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Quando il giornalista del New York Times Michael Finkel incontra il presunto assassino Christian Longo, che gli ha rubato l'identità, la sua indagine si tramuta nel gioco del gatto e del top... Leggi tuttoQuando il giornalista del New York Times Michael Finkel incontra il presunto assassino Christian Longo, che gli ha rubato l'identità, la sua indagine si tramuta nel gioco del gatto e del topo.Quando il giornalista del New York Times Michael Finkel incontra il presunto assassino Christian Longo, che gli ha rubato l'identità, la sua indagine si tramuta nel gioco del gatto e del topo.
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- 4 candidature totali
Recensioni in evidenza
"True Story" from 2015 stars Jonah Hill and James Franco as writer Mike Finkel and killer Christian Longo, respectively.
Finkel was a well-regarded journalist for the New York Times who fudged a story and combined five people into one, was caught, and was fired.
He learns later that a man who murdered his wife and three children, Christian Longo, was caught in Mexico and was at the time using the name Mike Finkel. Intrigued, Finkel arranges a meeting.
What follows is a bonding experience, where Longo claims to be a long-time fan of Finkel, and Finkel finds similarities between his own life and is impressed that he and Finkel even take similar types of notes. Longo asks that none of the information he gives Finkel be released until after the trial and promises him exclusivity. In exchange, Longo would like to learn to write the way that Finkel can and asks for pointers.
Finkel begins to believe that Longo is covering someone and doubts his guilt. He also realizes that the story is more than article -
it's a book.
It's not until the trial that Finkel learns the true story.
Good film about an actual case, but while it's effective, it doesn't have the bone-chilling quality it could have. The acting is good, particularly by Franco who has the showier role. The acting is done in a naturalistic style - a tiny bit more punch in a film like this might have helped as it lacks some necessary emotion.
I think a stronger script or even more potent direction could have made this a truly devastating experience. As it is, it's interesting without being fascinating.
Finkel was a well-regarded journalist for the New York Times who fudged a story and combined five people into one, was caught, and was fired.
He learns later that a man who murdered his wife and three children, Christian Longo, was caught in Mexico and was at the time using the name Mike Finkel. Intrigued, Finkel arranges a meeting.
What follows is a bonding experience, where Longo claims to be a long-time fan of Finkel, and Finkel finds similarities between his own life and is impressed that he and Finkel even take similar types of notes. Longo asks that none of the information he gives Finkel be released until after the trial and promises him exclusivity. In exchange, Longo would like to learn to write the way that Finkel can and asks for pointers.
Finkel begins to believe that Longo is covering someone and doubts his guilt. He also realizes that the story is more than article -
it's a book.
It's not until the trial that Finkel learns the true story.
Good film about an actual case, but while it's effective, it doesn't have the bone-chilling quality it could have. The acting is good, particularly by Franco who has the showier role. The acting is done in a naturalistic style - a tiny bit more punch in a film like this might have helped as it lacks some necessary emotion.
I think a stronger script or even more potent direction could have made this a truly devastating experience. As it is, it's interesting without being fascinating.
I've been reading a lot of reviews here talking about how this movie is basically a build up with no pay off.
While I agree with the build up part, I might have to disagree with the latter.
This is a true story about a disgraced top journalist who then will befriend an accused murderer. The journalist Mike, played by Jonah hill became intrigued when he finds out that Longo, played by James Franco has been using his name for an alias. The two meet up and Mike sensing a big story for his come back from disgrace, befriended Longo with the incentive of helping him with his writing. So then they would correspondence with each other but without ever establishing that Longo is guilty. Mike even think that he's innocent.
Things then took a turn when Longo pleads guilty to two counts of murders out of four counts, with the intention of manipulating the court. From this point on, this to me was the pay off. The moment Longo testifies about what happened on the night of the murders, we the viewers as well as our main character Mike, realised that we have been manipulated all along by Longo. All this time Mike has been teaching him about storytelling and Longo used that to his advantage. When Mike realised what's truly happening, Longo turned around to face mike. With a little shrug, a wink and a slight smile, he realized he was fooled, its like someone douse him with cold water, the realization is sobering. This was a very good scene, and to me, a pay off doesn't always have to be grand or climactic, a little moment like this could have just as much of a punch as a big moment.
