Tre ragazze adolescenti britanniche vanno in vacanza come rito di passaggio bevendo, andando in discoteca e rimorchiando, in quella che dovrebbe essere la migliore estate della loro vita.Tre ragazze adolescenti britanniche vanno in vacanza come rito di passaggio bevendo, andando in discoteca e rimorchiando, in quella che dovrebbe essere la migliore estate della loro vita.Tre ragazze adolescenti britanniche vanno in vacanza come rito di passaggio bevendo, andando in discoteca e rimorchiando, in quella che dovrebbe essere la migliore estate della loro vita.
- Regia
- Sceneggiatura
- Star
- Nominato ai 3 BAFTA Award
- 14 vittorie e 34 candidature totali
Recensioni in evidenza
Whilst it felt really natural almost like a documentary on itv2 the characters were slightly on the harder to like side to start but you warm to them especially Tara, who seems genuinely young and immature.
The two incidents of attacks, were believable and natural rather than an aggressive style you'd see in darker films, it was clever to do it that way, to show that there are levels to it.
Whilst I hate how many people volunteer to get into states where they lack control with alcohol it is part of society, but I'm still amazed when smoking gets so much attention, drinking which causes more crime/damage/death gets little attention.
What ruined it from being an important film was the ending, where a quick chat seemed to undo it's impact on her, personally think it should've ended on a sad note as potentially these incidents are life ruining. So think whilst idea was good, it chickened out of following through.
As a film, this takes its time to find a balance, IMHO, but the core characters come through pretty well by the end, although personally I found some of them seriously underwritten (e.g. The lesbian couple) and would have preferred them either silent or absent, or given more to do. However, this is a first-time filmmaker, so perhaps that's a bit harsh.
Don't expect a fun time.
An outstanding performance from Mia McKenna-Bruce.
The film has a terrific sense of dread. For a long time to begin with you are just watching these characters party and have fun. But you always know that something more sinister is just around the corner. You don't know what it is or where it's coming from exactly. You just know it's coming.
Something else I really liked about this one was that it has a lot of respect for its audience. It doesn't tell you everything. It lets you make up your own mind on what exactly a character is thinking/going through. There is some terrific acting that helps this. Often the camera will just remain on a character's face for an extended period of time and watch her go through a range of emotions when dealing with something. It was really interesting to watch.
I think film discussion groups would have a field-day with this film. There's a lot to break down and because nothing it really spelt out it leaves a lot to interpretation. This was a good one. 7/10.
Walker, drawing inspiration from her own teenage experiences, paints a relatable portrait of female friendships. The bond between the three leads feels genuine, with their playful banter and unspoken understanding ringing true. Mia McKenna-Bruce shines as Tara, the sensitive and introspective centre of the group. However, the exploration of their dynamic falters slightly at times. The supporting characters, particularly Skye (Lara Peake), can feel one-dimensional, their motivations reduced to teenage posturing and insecurity.
The film's greatest strength lies in its handling of consent. Walker avoids graphic depictions, instead focusing on the emotional fallout and the lingering sense of violation. A pivotal scene at a nightclub is particularly powerful, using slow-motion camerawork and an unsettling soundscape to capture the confusion and fear Tara experiences. This isn't an after-school special; it's a nuanced exploration of consent that persists long after the credits have ended.
Technically, How to Have Sex is a solid effort. The cinematography is naturalistic, with handheld camerawork that reflects the carefree energy of the first half and the claustrophobic tension of the latter. The score is subtle yet effective, using atmospheric sounds and electronic flourishes to underscore the emotional beats. Editing is sharp, keeping the pace brisk without sacrificing character development.
While the film doesn't shy away from difficult themes, it's not relentlessly bleak. There are moments of humour and genuine connection, particularly between Tara and Em (Enva Lewis), the voice of reason in the group. This balance between humour and heartbreak is reminiscent of films like The Virgin Suicides or Booksmart, capturing the bittersweet cocktail of teenage emotions.
How to Have Sex isn't a perfect film. The characters, while well-acted, could be fleshed out further, and the ending feels a tad ambiguous. However, its unflinching portrayal of consent and its exploration of female friendship resonate deeply. This is a coming-of-age story that feels both authentic and important, a must-watch for anyone who remembers the complexities and anxieties of those teenage years. A thought-provoking and emotionally resonant film for mature teens and adults.
Lo sapevi?
- QuizMolly Manning Walker said the idea for the story came from a "formative memory" during a teenage holiday, when she saw a girl perform oral sex on a man on stage during a bar crawl. "I started writing from there. We spent a bit of time in Malia doing research. We really tried to... engage with real life and what was going on. And then we did some workshops where we talked to 16-year-olds and their concept of consent, and it was quite wild what came out of that."
- Citazioni
Tara: [on her encounter with Paddy] I was... like asleep so...
Em: [concerned] Are you saying...? What Taz, he was like that with you on both nights?
Tara: [begins crying in fear] It's fine.
Em: You should have said something. I didn't clock, I... Taz...
Tara: No, you're right. I should have said something. It's fine.
Em: No it's not.
- Curiosità sui creditiThe cast appear in the end credits in order of appearance. However, Olivia Brady as "Voice of Tara's Mum" appears after the sound department credits.
- Colonne sonoreCame Here for Love
Written by Sigala (as Bruce Fielder), Ella Eyre (as Ella McMahon), Klingande (as Cédric Steinmyller), Bryn Christopher, and Scott Wild
Performed by Sigala and Ella Eyre
I più visti
- How long is How to Have Sex?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 167.725 USD
- Fine settimana di apertura Stati Uniti e Canada
- 48.596 USD
- 4 feb 2024
- Lordo in tutto il mondo
- 1.221.661 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.85 : 1