Segui gli esperti del paranormale Ed e Lorraine Warren in una nuova battaglia contro il male.Segui gli esperti del paranormale Ed e Lorraine Warren in una nuova battaglia contro il male.Segui gli esperti del paranormale Ed e Lorraine Warren in una nuova battaglia contro il male.
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Reviewers say 'The Conjuring: Last Rites' is a mixed bag, with praise for its emotional depth and the performances of Patrick Wilson and Vera Farmiga. Many appreciate the film's focus on the Warrens' family dynamics and the closure it provides to the franchise. However, criticisms abound regarding the film's reliance on jump scares, lack of originality, and failure to match the intensity of earlier entries. Some reviewers feel the horror elements are underwhelming and the story is predictable. Despite these criticisms, the film is seen as a fitting, if not spectacular, conclusion to the series.
Recensioni in evidenza
The movie has a slow build-up but lacks interest in developing the story of the demon, or it had a rushed ending with a lot of questions not being answered. As the movie has a few sequels, we expect more as an audience. For me, The Conjuring 2 is still the best, with a perfect build-up and living up to the characters. It was a shame to see such a good story turn into another "fast food" movie.
I went into this flick hoping for a grand send-off. What I got was a limp, recycled mess that felt more like a bad spin-off than the franchise's finale. The setup had promise, but the movie just dragged until the halfway point. By then, I'd already checked my watch 2 times.
The screenplay? Paper thin. Characters exist just to be spooked, and the scares are predictable jump-outs you can see a mile away. There's no tension, no atmosphere, just loud bangs and cheap tricks. At this point, you can practically set a stopwatch to when the next door will slam.
And then there's Michael Chaves. Let's be real-this isn't his first stumble. La Llorona was weak. The Devil Made Me Do It barely felt like a horror movie. The Nun II was a snooze. And now here we are again, same bag of empty tricks. He confuses loud noises for scares and speed bumps for suspense. If James Wan built this house of horror with care, Chaves has turned it into a carnival ride running out of batteries.
Who in their right mind thought that hey let's give the guy who delivered 3 trashes in a row another story to butcher? Perfect for a franchise closer.
Sure, Patrick Wilson and Vera Farmiga do their best, as always. Their chemistry still works, but they can't carry a whole movie on their backs. A "heartfelt farewell" means nothing when the movie itself can't even scare a nervous teenager in a dark theater.
The screenplay? Paper thin. Characters exist just to be spooked, and the scares are predictable jump-outs you can see a mile away. There's no tension, no atmosphere, just loud bangs and cheap tricks. At this point, you can practically set a stopwatch to when the next door will slam.
And then there's Michael Chaves. Let's be real-this isn't his first stumble. La Llorona was weak. The Devil Made Me Do It barely felt like a horror movie. The Nun II was a snooze. And now here we are again, same bag of empty tricks. He confuses loud noises for scares and speed bumps for suspense. If James Wan built this house of horror with care, Chaves has turned it into a carnival ride running out of batteries.
Who in their right mind thought that hey let's give the guy who delivered 3 trashes in a row another story to butcher? Perfect for a franchise closer.
Sure, Patrick Wilson and Vera Farmiga do their best, as always. Their chemistry still works, but they can't carry a whole movie on their backs. A "heartfelt farewell" means nothing when the movie itself can't even scare a nervous teenager in a dark theater.
The conjuring and the conjuring 2 remain some of the best horror films within the last 15 years for my taste. Some would even say the conjuring is one of the top horror films of all time. WAN found his niche within his created conjuring universe with the likes of these films, insidious, and all of the other spin offs. With this has come quite a few more filler movies from other directors that are much less experienced aside from (Whannell) at the helm. Michael Chaves is not a bad director by any means, but this simply does not hold a candle to the first two films or even the last one which was actually decently solid. This one just feels like the most uninteresting of the four and while it has a few decent demonic scares and visuals, it simply does not serve that much of a purpose other than a supposed ending. I actually do not think this will be truly the last of the conjuring films either, though I think it should've ended after the last one. I can think of at least three other films within the universe that aren't even great by any means, but are still more interesting than this. Annabelle Creation, The Nun, and even insidious 4 are all more effective . That's not to say this doesn't have a few redeeming qualities if you're a fan, but if it really was the end, Wan should've ended the Warren's story ...
Let's get one thing straight: technically this movie works. If you want a night of pure scares, if you want to be shaken, frozen in your seat, and jump at every shadow on the way home.. this movie delivers. In 4DX, people were literally walking out disheveled, laughing nervously about how they "almost died." The atmosphere is there. The sound design is oppressive. The possession sequences are cold and terrifying. For raw horror execution, this is still the best franchise of the decade.
And that's exactly why the disappointment stings so much. Because when you peel back the scares, the story is garbage.
Last Rites was marketed as the Smurl case, which in real paranormal lore is one of the nastiest, longest, most infamous hauntings ever tied to the Warrens. This could have been the darkest Conjuring yet. Instead, the Smurls are basically window dressing. Their nightmare is pushed into the background so the script can revolve around... a haunted mirror. Yes, a mirror. The entire plot boils down to Ed, Lorraine, and Judy Warren holding hands in front of some cursed glass.