I especially enjoyed the last 30 minutes of this movie. This movie is worth to watch if you enjoyed crime thriller.
Things then took a turn when Longo pleads guilty to two counts of murders out of four counts, with the intention of manipulating the court. From this point on, this to me was the pay off. The moment Longo testifies about what happened on the night of the murders, we the viewers as well as our main character Mike, realised that we have been manipulated all along by Longo. All this time Mike has been teaching him about storytelling and Longo used that to his advantage. When Mike realised what's truly happening, Longo turned around to face mike. With a little shrug, a wink and a slight smile, he realized he was fooled, its like someone douse him with cold water, the realization is sobering. This was a very good scene, and to me, a pay off doesn't always have to be grand or climactic, a little moment like this could have just as much of a punch as a big moment.
I especially enjoyed the last 30 minutes of this movie. This movie is worth to watch if you enjoyed crime thriller.
if you'd asked me to rate this half way through, i'd say it was at least 8 or 9, everything was well done, a well made film that had you guessing and the cast was great...
but then you realise there was no clever ending, no twist, no moment where all the pieces come together... unfortunately, at the title suggests, this is a true story, and the reality is there is no real story to tell.
really disappointing, missed opportunity in my opinion as the cast was perfect, the tension was built up, the filming was so well done... for nothing.
True stories... are often boring, people argue that 'that's what really happened'... that's fine but many things happen, every day, they just don't need multi million pound films made about them.
but then you realise there was no clever ending, no twist, no moment where all the pieces come together... unfortunately, at the title suggests, this is a true story, and the reality is there is no real story to tell.
really disappointing, missed opportunity in my opinion as the cast was perfect, the tension was built up, the filming was so well done... for nothing.
True stories... are often boring, people argue that 'that's what really happened'... that's fine but many things happen, every day, they just don't need multi million pound films made about them.
True Story is based on the novel by Mike Finkel recounting his relationship with Christian Longo(James Franco), a man accused of murdering his wife and three children. Finkel(Jonah Hill)is a young up and coming journalist writing for the New York Times when his career is derailed after he plays a little fast and loose with some facts of a recently published article. While trying to plan the next chapter in his professional life he receives a call from a reporter looking to get an angle on the story about Longo. It seems that he was using Finkel's identity when he was captured in Mexico. Finkel is naturally curious but also smells a story that could put his career back on track.
Finkel and Longo arrange to meet and what follows are a series of meetings where both men engage in a dialogue meant to extract as much information as possible from the other. But how much of what Longo shares is the truth? How does Finkel use the information he gets?
The main problem with this movie is the pay-off, or the lack thereof. The story is simply not as interesting as it sounds. Honestly, it's no ones fault. The direction by first timer Rupert Goold is solid, well paced, and true to the story. The acting is good even if it is a little weird to see Hill and Franco together in serious roles. The best way to describe it might be we all know someone(friend or family member) who is excited to tell a story of something that happened to them or something they witnessed and when they are done, looking to you for a reaction, all you can say is "Is that it?"
The most compelling aspect of the film is Finkel coming to grips with the fact that he has to determining what is the truth and what is a lie. Not unlike his readers had to do after reading his last story for the Times. One liar interrogating another.
In the end, the build up leads to very little. The ride was interesting but the destination was a big disappointment.
Finkel and Longo arrange to meet and what follows are a series of meetings where both men engage in a dialogue meant to extract as much information as possible from the other. But how much of what Longo shares is the truth? How does Finkel use the information he gets?
The main problem with this movie is the pay-off, or the lack thereof. The story is simply not as interesting as it sounds. Honestly, it's no ones fault. The direction by first timer Rupert Goold is solid, well paced, and true to the story. The acting is good even if it is a little weird to see Hill and Franco together in serious roles. The best way to describe it might be we all know someone(friend or family member) who is excited to tell a story of something that happened to them or something they witnessed and when they are done, looking to you for a reaction, all you can say is "Is that it?"
The most compelling aspect of the film is Finkel coming to grips with the fact that he has to determining what is the truth and what is a lie. Not unlike his readers had to do after reading his last story for the Times. One liar interrogating another.
In the end, the build up leads to very little. The ride was interesting but the destination was a big disappointment.
