Move On

I recently watched Move On from 2012, and I've got to say, it's a pretty impressive film. Mads Mikkelsen really shines in this one, you can tell he's fully invested in his character. It's almost as if he's not just acting, but living the role. His performance is so convincing that it blurs the lines between fiction and reality.

The plot of the movie is quite engaging, with a good mix of drama and suspense. It keeps you on your toes, wondering what's going to happen next. There's a certain depth to the storyline that I really appreciate, however I think the the overall depth of the movie is missing.

Visually, the movie is stunning. The cinematography and the locations are spot on, and it is nice to see what other parts of Eastern Europe that I don't know in real life have to offer.

The pacing of Move On is another aspect that stood out to me. It's well-balanced, with just the right amount of tension and relief. The movie doesn't rush through its story, but it doesn't drag either. It hits that sweet spot where you're entertained throughout but also left wanting more.

If I had to rate it, I'd give Move On a solid 8/10. It's a movie that stays with you after you've seen it, largely thanks to Mads Mikkelsen's stellar performance and the intriguing plot. Definitely worth a watch if you're into films that are a bit off the beaten path but thoroughly engaging.

For the life of me I don't understand why this movie has such low ratings. I truly enjoyed it. I couldn't care less about the producers' intention and whether or not they are advertising something. If they manage to do so through this superb film, good for them. What matters to me is the effect the whole journey has on me as a viewer, and this was something rather addictive. I just couldn't get enough of these road trips.

Professional as the character is, his mission is not without danger. He is not exactly Frank in the Transporter movies, nor is he Jason Bourne, nor James Bond on a recovery pursuit, although he is a little bit of all of them. It seems so sad to me that people expect a purpose out of it all. It's not the end that matters, it's the journey in itself. Had that case ended somewhere else, I would have been worried and disappointed. By the looks of it and all the technology and secrecy that are involved, we can have a pretty good (or maybe a rough idea) of the contents of the case, and if it is what I think it is, where would we want it most than on the bottom of the most unfathomable hole?

This film is like a song playing through lovely European scenery, with cars, smart phones and precise instructions almost lulling you to sleep despite the urgency of the whole trip. And if I got it wrong, if I got it all so wrong and this is only a piece of crap, there still remains one strong element which makes it all well worth watching: the incredible presence of Mads Mikkelsen. But do I really need to mention this?

I had no idea of the concept of this movie, having just plucked it from the Mads Mikkelsen back catalogue, and I have to say I was pleasantly surprised. I liked the central character, and there was just enough information and pathos (being generated by Mads) to make him both sympathetic and intriguing.

The cinematography was excellent, the pace was brisk but always unpredictable and the car chases were great. I particularly liked the Hungarian section, from the moment Mark hit the deer with his car to the moment he drove his mended car from his kind host's house, I was in heaven. My only real criticism was I would have liked a few more of those human interactions, and perhaps a bit more of a flavour of Mark's past somehow. Nice movie, crisply made, entertaining and a great ending that just left me laughing out loud with wtf appreciation - as a big fan of the existential payoff!

This was an interesting film. From what I've gathered, it was completely inspired by fans; which is a concept I like. The story is a little weak and there are holes in the plot, but the acting by Mads Mikkelsen more than makes up that. Mikkelsen is one of the most dynamic actors out there today; and unfortunately he does not get the credit he deserves. He is able to elevate an otherwise dull film into something worth watching. He is mysterious, charismatic, and able to draw you in. He can control the viewers interests by simply making a inconspicuous stare or changing the tone of his voice. He is by no means a cookie cutter actor. He makes you want to know more about him in this film and keeps you invested in what he's doing and how he's doing it. Definitely worth a watch if you want to see one of today's finest in action.

Road movie is a long-time genre, and there are usually 2 types of them: a) a merry company is willing to experience new people and places b) a single person is willing to find his or her inner self or something/someone missing. For this matter, Move On is different, as the leading character has a task to fulfill (rather dubious one), but unintended changes in plans bring him into novel places and novel situations. The distances are long, and thanks to Europe's not-so-large-area, we see a lot of wonderful landscapes, towns and events - as the film is project-based and contains inputs from different views.

And in the center of all this - a magnificent Danish actor Mads Mikkelsen, who is most of the time alone on the screen, are there are not many actors who could fill out the course of events, so you are not feel bored and try not to notice evident flaws and gaps in the plot, uneven run of the latter. Yet, there were some twists and gripping chases, but particularly due to Mikkelsen's performance, I can give strong 7 points to this film.

PS To those who saw Move On as a car commercial - it would have ridiculous to hide symbols on the cars :) For me, product placement was not conspicuous, I was focusing on other elements.