Il fuoco della giustizia

Like Kirk and Michael Douglas, Donald and Kiefer Sutherland waited far too long to team up for a film. Forsaken casts them as a frontier preacher and his gunfighter son who wants to give it up and settle down and work the family farm with dad. But there's a lot that has passed between them, a lot of misunderstanding and judgmental behavior ever since Kiefer went off to war and didn't return. He also left behind Demi Moore who up and married Christopher Rosamond and has a son with him.

This is an old fashioned western in its villains because back when all those poverty row studios were churning out B westerns the way Ford did Model Ts, the town banker in New Deal Days was always the villain. Brian Cox portrayed this villainous town banker with real relish, stopping short of twirling the mustache like Snidely Whiplash.

Donald played a three dimensional preacher with both faults and strengths and resisted the temptation to make his role a caricature. Kiefer Sutherland is a Jimmy Stewart like western hero who the locality depends on to be the strong man who stands up to the villains.

Like in John Wayne's classic El Dorado, Cox like villain Edward Asner in El Dorado doesn't use a gun, he 'hires it done'. Cox has a stable of gunfighters to enforce his will, but one of them is a professional played by Michael Wincott. Wincott and Sutherland have a mutual respect between professionals the way John Wayne had with Christopher George in El Dorado.

For those who like old fashioned westerns like me, Forsaken is your type of film.

Forsaken is directed by Jon Cassar and written by Brad Mirman. It stars Kiefer Sutherland, Donald Sutherland, Brian Cox, Michael Wincott, Aaron Poole and Demi Moore. Music is by Jonathan Goldsmith and cinematography by Rene Ohashi.

There's a group of words bandied around for this one such as generic, cliché and formulaic, and most assuredly these can not be argued about. For this is very much an old style traditional Western, the plot featuring a retired gunslinger being pushed into action again - while he tries to reconcile with his estranged father - is a hard core staple of 1950s Westerns. But what is wrong with having a traditional Western in this day and age as long as it's produced with skill and grace? The answer for Western lovers is nothing at all.

This is a beautifully mounted picture, fronted by father and son Sutherland's - which adds heartfelt emotion to their scenes together - and boosted by gorgeous cinematography (making it a Blu-ray must), it's a genre piece of worth. Crucially it knows what it wants to be, it has no pretence to be anything other than a traditional Oater for lovers of such. The villains are sneery and scenery chewers - apart from Wincott who is a gentleman dandy type - and the good guy is wonderfully broody and reflective. Pacing is fine, the story has good drama and the finale excites as we hope it should.

In summary, nothing new here of course (except maybe Cox's out of place language!), so expectation of such would be foolhardy, but a smashing Western it be. 7/10

I love Westerns! The Donald and Keifer Sutherland tandem here was irresistible and made this a must watch for me and it did not disappoint.

Here is a heart warming tale about a prodigal son who was lost to the world and comes home 10 years after going off to war. The son haunted by a decade of wayward wandering and misdeeds. The father trying to overcome the bitterness of losing his family and community piece by piece.

Throughout the movie is a pleasant, persistent but not overbearing theme of how God works through his servants to achieve His divine will. Fans of the genre will enjoy all the classic elements that make Westerns great. There is a scene in the church between father and son that had such raw powerful emotion it made me cry tears.

Gentleman Dave Turner, played by Michael Wincott is my new favorite anti-hero.

If you like Westerns you'll love FORSAKEN. Well done!!!

There has been a number of westerns being released recently, from the excellent Bone Tomahawk, The Hateful Eight & the Revenant to the decent Diablo.

The Forsaken doesn't compare with the greats, but is still an excellent old style Western. The problem with this, is that it will be judged for being to old fashioned. If not for the swearing by the great Brian Cox, this is a Western that could have been made in the 60's with Glenn Ford or Randolph Scott.

All performances are excellent, and the reviewer saying that Kiefer Sutherland overacted, he must have been watching another movie. Donald Sutherland is equally as good as his father. Michael Wincott is also worth mentioning, in a memorable role as a hired gun. He seems to be channelling Val Kilmer in Tombstone. As mentioned before, Brian Cox is excellent as the villain, using up the films swear quota. The only poor lead role is Demi Moore, which is not down to her acting, but limited screen time and development. Still give her points for not being vain and letting her grey hair show through.

The plot isn't the most original, but gets the job done. Jon Cassar does a great job of directing and the Canadian scenery that is used looks terrific.

Although this movie was done before by different actors, the whole drifter son who returns back in town, where ornery blokes are driving the town people out by using unsavory tactic to take possession of their property and land. Keifer returns to his father's home Donald, filled with a guilt of his past, only to realize that there are those who sometimes will not allow to forget it. I gotta say, the Sutherlands did a decent job on screen as a father and son duo, in which neither out stood the other in neither script or performance. Cox, WIncott and Moore, were also great co stars. In this film again, that has been done before. What moved me was the scene in the church were Keifer breakdowns and confesses his guilt to his father, who walks in on him talking to God, in whom Keifer never really believed in. That part had me little teary eyed. And of course end the retribution is handed down to those who have terrorized the towns people, and we all fill good at the end of the film. Cliché? yes. But a good cliché none the less, that stands the test of time and to see a father son duo do it so well, then I say we need more cliché films to enjoy.