Hidden Blessings

I'm particularly hard on faith-based films. More times than not, they aren't art. They're blunt force trauma without any nuance.

That's the mindset I have going into any faith-based film I watch. So imagine my surprise and appreciation for this film when as the credits rolled, I felt that it was told in a way that was new, unique and refreshing while NOT being present or feeling cheesy.

The direction from Matthew Budds and performances by James Arnold Taylor and his supporting cast was top notch and rooted in realistic dialogue and performance.

This is one of those films that breaks the mold of what you'd expect from this genre, and I would recommend it to anyone who likes film, regardless of their beliefs. It's simply a great film.

I have been a fan of James Arnold Taylor and his works. This movie surpassed my expectations! The acting in this movie is great, I knew it would be good, but I was taken aback by it. The prodigal son parable is taken in a direction that I would not have expected. There is a twist which I believe every one who watches this film will enjoy. My wife and I have met James Arnold Taylor and he is one of the most humble people. His faith is evident in the way he converses with those who are his fans and his podcast is also so reflective of his faith. I certainly hope that he will continue to make films and make his talents available in other films.

James Arnold Taylor is such a charismatic (voice) actor that he keeps you hooked to your seat as you want to see what his character does next. The trailers alone do the film justice & really sell how mysterious life can be whilst it trys to tell you your own story. I only wish that it was longer as I want to see more of how this world works. James should produce more as his eye for detail is impeccable. This high quality film is what all directors should aspire to by actually making you fall in love with the story, the characters & most importantly make you want to revisit the film when you have a chance.

**TL;DR** - The passion of all those involved in the creation of this film is evident, which reflects in its quality.

*this is a spoiler-free review*

Allow me to begin by noting that one forgets almost immediately that these are actors in a scripted narrative rather than individuals participating in a true documentary. The bar for authenticity has been irrevocably raised.

The story follows a young filmmaker who is afforded the rare opportunity to interview a reclusive artist-an enigmatic figure who appears to have turned his back on the art world, despite its insatiable clamour for his masterpieces. Which there develops quite a lovely irony that he is not especially reclusive, nor has he turned his back on anyone.

Without delving into spoiler territory, the film explores themes of one's personal relationship with God - through the perceptions of those who would regard such faith favourably and those who might view it less so. I rather liked the notion that one's aim ought not to be to change others' beliefs but rather to invite introspection about what they believe and why they believe it.

A recurring theme is the parable of the prodigal son. Mason Mecartea delivers an extraordinary performance as Samuel Davidson, one of the standout performances amongst an all round high quality cast. As is James Arnold Taylor's portrayal of Gregory Davidson, a role imbued with a heartfelt paternal tenderness that is sure to move any father. Additionally, I wanted to note that Trinity portrayed by Lydia Rose Taylor has the most darling smile and I hope we are to see her in further productions.

My solitary point for improvement -albeit one stemming from professional bias, as it pertains to my own field-concerns the depiction of a character's medical event (fear not, no spoilers). While the portrayal aligns with the narrative context and reflects the character's potential for error, it slightly misrepresents the medical condition in question. Though understandable within the story, it might inadvertently cause concern for viewers who aren't from a medical background. However, this is a minor quibble and hardly detracts from the overall experience.

I do recommend this film. It is clear the passion and effort which went into it, that alone deserves to be seen.

One of the best things about this movie is that we can all relate to every character at one point in time or another, because we've all been there at different parts of our lives. This movie reminds us, and invites us, to consider that. It invites us to consider honest faith and hope without being heavy-handed. From the story to the music to the acting, this is a movie that will draw you in and then bring you back again. Kudos to James Arnold Taylor and Matthew Budds for bringing this movie together and for sharing it with all of us.

Every re-watch, wherever I am on the journey, I'm glad I took it with Mr. Taylor...err...Gregory Davidson. You will be, too.