Una ragazza orfana sogna di diventare una ballerina e fugge dalla sua Bretagna rurale per Parigi, dove passa per qualcun altro e accede alla posizione di allieva al Teatro dell'Opera.Una ragazza orfana sogna di diventare una ballerina e fugge dalla sua Bretagna rurale per Parigi, dove passa per qualcun altro e accede alla posizione di allieva al Teatro dell'Opera.Una ragazza orfana sogna di diventare una ballerina e fugge dalla sua Bretagna rurale per Parigi, dove passa per qualcun altro e accede alla posizione di allieva al Teatro dell'Opera.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Felicie
- (voce)
- Victor
- (voce)
- Odette
- (voce)
- Camille
- (voce)
- Mérante
- (voce)
- (as Terence Scammel)
- …
- Rudolph
- (voce)
- …
- Regine
- (voce)
- Dora
- (voce)
- (as Elena Dunkleman)
- …
- Nora
- (voce)
- (as Soshana Sperling)
- Greasy Guard
- (voce)
- …
- Luteau
- (US version)
- (voce)
- Postman
- (US version)
- (voce)
- (as Ricardo Sanchez)
- Regine
- (US version)
- (voce)
- …
- Margarette
- (voce)
- (non citato nei titoli originali)
- Briggitte
- (non citato nei titoli originali)
Recensioni in evidenza
While not up there with my favourite animated films, or one of my favourite films of 2016, 'Ballerina' is nonetheless charming with a lot of delights. It will delight the younger crowd, but fellow ballet fans will also be charmed and there should be enough for adults to find value. 'Ballerina' is much more than a film for "little girls" or "just for kids" and does a good job telling a type of story that would be relatable to anybody.
Coming from somebody who overcame disabilities and bullying and wanted to sing professionally and get training and experience, it took a long time but I got there and have not looked back, 'Ballerina' clicked with me.
Of course 'Ballerina' isn't immune to flaws. The story is very familiar and does get predictable, while the characters are very likable but slightly skim-surface archetypes. However, this may seem very nit-picky and can easily be ignored by people and only problems for the toughest of critics.
Aside from these, there were also reservations with some of the soundtrack and one voice cast member. The music is often beautiful and infectious, with some genuine enchantment, but could have done with more classical music choices and less pop. A good deal of the pop tunes are very catchy, but more Tchaikovsky would have suited the film better and been more dynamic and a few others grate. Dane DeHaan doesn't sound right as Victor and doesn't fit, sounding too mature for a character clearly intended to be much younger, either he should have tried to sound younger and more boyish or the character should have been voiced by somebody in his late-teens.
However, the animation is very good, often excellent, especially in the beautifully studied and meticulous background details and the intricate and graceful choreography that synchronises with the music very well and shows animators that have clearly done their homework. As said, the soundtrack does mostly work, while the script makes a real attempt to appeal to both children and adults (being a family film) and, with a nice mix of humour, pathos and life values and never being over-complicated or childish, it does succeed.
The story, even with the familiarity and predictability, goes at a neat pace and as well as having a lot of charm and heart the messaging never comes over as preachy and very much valuable. It is also easy to see why anybody would find it inspiring and easy to relate to, as a young adult both were very easy for me. Even though archetypal, the characters are still likable, the title character has her flaws but it is easy to quickly warm to her. The voice acting, DeHaan aside, is strong, with Elle Fanning and Carly Rae Jensen bringing emotion and spirit to their characters and Maddie Ziegler stealing the show.
In summary, a familiar film but a very charming one and one to be seen without prejudice. 7/10 Bethany Cox
This is a nice film, that particularly targets little kids and mostly the girl audience to inspire Ballerina. Cute characters and scenes, but very familiar story. Shares lots of similarities with 'August Rush', except the field of interest. I am not an expert or know all about Ballet, but some of the parts involving them were turned me off. I know the gravitation force is irrelevant in animation since they're not real world to comply with science, but maybe I'm being an adult and knowing that stuff might have influenced me to think that way. It reminds me I'm really an adult, though this film should be watched as a kid despite whatever you are. However, nothing affected me from enjoying it.
