Eat with Me

I saw this film at Frameline 38 in San Francisco on June 26, 2014 at 4 pm at the magnificent Castro Theater. This is the funniest movie I have seen in years. Outstanding performances from Sharon Omi and Teddy Chen Culver as Mom and Son - who have no idea how to communicate with each other. Mom leaves Dad (because they don't know how to communicate with each other) moves in with Son and wackiness happens. Nicole Sullivan is the free spirited next door neighbor who steals every scene she is in. David Au's writing is brilliant and Nicole's comedic delivery and timing is perfect. George Takai makes a wonderful appearance and there are some dumplings thrown in the mix. This is a fabulous, fun, family film with food and everyone should see it. I saw 25 films at Frameline this year and this was my favorite.

I skipped over this movie quite a few times on Netflix before finally deciding to view it. I'm glad that I did. Eat with Me is a wonderfully touching movie about personal growth and communication in relationships. Many of the performances are stellar with Nicole Sullivan's turn as the kooky neighbor a stand out. But Sharon Omi's performance as a wife and mother not really sure how to fulfill either role was just mesmerizing in my opinion. Her expressions of bewilderment, of longing, of concern, and ultimately resolution are powerful. Omi is not only my new favorite actress but my new favorite human being. Eat with Me will make your hungry ... for something more out of life.

This movie was really bad. Not the worst movie I'd ever seen, but a waste of time nonetheless and infuriating to watch. Here are the reasons I hated it: - Acting. Some of the most inexpressive faces and bodies ever seen on the silver screen. No believability to the characters. You really felt they were "only pretending". The best actor of the group, to me, was the character Maureen. - Dialogue. I think a high school student could have written the dialogue. - Cinematography. Completely uninteresting way to film a movie. The angles and shots felt like they were taken by any random person simply holding up a video camera. - Predictable storyline. Slow pacing of movie. Overall, thoroughly unenjoyable to me - I also find the existing 8.3 rating on IMDb highly, highly suspect.

This film was just so easy to watch and I really didn't want it to end. It was refreshing to see an LGBT film that doesn't just show the same old clichéd style. It approached many issues if relationships (boyfriend/friend, mother/son, husband/wife) in a way that was effective and not crass or raunchy. What I appreciated most is that this film is not just an LGBT film, it transcends all groups and all demographics. I was happy to see the diversity in the cast. The acting was top notch and the writing was a driving force. The music used in this film was almost a character in and of itself. It helped move the story along and held it all together nicely. We really need more films like this to help connect families that might be going through similar issues. The only negative thing I have to say about this film is that all the delicious food throughout made me want to go eat! Two thumbs up!!

From the title, I wasn't expecting so much from this movie. I wonder if it would have been more popular with a different title.

But once inside the movie, I really, REALLY liked it! The movie is about relationships, and about growth. A mom, whose relationship with her husband has gone stale and lifeless. A son, who is gay, running a failing restaurant he inherited from his uncle. A neighbor who is kookie and free-wheeling. And a guy who has an interest in the restaurant owner.

Everyone is struggling with their relationships, and growing a bit in the process. I thought that film was a real charmer. I thought Sharon Omi as the mother was absolutely TERRIFIC. Her emotions are so subtly transmitted, but unmistakable. She is an excellent actress for this role. And Teddy Chen Culver was excellent, and yeah, cute too.

There are some compromising scenes that push the mom to the wall - like realizing that her gay son is actually shacking up with people. But there are lessons to be learned by everyone, when they are given the space to grow.

The film doesn't hit you over the head by over-explaining. It respects its audience enough to let you interpret. Just one example is an opening scene where the husband/dad complains about a wedding ring giving him a headache. The next is a scene of the mom on a train. It didn't need any drama in between to let us know what was happening, and why. A little transmits a lot when it's done right.

It's a sweet, SWEET film, and I thought t he ending was perfect! The little box of sweets at the end, in case anyone wanted dessert, was just charming - if one took notice of mom's comment about the bakery she liked to visit! And so was the sriracha! Delightful ending.

I could feel the dopamine flowing as I was watching this movie.