The result? We don't get The Smurl Haunting. We get Warren Family Values.
Fans wanted horror first, casefile first. What we got was a forced farewell story, sentimental, glossy, more about "love conquers all" than the true nightmare they promised. And that's frustrating, because the film had the perfect chance to go bold. Imagine a version where the Warrens are finally out of their depth, forced to admit they can't control what's happening. Imagine a film that actually leans into their controversial legacy instead of polishing it. That would have been a legendary ending. Instead, we get a Hallmark conclusion with some jumpscares.
Ed and Lorraine are treated once again as untouchable heroes, which is laughable when you know the real history behind them. The studio has turned two very questionable figures into horror superheroes, and by film four it feels like we're just watching brand management instead of a story.
So here's the bottom line: yes, it's scary. Yes, it's better than 90% of horror in 2025. But if you came for the plot, if you were hoping the infamous Smurl case would finally be given the full terrifying treatment, you'll leave frustrated. The Conjuring started as top-tier horror storytelling. Last Rites ends it as just another franchise movie, big on chills, empty on substance.
We wanted fear rooted in a real case. We got a haunted mirror and a love story.
And that's exactly why the disappointment stings so much. Because when you peel back the scares, the story is garbage.
Last Rites was marketed as the Smurl case, which in real paranormal lore is one of the nastiest, longest, most infamous hauntings ever tied to the Warrens. This could have been the darkest Conjuring yet. Instead, the Smurls are basically window dressing. Their nightmare is pushed into the background so the script can revolve around... a haunted mirror. Yes, a mirror. The entire plot boils down to Ed, Lorraine, and Judy Warren holding hands in front of some cursed glass.
The result? We don't get The Smurl Haunting. We get Warren Family Values.
Fans wanted horror first, casefile first. What we got was a forced farewell story, sentimental, glossy, more about "love conquers all" than the true nightmare they promised. And that's frustrating, because the film had the perfect chance to go bold. Imagine a version where the Warrens are finally out of their depth, forced to admit they can't control what's happening. Imagine a film that actually leans into their controversial legacy instead of polishing it. That would have been a legendary ending. Instead, we get a Hallmark conclusion with some jumpscares.
Ed and Lorraine are treated once again as untouchable heroes, which is laughable when you know the real history behind them. The studio has turned two very questionable figures into horror superheroes, and by film four it feels like we're just watching brand management instead of a story.
So here's the bottom line: yes, it's scary. Yes, it's better than 90% of horror in 2025. But if you came for the plot, if you were hoping the infamous Smurl case would finally be given the full terrifying treatment, you'll leave frustrated. The Conjuring started as top-tier horror storytelling. Last Rites ends it as just another franchise movie, big on chills, empty on substance.
We wanted fear rooted in a real case. We got a haunted mirror and a love story.
I just left the cinema, and there's a lot to share. Conjuring: The Last Rite opens really strong-the beginning and build-up are amazing, with a solid story foundation that pulls you in right away. Unfortunately, the ending didn't land for me. The tension and scares were there in parts, but they never fully hit the level I was hoping for. Compared to the first movie, which is still the best in the series for me, this one falls a bit short in delivering lasting chills.
That being said, the cast was great-the actors really carried their roles well and gave strong performances. Overall, it's worth watching if you're a fan of the franchise, but the payoff at the end just didn't match the promise of its opening.
That being said, the cast was great-the actors really carried their roles well and gave strong performances. Overall, it's worth watching if you're a fan of the franchise, but the payoff at the end just didn't match the promise of its opening.
The Best New and Upcoming Horror
The Best New and Upcoming Horror
Sinister sequels, eerie indies, and blockbuster boo-fests — here are the most exciting horror movies and shows to add to your Watchlist.
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- QuizThe chilling story of the Smurl family's alleged haunting was dramatized in the TV movie La casa delle anime perdute (1991).
- BlooperWhen the movie starts "1964" is shown on the screen. After a scary event, Lorraine goes into labor and gives birth to Judy Warren. The real Judy Warren was born in 1946, not 1964. Later the movie moves to 1986. The movie shows a young Judy (19-20) with a boy friend. Judy actually met and married her husband, Tony Spera, in 1979 or 1980. The movie showed them being married after 1986.
- Curiosità sui creditiThe opening New Line Cinema, Atomic Monster and Safran Company production logos are in black-and-white.
- ConnessioniEdited from Larry King Live (1985)
- Colonne sonoreShe Sells Sanctuary
Written by Ian Astbury and Billy Duffy (as William Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Conjuring - Il rito finale
- Luoghi delle riprese
- Knebworth, Hertfordshire, Inghilterra, Regno Unito(scenes filmed in Knebworth park)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 177.753.512 USD
- Fine settimana di apertura Stati Uniti e Canada
- 84.006.121 USD
- 7 set 2025
- Lordo in tutto il mondo
- 494.653.512 USD
- Tempo di esecuzione
- 2h 15min(135 min)
- Colore
- Mix di suoni
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