L'amore bugiardo - Gone Girl

This is a 2.5 hour movie and sometimes these days it's difficult for me to stick with the longer movies but this never felt long. You were always curious what was going on. Let's just say it didn't quite go the way I expected but I was intrigued the whole time. The acting was great. This could for sure be considered a slow burn and I'm actually currently watching the TV show Sharp Objects by the same author and this is paced much better than that. There's a couple things I didn't particularly thing got solved or like how they went at the end but overall a great movie.

I like it when a movie can keep me guessing until the end, and Gone Girl just did that. Most of the time I didn't know where this film was going, and each new twist and turn was a surprise. You can't help but get pulled into the story. The actors all gave excellent performances, as well. I don't think I'll ever be able to look at some of them the same way again. This movie is what a crime thriller should be.

David Fincher has done what i thought was the impossible, by making a movie from a book, and it actually being good, i'm even going to say better than the book, and i don't give that out lightly.

First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"

The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.

In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.

Amy and Nick Dunne are young, stylish and charming. The immaculate dream couple? It seems so, at least on the face of it. But infidelity and financial troubles let the glamorous façade crumble. One morning, Amy disappears without a trace, and Nick becomes suspect. Did he kill his wife? The media depict him as an uncaring husband, and he's trying desperately to correct that image. But what if he really is the murderer everyone believes him to be?

"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."

Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.

Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.

"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.

Dark and twisted, David Fincher's stylish new mystery thriller was derived from Gillian Flynn's intriguingly slick tale from her complex and suspenseful novel. By far one of the best acting performances to have come from Ben Affleck, 'Gone Girl' boasts some strong yet disturbing portrayals from Rosamund Pike, Neil Patrick Harris, Tyler Perry and Affleck. Fincher has garnered fame and recognition as a mainstream director, that is not only able to engulf the audience within the picture, but actually make them part of the scenario. Fincher exercises upon his trademarks with the swift and stunning cinematography, the chilling score and tight editing, all of which makes 'Gone Girl' a movie full of great visual storytelling.