VALUTAZIONE IMDb
6,3/10
2611
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaForty-something Irene had a dream job that made her life easy: she was indeed a luxury hotel inspector and her work got carried out in a wonderful ever-renewed setting.Forty-something Irene had a dream job that made her life easy: she was indeed a luxury hotel inspector and her work got carried out in a wonderful ever-renewed setting.Forty-something Irene had a dream job that made her life easy: she was indeed a luxury hotel inspector and her work got carried out in a wonderful ever-renewed setting.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 12 candidature totali
Recensioni in evidenza
This film comprises a series of scenes that are randomly stuck together in the hope that a movie will be shaped. It never happens. Thirty minutes into the film, one has no idea of the relationship between the various characters, or who they are (other than the lead actress). You know who she is, what she does and the advantages and disadvantages of her job. And.....that's all, Folks! If you decide to watch the whole film, it will be time you'll never get back!
Greetings again from the darkness. Italian movie star Margherita Buy plays Irene, a luxury hotel inspector who travels the world testing picture frames for dust, bed covers for wrinkles, and hotel staff for smiles. Directed and co-written by Maria Sole Tognazzi, the film left me baffled as to why such a talented filmmaker presented such a dead-end trip for the viewer.
Within the first five minutes, we fully "get" Irene and we understand exactly where the movie is headed, provided it follows all overused story clichés (it does). See, Irene has things backwards. She lives in 5 star hotels and takes her brief respites with her nieces, her ex, and her sister. Most of us live with our families and vacation at resorts.
The luxury hotels are breathtaking to see, but mostly the movie drags while we wait for Irene's comeuppance. One segment of the story provides a spark of hope. Lesley Manville (recognizable from numerous Mike Leigh films) appears as a feminist author who lives life to the fullest and tosses out realities that strike a chord with Irene. Unfortunately, this plot line is short-lived and the most interesting character disappears as quickly as she arrived.
Irene is single, but maintains a very close relationship with her ex (a very good Stefano Accorsi). Irene has no kids, but periodically spends time with her young nieces. Irene has no close friends, but spends time with her family-centric sister (a very interesting Fabrizia Sacchi). She does all of this without actually committing to living a real life, as she quickly escapes on her next mystery guest mission.
The film begs for comparison to the superior Up in the Air, which allowed for secondary character development ... an element only teased in this film. Ms. Buy is very talented, but the script just makes this seem like a Luke warm room service meal. We already know that there is no comparison in a dream job versus a dream life.
Within the first five minutes, we fully "get" Irene and we understand exactly where the movie is headed, provided it follows all overused story clichés (it does). See, Irene has things backwards. She lives in 5 star hotels and takes her brief respites with her nieces, her ex, and her sister. Most of us live with our families and vacation at resorts.
The luxury hotels are breathtaking to see, but mostly the movie drags while we wait for Irene's comeuppance. One segment of the story provides a spark of hope. Lesley Manville (recognizable from numerous Mike Leigh films) appears as a feminist author who lives life to the fullest and tosses out realities that strike a chord with Irene. Unfortunately, this plot line is short-lived and the most interesting character disappears as quickly as she arrived.
Irene is single, but maintains a very close relationship with her ex (a very good Stefano Accorsi). Irene has no kids, but periodically spends time with her young nieces. Irene has no close friends, but spends time with her family-centric sister (a very interesting Fabrizia Sacchi). She does all of this without actually committing to living a real life, as she quickly escapes on her next mystery guest mission.
The film begs for comparison to the superior Up in the Air, which allowed for secondary character development ... an element only teased in this film. Ms. Buy is very talented, but the script just makes this seem like a Luke warm room service meal. We already know that there is no comparison in a dream job versus a dream life.
Yes there is some beautiful scenery and the movie gives you some insight into the life of Italian people and then what? Seriously there is more of a story on a box of cereal. She travels a lot and realises that her dream job has some negatives as well. Big deal. Everything in life has a price - we all know that. However, would we make a film about it?
A Five Star Life's original Italian title is Viaggio Sola, which loosely translates to "Traveling Alone". That may have been the better English title for A Five Star Life, not only because the heroine travels for 80% of the film but because it would better serve the emotion the film is trying to convey, as some of that emotion seemed to be lost in translation.
Irene (Marguerita Buy) is a beautiful woman in her 40s who is a five star hotel secret guest. So she has the best job in the world as she checks into the fanciest hotels all over Europe and meticulously grades everything she sees and experiences. It's a glamorous yet solitary life, and Irene lives it never bothered by the lack of personal relationships one would usually have at her age. Those closest to her include her ex- fiancé Andrea and her sister Silvia, a busy mother of two young girls. When Andrea (Stefano Accorsi) learns he is going to be a father from a one night stand, Irene starts to reevaluate her lonely luxurious life. Irene's sister Silvia is a busy musician, wife and mother of two. She is presented to us as the antithesis of Irene, almost what women are supposed to become if they choose the "normal" path of husband and kids. The scenes between Silvia and Irene are the most interesting in the film. Their conversations display a jealousy from both sides yet each hold a candle of superiority over the other, showing that no path is the true path to happiness.
