Misirlou

'Guy on a motorbike comes to town. Nobody likes him, especially not the police. He takes various drugs to have a more interesting time, but instead, this leads to violence and killing.' You could summarize 'Easy Rider' with these words, but 'Adrenochrome' just as well, 50 years later. This low budget movie took a lot of effort with the visual effects. Computer painting in comic book style and such kind of graphic tools are omnipresent. But apart from the occasionally impressive exercise in style, it has little actual content to offer. I was hoping to dream in the following night about the skull face girl at least, but it didn't happen, so the makers didn't impress my subconscious as much as they wanted to. And they tried hard. You can give this a shot if you like weird movies - did I mention the surfer cannibals? - or just run out of drugs but want to feel like you didn't. I voted an undecided 5 of 10.

Tired of same stories with lame plot twists, this movie crosses all boarders. so raw and performances felt the realest.

What the actual hell is Tom Sizemore doing in this mess? Misirlou (rebranded Adrenochrome) feels like a late-night YouTube rabbit hole turned into a feature film-with all the chaos, none of the polish. To its credit, the idea of throwing every American right-wing conspiracy theory into a blender is, on paper, quite fun. And yes, the absurdity of the plot has its own twisted charm.

But that's where the praise ends.

The writing is painfully clunky, lacking rhythm, coherence, or any real depth. The characters resemble NPCs in a broken video game, uttering nonsensical monologues.

Visually, it's a disaster: it looks like the entire thing was shot on a cheap camcorder stuck on autofocus, with random GoPro angles thrown in for added confusion. There's no visual consistency, just shaky, amateur-grade footage that makes The Blair Witch Project look like Citizen Kane.

The soundtrack isn't bad-some tracks even slap-but they can't save a film that feels like it was assembled during a paranoid fever dream.

Sizemore's presence is baffling, like watching a fallen star wander through a student film. If you're into cinematic oddities for the sheer what-the-f*ery of it all, give it a go. Perhaps using the drugs that abound on screen would make the experience more enjoyable. Otherwise, consider this your warning.

A senselessly stupid MTV clips of drugs and gore with absolutely no substance and sense. Some Anti-American propaganda mixed in there, anti-soldier propaganda (Tom Sizemore trying to be Marlon Brando) and failing miserably. No actor is any good in here, except a girl in skull face paint (looks awesome) and Larry Bishop, spending most of his on-screen time with his face in some girl's ass. Best thing one can do in this crap movie. At times it seems writer/director wanted to make a sort of NATURAL BORN KILLERS / LEAVING LAS VEGAS, but either way he failed miserably.

Yes, there is a substance called adrenochrome. It is a metabolite of adrenaline. No, it is not a psychedelic. The major effect of the substance seems to be severe headaches.

But ever since Hunter S. Thompson wrote a passage about it in Fear and Loathing in Las Vegas, people have had a weird fascination with this semi-non-existent drug.

So, suspending my disbelief of the premise of this film, how was it? It was... okay. Some good fight scenes and some hot girls occupy much of the screen time.

Let me just say that anyone who compared this to Easy Rider is full of it. Yeah, there's a guy on a motorcycle, and some 60s-ish sounding music, but that's about the only connection.

Hunter Thompson does make an appearance of sorts. His literary alter ego - Dr. Gonzo - appears in one of the main character's hallucinations.

They used a rotoscoping technique a la A Scanner Darkly for the drug sequences. I think it mostly works, adding a layer of irreality to them.

Overall, I found it entertaining, but I won't be surprised if, in a week or so, I don't remember much of it.