'True Story' explores a scary real-life incident & tries to make an awkward friendship tale out of it. Well, almost. And sadly, not all of it works, but with some powerful moments & Strong Performances going its way, the film scores on some levels.
'True Story' Synopsis: When disgraced New York Times reporter Michael Finkel (Jonah Hill) meets accused killer Christian Longo (James Franco) - who has taken on Finkel's identity - his investigation morphs into a game of cat-and-mouse.
'True Story' begins grippingly & you're invested in the journey of these two disgraced men, one far more than the other of course. But, the pace slackens as the narrative proceeds. The second-hour lacks the punch, although the goings-on become quite intense in its penultimate moments. Nonetheless, the Writing needed some stronger stuff.
David Kajganich & Rupert Goold's Screenplay, which is Based on the memoir of the same name by Michael Finkel, is greatly Written in parts, but doesn't come across as solid overall. As mentioned earlier, the second-hour doesn't have the moments it should have. Rupert Goold's Direction is controlled & well-done. Cinematography is atmospheric. Editing is finely done.
Performance-Wise: Jonah Hill is in very good form, yet again! Hill, now a versatile actor known by all, sinks his teeth into the part & enacts the disgraced man, with great maturity. James Franco is top-notch. His performance is so good, that you actually want to believe him & want him free of the heinous crime he's accused of. Felicity Jones, besides looking stunning, takes a terrific turn, as the morally strong minded woman.
On the whole, 'True Story' isn't very engaging always, but the performances are.
'True Story' Synopsis: When disgraced New York Times reporter Michael Finkel (Jonah Hill) meets accused killer Christian Longo (James Franco) - who has taken on Finkel's identity - his investigation morphs into a game of cat-and-mouse.
'True Story' begins grippingly & you're invested in the journey of these two disgraced men, one far more than the other of course. But, the pace slackens as the narrative proceeds. The second-hour lacks the punch, although the goings-on become quite intense in its penultimate moments. Nonetheless, the Writing needed some stronger stuff.
David Kajganich & Rupert Goold's Screenplay, which is Based on the memoir of the same name by Michael Finkel, is greatly Written in parts, but doesn't come across as solid overall. As mentioned earlier, the second-hour doesn't have the moments it should have. Rupert Goold's Direction is controlled & well-done. Cinematography is atmospheric. Editing is finely done.
Performance-Wise: Jonah Hill is in very good form, yet again! Hill, now a versatile actor known by all, sinks his teeth into the part & enacts the disgraced man, with great maturity. James Franco is top-notch. His performance is so good, that you actually want to believe him & want him free of the heinous crime he's accused of. Felicity Jones, besides looking stunning, takes a terrific turn, as the morally strong minded woman.
On the whole, 'True Story' isn't very engaging always, but the performances are.
Lo sapevi?
- QuizThe scene where Jonah Hill punches the bathroom stall was improvised. He ended up hurting his hand, and had to go the the hospital afterward, but it ended up just being a slight bruised bone.
- BlooperWhen Mike Finkel receives a call from Pat Frato to ask him about the Christian Longo story and makes him aware of Longo using his name when apprehended, Finkel googles his own name and the search results shown include one from gawker.com saying "· NYT journalist Michael Finkel, who was fired last year for fabricating a story, found out while he was contemplating suicide that Christian Longo (who was wanted in Mexico for murdering his family) was using his name as an alias because he liked Finkel's writing". This gawker.com post goes on to say "...HarperCollins is paying $300,000 for Finkel's story, including exclusive interviews with Longo"
- Citazioni
Christian Longo: Sometimes the truth isn't believable. But that doesn't mean that it's not true.
- ConnessioniFeatured in WatchMojo: Top 10 James Franco Performances (2015)
- Colonne sonoreSe La Mia Morte Brami
Written by Carlo Gesualdo
Performed by Delitiae Musicae
Conducted by Marco Longhini
Courtesy of Naxos
By arrangement with Source/Q
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Câu Chuyện Có Thật
- Luoghi delle riprese
- Garnerville, New York, Stati Uniti(Sparky's Diner)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.719.695 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.950.214 USD
- 19 apr 2015
- Lordo in tutto il mondo
- 5.261.595 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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