Ogsuyeog gwisin

I guess the best I can say about this film is that it isn't too bad a way to spend the time. As I mention in the title, there honestly isn't anything special that really stands out about the story or the way it's done.

I mean, it's not awful, but basically just middle of the road. The overall story is mildly interesting, the point of what is actually happening and why is not a bad concept. It's just my lowly and wretched opinion that it probably could have been done with a bit more style and a deeper, more effective atmosphere.

The acting and everything is okay, nothing terrible. And yes, there are the usual jump scares, but that is honestly just about all there is to the actual mechanics of how the story is told.

It's kind of too bad too because like I mentioned before, the overall idea is actually pretty good, and rather creepy, really. But, I almost get the impression that the filmmakers, although probably somewhat talented, didn't really seem to spend a whole lot of time or thought in putting the film together.

So, not a terrible time waster, but nothing truly deserving a glowing recommendation either...

A straight to VOD South Korean horror film with cheap-ish production quality and noticeable amateurism. Kim Bo Ra carried the whole movie (flaws and all) and I don't have many complaints about the cast, they all performed decently. Lots of Japanese horror influence from start to finish.

A straight to VOD South Korean horror film with cheap-ish production quality and noticeable amateurism. Kim Bo Ra carried the whole movie (flaws and all) and I don't have many complaints about the cast, they all performed decently. Lots of Japanese horror influence from start to finish.

A straight to VOD South Korean horror film with cheap-ish production quality and noticeable amateurism. Kim Bo Ra carried the whole movie (flaws and all) and I don't have many complaints about the cast, they all performed decently. Lots of Japanese horror influence from start to finish.

The Ghost Station is a rather mediocre supernatural mystery from South Korea.

While, there's nothing wrong with the acting or production quality...the story itself leaves a little room to be desired.

We find ourselves following a young journalist, whose friend witnesses a brutal suicide, at a train station he works at.

During the ordeal he sees a young child on the tracks.

So, intrigued by the incident, the young journalist decides to investigate the matter.

What follows is a convoluted investigation that leads her to uncover a dark secret, buried deep, from the past.

One which has left that particular train station cursed.

Hence the series of deaths that surround it.

Thus, what starts off as an investigative report...turns into a chance to free the trapped spirits of these lost, and vengeful, souls.

By helping them appease their grudge.

The film is clearly inspired by Japanese ghost stories like The Ring and The Grudge.

And it's a fine homage to those type of films.

But it just doesn't seem to hit as hard as it should.

So it comes off as relatively average in the end.

5 out of 10.

Once upon a time, this film had potential to captivate the hearts of genre enthusiasts. However, it falls short of its mark as its mediocre execution leaves much to be desired. The cinematography lacks finesse, with primitive shots that fail to capture the essence of the scenes. Additionally, the plot is passable at best and does not hold a lasting impression. The color palette, while aimed at reflecting the atmosphere, feels clumsily chosen and tends to irritate rather than enhance the viewing experience.

From the directing to the performances, everything feels average, lacking the depth and nuance that would make it truly noteworthy. To endure this film requires an exceptional amount of patience. Yet, amidst the sea of mediocrity, there is a single scene that manages to shine. The interaction between the heroine and what she believes to be a ghost creates a captivating moment, showcasing a glimmer of potential. However, the director fails to capitalize on this cinematic technique, instead focusing on the simplistic and unrealistic portrayal of children's ghosts emerging from the ground.

These bizarre events are loosely tied together, leaving viewers perplexed and searching for a stronger narrative thread.

I wanted to really like this film and if it has been released a good decade or so earlier I probably would have, but as it stands, this is a by-the-numbers ghost story that's not at all shocking or surprising (unless of course you've just missed out on most Japanese and Korean ghost story films). This being said, the film does look great with the strong cinematography and the performances are quite good, but doesn't always save the film. With a short runtime it is an easy time waster, but you'll have easily forgotten it once the end credits roll. This film is really for the Asian ghost story fans.