Director Maria Sole Tognazzi paints a beautiful and stark painting of Irene's life on the go. Much like George Clooney in Up in The Air, Irene lives out of her suitcase in the most beautiful rooms in the most stunning places in the world. Back home in Italy you are shown the complete opposite- Irene's empty apartment is a physical representation of her personal life. The camera work in the many places Irene visits is spectacular. From a belly dancer in Morocco to a gorgeous mountain range in Sweden, Tognazzi has an eye for atmosphere and it serves her well in this film. The camera also loves Marguerita Buy. She has the presence of a younger actress with her elegant but casual wardrobe and her perfectly tousled curly blonde hair. Yet she wears her age in such a classic and natural way- you would not want her any other way.
The idea in A Five Star Life is that Irene is lonely and she is doubting her life choice to be single and childless. There is no great urgency from her, especially when she's having a leisurely cocktail in Paris, Stockholm, or Berlin. These places take her away from what is really bothering her. She is most lonely and desperate when she's surrounded by her loved ones. They represent what she has left behind and what she can not get back. More scenes with them would have served the narrative better and given the audience more of an emotional tie to her plight. A Five Star Life is a light and delightful travel movie, but for the emotional moral to really hit home it could have used a little less travel.
Irene (Marguerita Buy) is a beautiful woman in her 40s who is a five star hotel secret guest. So she has the best job in the world as she checks into the fanciest hotels all over Europe and meticulously grades everything she sees and experiences. It's a glamorous yet solitary life, and Irene lives it never bothered by the lack of personal relationships one would usually have at her age. Those closest to her include her ex- fiancé Andrea and her sister Silvia, a busy mother of two young girls. When Andrea (Stefano Accorsi) learns he is going to be a father from a one night stand, Irene starts to reevaluate her lonely luxurious life. Irene's sister Silvia is a busy musician, wife and mother of two. She is presented to us as the antithesis of Irene, almost what women are supposed to become if they choose the "normal" path of husband and kids. The scenes between Silvia and Irene are the most interesting in the film. Their conversations display a jealousy from both sides yet each hold a candle of superiority over the other, showing that no path is the true path to happiness.
Director Maria Sole Tognazzi paints a beautiful and stark painting of Irene's life on the go. Much like George Clooney in Up in The Air, Irene lives out of her suitcase in the most beautiful rooms in the most stunning places in the world. Back home in Italy you are shown the complete opposite- Irene's empty apartment is a physical representation of her personal life. The camera work in the many places Irene visits is spectacular. From a belly dancer in Morocco to a gorgeous mountain range in Sweden, Tognazzi has an eye for atmosphere and it serves her well in this film. The camera also loves Marguerita Buy. She has the presence of a younger actress with her elegant but casual wardrobe and her perfectly tousled curly blonde hair. Yet she wears her age in such a classic and natural way- you would not want her any other way.
The idea in A Five Star Life is that Irene is lonely and she is doubting her life choice to be single and childless. There is no great urgency from her, especially when she's having a leisurely cocktail in Paris, Stockholm, or Berlin. These places take her away from what is really bothering her. She is most lonely and desperate when she's surrounded by her loved ones. They represent what she has left behind and what she can not get back. More scenes with them would have served the narrative better and given the audience more of an emotional tie to her plight. A Five Star Life is a light and delightful travel movie, but for the emotional moral to really hit home it could have used a little less travel.
- See more at: http://www.mediumraretv.org/review/a-five-star- life/#sthash.GgFE4gsD.dpuf
After initially reading through the "summary" under the movie before watching, I had anticipated something different... perhaps more like a Sex and the City kind of vibe with luxury and maybe even romance. However, after seeing how lonely Irene is and how she actually has minimal (meaningful) relationships, it puts what sounds like a fun, luxurious job into perspective. I would think that she gets to travel all over and have fun, while the reality showed that she is rarely ever home and with company she enjoys. I would think that she has great times using the hotels' amenities and relaxing, while she is actually having to do so much and pay such close attention to so many things most people would find it meticulous and possibly even unbearable. I enjoyed this film because of the perspective that it showed and the message of what is actually meaningful and valuable in our lives.
Lo sapevi?
- QuizJacopo Maria Bicocchi and Gisela Szaniszlo who play a young couple staying at the Gstaad Palace are in fact members of the Public Relations and Food Beverage Team of the hotel.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- A Five Star Life
- Luoghi delle riprese
- Hôtel de Crillon, 10 Place de la Concorde, Paris 8, Paris France(one of the luxury hotels inspected by Irene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 306.917 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.996 USD
- 20 lug 2014
- Lordo in tutto il mondo
- 3.039.022 USD
- Tempo di esecuzione
- 1h 25min(85 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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