Aggiungi una trama nella tua linguaA former model (Lynn Lowry) forced into retirement due to her age exacts her revenge on young beautiful women in this horror thriller.A former model (Lynn Lowry) forced into retirement due to her age exacts her revenge on young beautiful women in this horror thriller.A former model (Lynn Lowry) forced into retirement due to her age exacts her revenge on young beautiful women in this horror thriller.
- Premi
- 9 vittorie e 18 candidature totali
Bob Bozek
- Reginald Burke
- (as Robert Bozek)
Gerica Horn
- Suzi's Secret Model
- (as Geri Horn)
Recensioni in evidenza
A woman who was once a desired model has been long since forgotten and lives by herself. She has a habit of taking young girls into her house and ends up eating them or serving them in dishes to the neighbours. A couple move in next door and right away the wife wonders what is going on in that house.
Lynn Lowry plays the older lady. I met her and she is the nicest person you could ever meet so that personality is how she coaxes her prey into the house and then she does a 180 and starts cutting off your genitalia. She does an amazing job in this one. Tiffany Shepis plays the detective neighbour who has a few issues of her own. I enjoyed this one and liked the way it tells people to be yourself.
Lynn Lowry plays the older lady. I met her and she is the nicest person you could ever meet so that personality is how she coaxes her prey into the house and then she does a 180 and starts cutting off your genitalia. She does an amazing job in this one. Tiffany Shepis plays the detective neighbour who has a few issues of her own. I enjoyed this one and liked the way it tells people to be yourself.
Former pin-up model and actress Ginny (Lynn Lowry) had been cast aside by the heartless and exploitative modeling industry when she was a young woman due to her body type. Ginny didn't take rejection well and over the years developed into a revenge seeking, blood thirsty, broken woman.
Scott Hallam praises star Lynn Lowry, noting that she "literally has to serve up equal parts frail old woman, sexy temptress, good Samaritan, and bat-(expletive) crazy killer all while offering some really thought-provoking dialogue about what true beauty is and what type of beauty is valued by society. Lowry absolutely crushes it in every aspect of her character." Hallam is right, and those who are saying that Lowry has given one of the best performances of her career are correct.
Dave Dubrow, usually a champion of independent film, describes this one as "Muddy in theme, terrible in script, and inconsistent in performance, the movie failed to rise above the shoestring production quality." He also (correctly) points out the excessive profanity, shaky camera and often out-of-focus scenes. (By no means am I anti-profanity, but there were far more f-bombs than anyone could ever naturally use in one sentence.) I have to say that the camera was really what killed this film. The casting is great, the acting ranges between adequate and excellent (some actors were more invested than others), and the concept is clever. But everything just looks horrible – too bright, too dark, too jittery. When you have one of the goddesses of the silver screen, Tiffany Shepis, and you find a way to make her look unflattering, you know your camera is garbage.
Despite its shortcomings, the disc may be worth picking up if you're a fan of any of those involved. The special features alone are a good draw. The DVD from Wild Eye Releasing includes a feature-length commentary with director Debbie Rochon, deleted scenes, a Babette Bombshell short, Voltaire interview and much more.
Scott Hallam praises star Lynn Lowry, noting that she "literally has to serve up equal parts frail old woman, sexy temptress, good Samaritan, and bat-(expletive) crazy killer all while offering some really thought-provoking dialogue about what true beauty is and what type of beauty is valued by society. Lowry absolutely crushes it in every aspect of her character." Hallam is right, and those who are saying that Lowry has given one of the best performances of her career are correct.
Dave Dubrow, usually a champion of independent film, describes this one as "Muddy in theme, terrible in script, and inconsistent in performance, the movie failed to rise above the shoestring production quality." He also (correctly) points out the excessive profanity, shaky camera and often out-of-focus scenes. (By no means am I anti-profanity, but there were far more f-bombs than anyone could ever naturally use in one sentence.) I have to say that the camera was really what killed this film. The casting is great, the acting ranges between adequate and excellent (some actors were more invested than others), and the concept is clever. But everything just looks horrible – too bright, too dark, too jittery. When you have one of the goddesses of the silver screen, Tiffany Shepis, and you find a way to make her look unflattering, you know your camera is garbage.
Despite its shortcomings, the disc may be worth picking up if you're a fan of any of those involved. The special features alone are a good draw. The DVD from Wild Eye Releasing includes a feature-length commentary with director Debbie Rochon, deleted scenes, a Babette Bombshell short, Voltaire interview and much more.
I saw this when it was being screened at film festivals, and me being a super fan of Rochon at the time, I was all about it. Until the movie started. The movie itself is very poorly shot, lit and acted (except for Lowry, who shined in her role). Lowry's performance alone was not enough to save this movie. People were falling asleep in the theater, and endlessly checking their watches. After the show was over, there was a Q&A with Debbie, and it was pretty much crickets. No one really had anything to say. She knew I was probably her biggest fan in the audience, so she asked me if I had any questions, and I just drew a blank. I felt like a jerk for not liking the movie, but I'm not going to pretend I did just because I was a fan of the director. Perhaps Debbie would have done a better job directing her own screenplay/story. But after this movie, I'm not really in too big of a hurry to find out.
A former model who has spent decades musing on what might have been loses the plot and becomes a serial killer in her old age. Although she rails at men, she directs her anger at women too, murdering both with impunity. True, this is a fairly original idea, but so is gravy mixed with ice cream; you wouldn't want to consume that either. "Model Hunger" is overacted, certainly by the lead, and somewhat underacted by other characters.
These low budget horror films were once a novelty, but that novelty has long since worn off. It's difficult to believe this was even nominated for a prize except perhaps in jest, much less that it won any.
These low budget horror films were once a novelty, but that novelty has long since worn off. It's difficult to believe this was even nominated for a prize except perhaps in jest, much less that it won any.
Debbie Rochon's directorial debut is a hilarious and thought-provoking horror movie with a stellar cast that reveals more with each viewing. The script by James Mogart not only had me laughing throughout, but it is also a great social commentary on how society views women as they age. Ginny (played by the incredible Lynn Lowry) lures young women into her home and cannibalizes them in many unforgettable scenes that manage to be horrifying as well as funny. Tiffany Shepis plays a new neighbor dealing with mental issues who becomes obsessed with her new neighbor eventually leading to a showdown. I especially loved the TV show the whole town couldn't stop watching, Suzi's Secrets, where Babette Bombshell is featured as lingerie model encouraging women to love their bodies. Lastly, I was very impressed by how talented Debbie Rochon is behind the camera. Please direct more, Debbie! With 9 wins and 18 nominations, it's obvious that many others loved this film as much as me. A must see for any true horror fan!
Lo sapevi?
- QuizDirectorial debut of Debbie Rochon.
- ConnessioniReferenced in Hell Town (2015)
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Dettagli
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 1.78 : 1
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