VALUTAZIONE IMDb
5,6/10
25.309
LA TUA VALUTAZIONE
Quando sembra che la fine sia in vista, i piloti, l'equipaggio di volo e i passeggeri di un aereo verso Città del Messico cercano di dimenticare l'angoscia del momento e di affrontare il per... Leggi tuttoQuando sembra che la fine sia in vista, i piloti, l'equipaggio di volo e i passeggeri di un aereo verso Città del Messico cercano di dimenticare l'angoscia del momento e di affrontare il pericolo più grande che portiamo dentro di noi.Quando sembra che la fine sia in vista, i piloti, l'equipaggio di volo e i passeggeri di un aereo verso Città del Messico cercano di dimenticare l'angoscia del momento e di affrontare il pericolo più grande che portiamo dentro di noi.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 10 candidature totali
Coté Soler
- Operario 2
- (as Cote Soler)
José María Yazpik
- Infante
- (as José Mª Yazpik)
Recensioni in evidenza
The words surreal, strange, fantastical and bizarre have been associated with Pedro Almodovar's cinema along with longing, fragility, fluidity of gender, and the search for one's individual sexuality in a world filled with variations from the "norm." His 2011 movie THE SKIN I LIVE IN encompassed all those terms and I for one was deeply touched by that exceptionally idiosyncratic film. On the other hand, I'M SO EXCITED is Almodovar on his tiptoes – LIGHT and FROTHY. I do not deny that the movie made me laugh out loud, but it never made me ache with confusion and pain. It never touched me beneath the skin I live in.
The bouncy, brightly colored, whimsical, animated opening credits put a smile on the audiences' faces, setting the mood for the craziness that was to come. The movie bolts onto the screen with cameos by Airline workers, Penelope Cruz and Antonio Banderas, two of the finest actors in Almodovar's repertory. But their cameos are basically a "schtick" - an eccentric bit - with no relation to the rest of the movie, except as a sign that we are about to be launched on a wild ride.
We meet the flight attendants and passengers of Peninsula 2549 – an Airline like no other - bound from Spain to Mexico, and discover early on that there is trouble with the plane's landing gear which puts everyone at dire risk as the plane circles round and round looking for a place to land. How the crew and passengers deal with the end-of-life/ tying-up-loose- ends business goes to the heart of this comic allegory. Life goes on in the midst of probable death so everyone - actually everyone who is not in Economy Class (they are drugged and asleep) - lets loose and are plied with drinks, drugs and engage in sex – a feast of debauchery including gay and straight sex, anonymous and public couplings. We are privy to personal histories, infidelities, lies and scandals – humanity with all its human failings flung out like baggage for all to see and hear.
Three of the Flight attendants who are all gay, function as a Greek Chorus – commenting on the action, and entertaining the travelers with a wonderfully kinky and freaky rendition of the Pointer Sisters song "I Am So Excited." These flamboyant stewards are the focus of the movie – their struggles with morality, philosophical musings, religion, and libidinal urges make for a tender, extravagant burlesque. There is also a Cassandra-like character – a predictor of future doom that nobody wants to hear, because the underlying truths make everyone uncomfortable.
I love that Pedro Almodovar works on films that are unpredictable. He experiments with all kinds of genres – some are secret and intimate and others are open and "cosmic". I admire that he does what he wants and each movie is a challenge. Immediately after the movie ended, I felt that this comedy was both hilarious and often too obviously "over the top." On further reflection, I realized that what I had perceived as superficiality was a strongly structured jab at our human vulnerabilities – delivered with jest and generosity – all the better to grasp and hold you.
The bouncy, brightly colored, whimsical, animated opening credits put a smile on the audiences' faces, setting the mood for the craziness that was to come. The movie bolts onto the screen with cameos by Airline workers, Penelope Cruz and Antonio Banderas, two of the finest actors in Almodovar's repertory. But their cameos are basically a "schtick" - an eccentric bit - with no relation to the rest of the movie, except as a sign that we are about to be launched on a wild ride.
We meet the flight attendants and passengers of Peninsula 2549 – an Airline like no other - bound from Spain to Mexico, and discover early on that there is trouble with the plane's landing gear which puts everyone at dire risk as the plane circles round and round looking for a place to land. How the crew and passengers deal with the end-of-life/ tying-up-loose- ends business goes to the heart of this comic allegory. Life goes on in the midst of probable death so everyone - actually everyone who is not in Economy Class (they are drugged and asleep) - lets loose and are plied with drinks, drugs and engage in sex – a feast of debauchery including gay and straight sex, anonymous and public couplings. We are privy to personal histories, infidelities, lies and scandals – humanity with all its human failings flung out like baggage for all to see and hear.