It sets in the 80s of the 19th century France. At the time when Eiffel Tower and Statue of Libery were on the construction, a poor orphan girl named Felicie escapes orphanage with another boy to pursue her dream to be a ballerina. Then they arrive in Paris, and very soon they find their separate ways to achieve the goals. Not all smooth sail, especially for her. So she takes the opportunity that comes her way, even after knowing it was wrong to do.
❝You have something that she can only dream of: passion!❞
From there, with all the complications tailing her, how far she could go to make her dream come true. Which also includes the amount of dedication put on her undertaking to meet the expectations of her trainer, rivals and many others. And to show the world the interest is not simply based on enthusiasm, but willingness to sacrifice anything for it. Her journey from nothing to the edge of something new to define her life is the film that briefs for just short of 90 minutes.
This is not another 'Billy Elliot'. Animations are usually comedy, fantasy and musical, but recently the adventures and science fictions are surging. I don't remember I ever have seen an animated dance flick. Not the classical dance, not in the modern 3D animation format. The closest one was a decade old 'Happy Feet'. So that makes it is a unique product and comes under a must see for all the animation fans. But the storyline is predictable and many sequences were intentionally dragged to be cliché. Because it works, particularly if they're aiming for the younger generation who haven't seen many films in their lives. Only we the grownups whine.
Most of the voice-over artists are well known Americans actors which boosted the film. The character combinations are good. It brought the variety, especially slightly to ride off the main theme in a few occasions. Like the boy's interest in inventing things which were other major parts of the twist and turns in the narration. It is not a great animation if it was from Hollywood, but coming from France and the theme it focused on, the effort must be appreciated. Overall a much better film than what the average reviews and ratings around the internet says. It is a ballet film means not those who love it should watch it, but those target audience should not miss it. That means generally worth a watch, but not for everyone.
7/10
Lo sapevi?
- QuizThe Statue of Liberty is shown light green in its current oxidized state. During construction and for a few years after, it would have been a shiny copperish bronze color.
- BlooperThe Statue of Liberty is shown as being already green when it should be brown. The bronze didn't deteriorate to green until around 1900.
- Citazioni
Victor: [watching Felicie dance around the Irish bar] Wow!
[Love-struck, he tosses her a rose. Felicie reaches up to catch it, but loses her balance and falls onto a table. Merante, who was seated nearby, stands up and removes his hat. Felicie gasps in fear]
Mérante: [sternly] I hope that tomorrow you act with a little more dignity.
[starts to walk out]
Mérante: Anyway, tonight was...
[puts his hat back on and smiles]
Mérante: A GOOD performance.
Felicie: [flattered] Thank you, sir.
- Curiosità sui creditiThe title doesn't appear until the end of the film.
- Versioni alternativeThe United States version of the film, released by The Weinstein Company, has Nat Wolff, Mel Brooks and Kate McKinnon replace Dane DeHaan, Jamie Watson, Julie Khaner and Bronwen Mantel as Victor, M. Luteau, Régine Le Haut and Mother Superior. McKinnon also does the voice of Félicie's Mother, a character who was mute in the French and original English versions. Terrence Scammell and Ricardo Sanchez also re-dub the roles of the Janitor and Postman in this version. There are also a few different lines in the United States version in contrast to the French and original English versions.
- ConnessioniFeatured in CTV National News: Episodio datato 17 febbraio 2017 (2017)
- Colonne sonoreYou Know It's About You
Written by Chris Braide and Wrabel (as Stephen Wrabel)
Performed by Chris Braide (as Magical Thinker) featuring Wrabel (as Stephen Wrabel)
String arrangement by Klaus Badelt and Christopher Carmichael
Produced and mixed by Chris Braide (as Christopher Braide)
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.702.560 USD
- Fine settimana di apertura Stati Uniti e Canada
- 181.091 USD
- 26 feb 2017
- Lordo in tutto il mondo
- 109.573.511 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1