. Most of the fight scenes are good. A few parts made me laugh, but most of the comedy doesn't translate. I was not invested in the story or characters. And every time a character laughs, it's so obnoxious and borderline cartoonish. Super cringe.

1 viewing, 1/1/2022.

Seeing as how "Once Upon A Time In Shanghai" is a remake of my all-time favorite martial arts movie, "Boxer From Shantung," of course I held this one up against high standards. Well for the most part it succeeds, with it's many elegant, artistic touches. Here we have a visually impressive period piece, about a poor laborer who comes to the big city to find his fortune. What he finds is friendship, corruption, and ultimately betrayal. Here martial artist Philip Ng replaces the legendary Chen Kuan Tai in the role of Ma Yongzhen, the immensely likable peasant who yearns for power, but despises corruption. Ng is a great choice to play Ma, as he is a charismatic and handsome actor. It's not easy to compare to Chen Kuan Tai, but Philip Ng comes close. The fight scenes are fast and furious, and very well-staged, and for once we have a good story to compliment the action. The sets and the period costumes are beautiful and detailed as well, although I wasn't so crazy about the digital video look of this film. The colors are very washed out, and the film almost looks like it was shot in black and white. Still I highly recommend this remake, as there are so few good martial arts films being produced today. Fans of the classic 70's stuff should really appreciate this. I also strongly recommend searching out the original "Boxer From Shantung" from 1972. It is a true masterpiece of the genre, and surpasses this film in quality and artistry..

This modern take on The Boxer from Shantung from 1972 from Ching-Po Wong was a chance find for myself but I'm glad I did.

Set in 30's crime ridden Shanghai the film is shot in black and white with splashes of colour.

Excellent cinematography, flawless sets, not too over the top cgi and a classic albeit very predictable storyline.

Once Upon a Time in Shanghai delivers where it needs to most - lots of quality choreographed action.

A must for any kung-fu movie nut and the casual fan alike, if you're not already a fan of Philip Ng prepare to become one.

At a time when the hopes and dreams of every martial arts movie junkie seem to rise and fall with the coming and going of a Donnie Yen movie, the pedigree behind 'Once Upon A Time in Shanghai' reads like a wish come true. Leading the cast is the Wing Chun practitioner cum action choreographer Philip Ng, the wushu and Jackie Chan Stunt Team-trained Andy On and last but not least the no-need-for-further-introduction Sammo Hung; but perhaps even more astounding is that the action is directed by none other than Yuen Woo-Ping, who is undoubtedly a legend in his own right.

And indeed, the fight scenes are nothing short of impressive. Together with veteran action star cum choreographer Yuen Chung Yan, Yuen Woo Ping demonstrates why he is the grandmaster (pun intended) of martial arts direction. Every scene exhibits a spontaneous fluidity, one move leading to another ever so effortlessly and gracefully, and the result is balletic and beautiful in its own right. It certainly helps that the Yuens are working with real-life martial artists; despite weeks and even (in the case of Tony Leung) months of training, there is nothing quite like seeing true blue actors trained and raised on martial arts going at each other and complementing each other's styles at the same time.

Intended as a showcase for the Hong Kong-born, American-raised Ng, the multi-talented 28-year-old doesn't disappoint in the action department. The film opens with him standing up for a little girl against a group of bullies en route to Shanghai, and right from the start, Ng recalls the form, physique and intensity of Bruce Lee. He gets his first real opponent to speak of in his duel with Andy On, the ferocity and swiftness of their mutually matched blows astounding to watch. And then there is of course the extended climax, in which he takes on a trio of venerable martial arts actors including his choreographer Chung Yan, Chen Kuan-Tai and Fung Hak-O, before moving on to a younger and equally well-matched adversary in budding Mainland actor and wushu-trained Mao Jun Jie.

Those looking for Ng to have a showdown with Sammo Hung however will have to wait for another movie - both of them are cast as the good guys, with Hung playing the village head of that which Ng becomes a part of and whose younger daughter he eventually falls in love with. We might as well caution you too that Hung doesn't show off much of his prowess here; in fact, while he may receive equal billing with Ng and On, he is pretty much a second-degree supporting act, that 'alliance of kung fu masters' between Hung and Yuen Woo-Ping that the poster speaks of quite misleading in our opinion. But even with that notable omission, the action here is among some of the best we have seen in recent years in a period martial arts movie, and more than lives up to the hype that fans must have had since the announcement of the collaboration between Ng and Yuen one and a half years ago.

Next to the fighting, the rest of the movie plays like a companion piece to scriptwriter and producer Wong Jing's 'The Last Tycoon'. Like the latter, this one is also set in Shanghai in the 1920s and 30s, the 'City of Dreams' which attracted many from other provinces in China seeking fortune and fame. Like the latter too, there is an underworld element to the story, this time in the form of Andy On's Long Qi (or literally 'Dragon Seven' in Mandarin). And finally, like the latter, there is a strong whiff of patriotism, as Ng's labourer Ma Yongzhen and Long Qi join forces to defeat the Japanese spies infiltrating the city with an insidious agenda to take over it. Jing's script may not be compelling, but it provides an engaging enough narrative glue to hold the action scenes together.

Amidst it all, it is perhaps easy to forget that there is a young director Wong Ching-Po at the helm. A rather unlikely choice given his filmography, Wong's contributions here are evident in the surprisingly artful touches the film boasts. You have to credit Wong not only for giving the movie a classy feel, but also for reining in the possible excesses of Wong Jing's script - after all, a similar clichéd love story spun between Ng and Jiang Lu Xia as well as On and nightclub singer Michelle Hu Ran avoids the melodrama of 'The Last Tycoon' no doubt because of Wong's restraint.

Yes, this is probably one of the rare martial arts films that you can call elegant, and we're not talking about the action choreography. But of course, the attention here is on the up-and-rising star Philip Ng, his magnetic and perhaps even more charismatic co-star Andy On, as well as the esteemed Yuen Woo-Ping. If it isn't obvious enough, the fights are nothing less than thrilling, building up to an exhilarating finale that you'll want to watch and savour more than once. As a remake of the 1972 film 'The Boxer from Shantung' in which Chen Kuan-tai played the titular character, it is also a splendid throwback to the old-school action movies which the Hong Kong film industry was founded on. But even if that little nugget doesn't tickle your fancy, you'll still find this a fine period action movie that more than lives up to its pedigree.

Review: I really enjoyed this movie because it shows you that when you come to a new country with dreams of becoming something the chances are slim to non that you will actually achieve that especially if you are new to a country. The direction and screenplay are both really good. Both the casting and acting are really good also. All in all I would give this five out of a possible five stars.