Three of the Flight attendants who are all gay, function as a Greek Chorus – commenting on the action, and entertaining the travelers with a wonderfully kinky and freaky rendition of the Pointer Sisters song "I Am So Excited." These flamboyant stewards are the focus of the movie – their struggles with morality, philosophical musings, religion, and libidinal urges make for a tender, extravagant burlesque. There is also a Cassandra-like character – a predictor of future doom that nobody wants to hear, because the underlying truths make everyone uncomfortable.
I love that Pedro Almodovar works on films that are unpredictable. He experiments with all kinds of genres – some are secret and intimate and others are open and "cosmic". I admire that he does what he wants and each movie is a challenge. Immediately after the movie ended, I felt that this comedy was both hilarious and often too obviously "over the top." On further reflection, I realized that what I had perceived as superficiality was a strongly structured jab at our human vulnerabilities – delivered with jest and generosity – all the better to grasp and hold you.
"I'm So Excited!" from 2013 is not Almodovar's best effort - it's as raunchy as it gets, and it seems like it's on the light side for him. It really isn't, if you understand Spanish politics.
The plot concerns a flight from Madrid to Mexico with an economy class that's been drugged so they'll sleep through the flight and won't become restless, and a first class with just a few people in it. Those people consist of a dominatrix, a virgin psychic, a man escaping from bank fraud, an actor, a couple on their honeymoon, and a man who describes himself as being in the security business.
They are attended to by three gay male flight attendants who at one point lypsync and dance to "I'm So Excited." They also pass out Valenciana cocktails with mescalin in them.
It seems that the plane might not land - there's a problem with the landing gear and the pilot is frantically seeking an airport where he can make an emergency landing.
Someone described this as a gay Airplane! and I suppose in a way it is. Almodovar I think was saying that the economy class (i.e., the poor) are kept unaware of circumstances. The wealthy people in first class are awake and, if not in control, at least they know what's going on.
If you're not a fan of Almodovar, you will undoubtedly hate this. I liked it - I'm not one for raunchy, sexual humor -- but because I like Almodovar and his quirkiness, I put up with it. I have to say the guys' rendition of "I'm So Excited" was hilarious - I watched it a couple of times. Also, Miguel Angel Silvestre, one of my favorite actors, plays one of the honeymooners. Antonio Banderas and Penelope Cruz have cameos.
Almodovar isn't for everyone, but he's an intelligent director with an offbeat sense of humor. If you're unfamiliar with him, I recommend you start with "Woman on the Verge of a Nervous Breakdown" or "All About My Mother," or the wonderful "Volver."
The plot concerns a flight from Madrid to Mexico with an economy class that's been drugged so they'll sleep through the flight and won't become restless, and a first class with just a few people in it. Those people consist of a dominatrix, a virgin psychic, a man escaping from bank fraud, an actor, a couple on their honeymoon, and a man who describes himself as being in the security business.
They are attended to by three gay male flight attendants who at one point lypsync and dance to "I'm So Excited." They also pass out Valenciana cocktails with mescalin in them.
It seems that the plane might not land - there's a problem with the landing gear and the pilot is frantically seeking an airport where he can make an emergency landing.
Someone described this as a gay Airplane! and I suppose in a way it is. Almodovar I think was saying that the economy class (i.e., the poor) are kept unaware of circumstances. The wealthy people in first class are awake and, if not in control, at least they know what's going on.
If you're not a fan of Almodovar, you will undoubtedly hate this. I liked it - I'm not one for raunchy, sexual humor -- but because I like Almodovar and his quirkiness, I put up with it. I have to say the guys' rendition of "I'm So Excited" was hilarious - I watched it a couple of times. Also, Miguel Angel Silvestre, one of my favorite actors, plays one of the honeymooners. Antonio Banderas and Penelope Cruz have cameos.
Almodovar isn't for everyone, but he's an intelligent director with an offbeat sense of humor. If you're unfamiliar with him, I recommend you start with "Woman on the Verge of a Nervous Breakdown" or "All About My Mother," or the wonderful "Volver."
A plane malfunctions and faced with possible imminent death, pilots, crew and passengers reveal their innermost secrets.
After having tranquilised the passengers of the economy class, crew members only have to deal with the few business class passengers and their eccentricities but it is the very gay cabin crew that are called to the rescue.
Unusual due to it s overly camp overtones, this one is a little gem. It is not often we face the inevitable with such fresh humour and intelligent satire. When close to dying it seems we do not care about having our innermost secrets revealed and Almodovar infuses humour with realism, in a masterly way as we have come to expect from him.
