Una ragazza orfana sogna di diventare una ballerina e fugge dalla sua Bretagna rurale per Parigi, dove passa per qualcun altro e accede alla posizione di allieva al Teatro dell'Opera.Una ragazza orfana sogna di diventare una ballerina e fugge dalla sua Bretagna rurale per Parigi, dove passa per qualcun altro e accede alla posizione di allieva al Teatro dell'Opera.Una ragazza orfana sogna di diventare una ballerina e fugge dalla sua Bretagna rurale per Parigi, dove passa per qualcun altro e accede alla posizione di allieva al Teatro dell'Opera.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Felicie
- (voce)
- Victor
- (voce)
- Odette
- (voce)
- Camille
- (voce)
- Mérante
- (voce)
- (as Terence Scammel)
- …
- Rudolph
- (voce)
- …
- Regine
- (voce)
- Dora
- (voce)
- (as Elena Dunkleman)
- …
- Nora
- (voce)
- (as Soshana Sperling)
- Greasy Guard
- (voce)
- …
- Luteau
- (US version)
- (voce)
- Postman
- (US version)
- (voce)
- (as Ricardo Sanchez)
- Regine
- (US version)
- (voce)
- …
- Margarette
- (voce)
- (non citato nei titoli originali)
- Briggitte
- (non citato nei titoli originali)
Recensioni in evidenza
The animation is functional. This Canadian-French production is equivalent to Illumination Entertainment level. It's fine but not anything ground breaking. The characters are fine. There are the plucky kids against great odds and villains and other archetypes. The story is also fine but a few changes would have helped. Felicie stealing the letter is probably the main mistake. It puts her on the wrong side and lets Camille off the hook. Camille should be bullying the other girls to force them out. Felicie can still learn from Odette and Mérante can simply invite her into the class after the tavern dance. The plot can arrive at the same place without compromising Felicie. It's also off when she sleeps through her audition putting her at fault once again. The dance off is actually quite exhilarating but the climaxing gets a second unnecessary trip around. A Hollywood studio would make everybody an animal and this would probably sell a lot better. Sing is not much better and it made over $600 million. Non-Hollywood doesn't have the formula yet. They don't know how to market and make a modern family-oriented animated movie.
The story is light, surely to be appreciated by young girls. My son was restless through the second half, only rejoining the action when the little boy character was on screen.
What I enjoyed most was the graphics that were very good. The scenes were great. I lived in Paris for 3 years so anything in that city brings back fond memories. Both the body language and facial expressions of the characters were spot on. I chuckled many times through the movie as I saw how wonderful a job the animators did.
I enjoyed the story too. Who wouldn't enjoy a story with a positive outcome. It was certainly unrealistic but still fun.
Enlisting the talent of French animator who was partly responsible for one of my favourite animated movies, Belleville Rendez-vous, Éric Warin sits alongside Summer in the director's chair and what they give us is a delightful underdog story.
The focus of the story is on Félicie, voiced by Elle Fanning, an ambitious yet rebellious orphan girl who dreams of becoming a dancer, constantly attempting to flee the orphanage to Paris, in pursuit of her ambition.
She's not alone in either dream-chasing or escaping the orphanage. Victor, voiced by Dane DeHaan, an obvious admirer of hers also wishes to leave to become a famous inventor, so the two of them embark on an adventure finally reaching Paris and with various strokes of good fortunate, end up where they both want to be.
The voices don't necessarily match their characters, DeHaan being far to old (apologies, 30 isn't old, but...) to voice a teenage orphan. Pop singer Carly Rae Jepsen does a fine job of voicing broken ballerina, Odette, but I'm most impressed with Sia's music video dancing star, Maddie Ziegler, voicing the spoilt, stuck-up Camille.
It has all the ingredients of a simple yet pleasing underdog story with some impressive and enticing animation. The dances themselves are superbly gracefully and the details are brilliant. There's troublesome emotions, difficult choices and quite a few triumphs with a clear message of never giving up and what ever you do, do it with heart.
It's predictable but that's forgivable being a children's film. It's loaded with touching gestures and typical twists that make the film memorable but is equally loaded with unnecessary silliness and feels a little rushed in places, possibly to keep children's attention.
It's not a musical but the soundtrack that accompanies the film really stands out with some great tracks from Magical Thinker, Chantal Kreviazuk and Camila Mora. Klaus Badelt does a graceful and enchanting score that does well to stand alone from Tchaikovsky's ballet greats of Swan Lake and the Nutcracker.
It's good sign not hearing any disturbances for the young audience and my God-Daughter seemed to enjoy it giving a little dance at the end. It's far from perfect but there's some great scenes and you can see the effort was put in. It's good light-hearted entertainment for the whole family.
Running Time: 8 The Cast: 6 Performance: 7 Direction: 7 Story: 8 Script: 7 Creativity: 8 Soundtrack: 9 Job Description: 9 The Extra Bonus Points: 0
69% 7/10
Lo sapevi?
- QuizThe Statue of Liberty is shown light green in its current oxidized state. During construction and for a few years after, it would have been a shiny copperish bronze color.
- BlooperThe Statue of Liberty is shown as being already green when it should be brown. The bronze didn't deteriorate to green until around 1900.
- Citazioni
Victor: [watching Felicie dance around the Irish bar] Wow!
[Love-struck, he tosses her a rose. Felicie reaches up to catch it, but loses her balance and falls onto a table. Merante, who was seated nearby, stands up and removes his hat. Felicie gasps in fear]
Mérante: [sternly] I hope that tomorrow you act with a little more dignity.
[starts to walk out]
Mérante: Anyway, tonight was...
[puts his hat back on and smiles]
Mérante: A GOOD performance.
Felicie: [flattered] Thank you, sir.
- Curiosità sui creditiThe title doesn't appear until the end of the film.
- Versioni alternativeThe United States version of the film, released by The Weinstein Company, has Nat Wolff, Mel Brooks and Kate McKinnon replace Dane DeHaan, Jamie Watson, Julie Khaner and Bronwen Mantel as Victor, M. Luteau, Régine Le Haut and Mother Superior. McKinnon also does the voice of Félicie's Mother, a character who was mute in the French and original English versions. Terrence Scammell and Ricardo Sanchez also re-dub the roles of the Janitor and Postman in this version. There are also a few different lines in the United States version in contrast to the French and original English versions.
- ConnessioniFeatured in CTV National News: Episodio datato 17 febbraio 2017 (2017)
- Colonne sonoreYou Know It's About You
Written by Chris Braide and Wrabel (as Stephen Wrabel)
Performed by Chris Braide (as Magical Thinker) featuring Wrabel (as Stephen Wrabel)
String arrangement by Klaus Badelt and Christopher Carmichael
Produced and mixed by Chris Braide (as Christopher Braide)
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.702.560 USD
- Fine settimana di apertura Stati Uniti e Canada
- 181.091 USD
- 26 feb 2017
- Lordo in tutto il mondo
- 109.573.511 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1