Much as I can see why some have rushed to label this as too overdone, I would disagree and it clearly showed that a heterosexual viewer can both enjoy and appreciate a mucho camp romp.
After having tranquilised the passengers of the economy class, crew members only have to deal with the few business class passengers and their eccentricities but it is the very gay cabin crew that are called to the rescue.
Unusual due to it s overly camp overtones, this one is a little gem. It is not often we face the inevitable with such fresh humour and intelligent satire. When close to dying it seems we do not care about having our innermost secrets revealed and Almodovar infuses humour with realism, in a masterly way as we have come to expect from him.
Much as I can see why some have rushed to label this as too overdone, I would disagree and it clearly showed that a heterosexual viewer can both enjoy and appreciate a mucho camp romp.
I ignored the reviews for this flick which were mostly unfavourable figuring that Almodovar is not everybody's cup of tea. On this occasion alas I have to agree. I'm assuming this is meant to be an out and out comedy (there was a fair amount of laughter in the cinema) but to me the material was over reliant on cheap, sensationalist blowjob and gay sex gags a kind of x rated Carry On film with none of the charm and simply not funny enough.
I figure that Almodovar fans like myself will watch this regardless of the poor reviews, as for those Almodovar virgins who may be contemplating popping their cherry avoid this and check out the great man's back catalogue.
I figure that Almodovar fans like myself will watch this regardless of the poor reviews, as for those Almodovar virgins who may be contemplating popping their cherry avoid this and check out the great man's back catalogue.
A plane has problems with the landing gear and so it is circling around waiting for a landing path. And while waiting for the landing the crew and the passengers do and tell a lot.
I read the movie is also supposed to be a farce of Spanish politics. Since I know absolutely nothing about Spanish politics I have missed it all. Maybe if I was familiar I would have liked the movie even more.
But it was still entertaining. My favorites of the movie are the flamboyant flight attendance. They have a great comedic presence and timing. I think one of my favorite parts of the movie is when they perform "I'm so excited" for the passengers.
At the same time it didn't bring as much humor with the passengers. They were all outrageous characters but it didn't go too far and we didn't get to connect too much with them. Of course this is a farce comedy and one shouldn't expect too much depth but I feel a little more could have been done.
Still it is a pretty entertaining and unique comedy. I would recommend it for people who aren't too offended by sexual humor and enjoy some lighthearted comedy.
I read the movie is also supposed to be a farce of Spanish politics. Since I know absolutely nothing about Spanish politics I have missed it all. Maybe if I was familiar I would have liked the movie even more.
But it was still entertaining. My favorites of the movie are the flamboyant flight attendance. They have a great comedic presence and timing. I think one of my favorite parts of the movie is when they perform "I'm so excited" for the passengers.
At the same time it didn't bring as much humor with the passengers. They were all outrageous characters but it didn't go too far and we didn't get to connect too much with them. Of course this is a farce comedy and one shouldn't expect too much depth but I feel a little more could have been done.
Still it is a pretty entertaining and unique comedy. I would recommend it for people who aren't too offended by sexual humor and enjoy some lighthearted comedy.
Lo sapevi?
- QuizThere are many references to Pedro Almodóvar's universe throughout the film. The name of the plane is Chavela Blanca, in clear reference to Pedro's beloved singer and friend Chavela Vargas and to another of his most cherished friends, the late Blanca Sánchez. The air company Peninsula is shortened in the plane top wing as Pe, Penélope Cruz's renowned nickname.
- BlooperThe pilots state that one of the landing gear can't retract. The landing gear indicator - shown in excellent close-up - has three green lights and one red - this means three gear are down and fully locked and one is retracted. A proper combination would be three red and one flickering light.
- Curiosità sui creditiat approx 6 minutes, the words UNA HORA Y MEDIA DESPUÉS seem to come out of the airplane's exhaust, as the plane flies across the screen.
- ConnessioniFeatured in Projector: I'm So Excited! (2013)
- Colonne sonoreI'm So Excited
Written by Anita Pointer, Ruth Pointer, June Pointer, and Trevor Lawrence
Performed by The Pointer Sisters
(p) 1982 by Anita Pointer Publishing / Leggs Four Publishing / Ruth Pointer Publishing / EMI BLACKWOOD MUSIC INC.
Autorizada para España a EMI MUSIC Publishing Spain S.A.
All rights reserved. International Copyright secured.
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- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- I'm So Excited!
- Luoghi delle riprese
- Azienda produttrice
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Botteghino
- Budget
- 5.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.368.119 USD
- Fine settimana di apertura Stati Uniti e Canada
- 97.328 USD
- 30 giu 2013
- Lordo in tutto il mondo
- 21.259.853 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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